David

Three different stories, of different periods, almost not intersecting, yet making an enjoyable, watchable movie. Vikram as Goan David is brilliant. Neil Nitin Mukesh as London David is good. Monica Dogra in her short appearance is breath-taking. Dance moves of Isha Sharvani in 'Tere Mere Pyar Ki' song is graceful . Isha is cute as always. Sheetal Menon looks as smart as she looked in Bejoy Nambiar's earlier original "Shaitan".. Regular Hindi movie watchers are used to longer and more meaningful roles from Tabu, Lara Dutt, Rohini Hathangady and Satish Kaushik .. So the viewers are likely to feel a bit disappointed..Sarika does not seem to have aged at all.. Two songs "Tere mere pyar ki" and " Yun hi re " are outstanding in tune and singing.. Photograpy is good.. The comic scenes of Saurav Shukla as Goan David's father is really good and original.. The movie could have done better with slightly more intense story and a shorter length..

OK, many people gave negative reviews because they were not able to keep up with the plot. This movie has everything, action, drama, comedy, romance, tragedy, amazing cinematography, superb songs, and quite unique style of handling a movie.

Although superficially it may look like a movie with three protagonist with same name 'David', last few minutes really define the movie name and common string that holds all three stories together.

Some references to decide whether you'll like it or not

If you like Quentin Tarantino - Please go watch David

If you love rock music -just watch the movie for "Mast Kaladar" rock version

If you can like Neil Nitin Mukesh - this is a must watch

If you like art movies - you are on borderline

If you like Amir Khan's performance in Talaash - you are on borderline

If you like Karan Johar movies - this is waste of money for you

If you love Shahrukh Khan - you'll hate this flick

If you like Amir Khan in 3Idiots - you won't like this one

Overall I am kind of disappointed it got so less collection at box office. I might watch it again in theater.

David (tamil) ( 2013 )

The making. That was the main attraction of director Bejoy Nambiar's previous project : Shaitan. I was so excited to see that movie in a totally new making style. Bejoy Nambiar was added to my favorite film maker's list and I don't miss my favorites' creations. That's how I got in for 'DAVID' , the tamil version.

Watched this in a local theatre near to my house. The main advantage of this is that there wont be a 'mass' presence to disturb the peaceful movie watching. It was released quite a few days back and I went for a noon show on a Tuesday. So there was no chance of a disturbance and I like it that way at times.

'DAVID' is a sleek n simple tale of two persons with the same name. though their life is shown on a parallel mode, it happens during 2 different times(1999 & 2010). Jiva as the aspiring guitarist and Vikram as the so called 'unlucky' fisherman of goa, tabu as his friend,his mother,his dad; all were great delight to watch. Isha Shervani does her part decently and the good moments in this were in the Vikram's story.

The album is awesome and I loved all the tracks in this. The film opens up with the theme song of 'DAVID' and that's very exciting to watch. The unconventional 'khoya khoya chaand' style (of Shaitan) is repeated in this also in a fight sequence.

The way I understood , 'DAVID' is about the identity that each one of us have and why its not possible for one to be someone else. We all have a name, a soul and a character and we are supposed to do certain things which only we can do. So we shouldn't be trying to be someone else. If we did, then who is gonna do our part?? I felt that's what the movie is all about. The name 'DAVID' was just a random pick ; it could have be anyone , any name..

It happens rarely... But whenever I watch movies like 'David' I always think that Bollywood would never improve artistically. Reason why? Well it's simple and sad to see movies like Dabangg & Ek tha Tiger or Race 2 performing on box office, while movies like David even don't get a screening in popular cineplexes. What an irony of this industry!! What a sad part!! I just finished watching David at my home theater and I am thinking to myself what if I have watched it on a big screen? It still feels great but it would have been greater. I hardly write reviews and in fact rarely on Bollywood movies as I don't follow it much now but this movie made me to right away visit here and write an honest opinion. I wanted to personally thank Bejoy Nambiar and his team as well as the whole cast for making such a masterpiece. This movie is by any standard not less then a Hollywood show, be it the story itself, the narration and twists, the acting and the most important thing of all, the Artistry of camera and lights. Honestly I haven't experienced such shots and takes in a Bollywood film before (Yeah may be a very few!). All the three stories were amazing but I would give a five star to the 1975 portion. Niel is always my fav actor due to his selection of characters and movies and he yet again did true justice to his role as a macho man. Each detail was perfect in there, it's whole environment, the sets, dresses, cars and above all how intelligently the black & white color! wow!! It gave me a true feeling of 70's.

Seriously guys, I don't have words to explain it, may be I can't find those words but I would only tell you that if you miss this movie, you are gonna miss a wonderful journey through time and artistry. I can understand that David may not impress the masses of Indian cinema but I am also sure that many deserving audience has already missed this flick due it's lack of presence in the theaters and marketing. This is a must watch for them all.

There's one more beautiful thing about this movie. It's 'Message'!! The climax is so amazing that it would leave you thinking on your seats for some time in silence and remind you of your own life decisions and errors that we make. How beautifully done Mr. Bejoy.. Thank you so much for that.. Thank you!

Many a times there are instances when we receive a very attractive & elegantly designed print advertisement or invitation mailed to our address, informing us about a new lavish restaurant in our locality with some tempting offers. Impressed by the look of the card, we opt for it in the next weekend and really love the ambiance of the place, decorated beautifully with many well chosen props and great music playing in the background along with a pleasant staff. But after a while when we are finished with our dinner and dessert, we don't feel like having served something exceptional or out of this world. The taste is just the same as usual and the food fails to rise above the routine, which doesn't allow us to say that it was an entertaining evening well lived or enjoyed.

Now exactly same is the case with David, which has everything fine in technical terms but still is not able to convince or entertain the viewers at all as promised by its well designed promos. Director Bejoy Nambiar (of SHAITAAN fame) chooses a script which must have looked innovative and exciting on paper talking about 3 different Davids in 3 contrasting eras of 1975, 1999 and 2010 connecting with each other in the climax. And he also begins quite well with the 1975 era shown in grey tone making way for the other two in bright colours. But as the film progresses, the narration neither gives you any entertaining moments nor has any unexpected shocks stored for the viewer till the intermission.

Actually as soon as we know that the film is about 3 different Davids, its anybody's guess that the three will eventually find a connection with each other in the climax and that's precisely what David offers in the end without making any kind of solid impression on the viewers. The second half has some better moments in comparison to the first but those too are not able to pull you in collectively. Moreover few insertions in the script are really absurd like the spirit of 2010 David's dead father entering into various persons in order to talk with his son and 1999 David's meaningless relationship with her gorgeous student. Also there is a scene in which a kid is shown drinking straight from the bottle like an adult which strangely was not objected by our honorable censor board who strongly thinks that cigarette smoking should not be shown on the screen without any warning notification.

The different stories of 3 DAVIDs keep coming in one after another indicating towards a conclusive end but none of them is engaging enough to provide you the much needed excitement resulting in enough boring moments in its both halves. Having said that, I really loved watching & hearing the maestro REMO after a long time and this made me remember all his hit songs of the 90s once again. The man really eats, sleeps & lives music literally and it was really sad that he decided to isolate himself from the industry after that tragic unfortunate event in his life.

Coming back to David, its undoubtedly a technically polished product with a stunning cinematography experimenting with different colour tones and an energetic background score composed well. Its frames are interesting and characterisation intense which unfortunately fails to deliver an equally amusing film in totality. Musically too David is unable to hit the right note and I really didn't like the forced & energy-less remixed version of the famous "Dama Dumb Mast Qalander" used unnecessarily.

Content wise, the story of 1975 has the same Mafia Don's family affairs shot perfectly featuring a passionate love affair and the 2010 section has the ages old love and sacrifice formula used once again without any vision. Therefore the David in 1999 here has something new in terms of storyline depicting the real meaning of religion expressed in few well written dialogues in its second half. But since the film fails to en- cash these impressive moments further, it remains only a well attempted product in the end with few unjustified revelations made in its climax, questionably pointing towards the writers. For instance its really confusing to see the two middle aged intelligence people in 1975 suddenly shooting at unarmed David and his father like mafia dons and then a hardcore musician becoming a Father in the Church at such a young age.

Interestingly in the performance department too I have a different opinion than most of the reviewers since I found the acts of Vinay Virmani (1999) and Vikram (2010) much better than the one by Neil Nitin Mukesh (1975). Though Vikram was given the most clichéd plot to work upon (looking overage for his role of a one sided lover), the actor still delivers an honest performance along with Vinay Virmani who simply excels as the helpless youngster in front of the powerful politicians. Neil Nitin Mukesh performs well too but as I felt he couldn't move ahead that the other two Davids in the film mainly due to his routine kind of plot (1975) shot artistically. In the supporting cast there are many renowned names such as Tabu, Lara Dutta, Milind Soman, Satish Kaushik and Prahlad Kakkar (in a cameo) who all do well in their small roles. Monica Dogra and Isha as the love interests make an impact along with Rohini Hattangadi as the politician and Nasser as the targeted Father spreading Christianity. Plus Akarsh Khurana, Neil Bhoopalam, Nishan Nanaiah, Ajinkya Deo, Sheetal Menon & Shweta Pandit (Singer turned actor) all shine in their small acts throughout.

In all, David is technically perfect and a visual treat to watch with some impressive sequences post intermission. But despite of so many positive features in its making the film fails to hold you convincingly in more than two hours of its duration and thus cannot be rated more than an above average venture.