Wara no tate

A security police and his team convoyed a sex offender for little girls who raped them and killed after that. A reword of a billion yen, about nine millon dollars in US dollars, was set on his head. There were some complexed thoughts. Some people thought they should kill him because he was crazy and they would be able to get huge money. In other side, some members of security police were confused by their own justice. Should they protect him even if he was the worst and such a terrible man? Also he exploited his position and sniggered. I didn't see where justice was.

Inpite of struggling to convoy him, he talked to them like he wanted to piss them off. I liked Tatsuya Fujiwara with the vulgarity.

Comparing this film to some of Miike's other films (such as Ichi The Killer or Fudoh), you can tell he's going for a more mainstream style here. The film revolves around a team of police officers (or Security Police as they're referenced as) who are tasked with the job of protecting a murder with a one billion Yen bounty on his head. I loved this concept (which is reminiscent of S.W.A.T's storyline) and it got me invested in the story. The idea of all of Japan having their eyes on one man was extremely interesting and gave major tension to the film. You never knew who was going to try to claim that bounty and at what time. I did have some gripes with the film, such as Nanako Matsushima's character constantly threatening Kiyomaru and then suddenly saying she was testing them, but overall I had a fun time with this. Don't go into the film expecting Miikes' usual bloody and twisted style, but instead a more mainstream and entertaining film with a little bit of thought to it.

Very nice and very action movie that tells a story that is not very original but still very nice and treated very well, a story that highlights the difficult life of those who are constantly torn between doing their duty and the futility of risking their life his own life and that of his colleagues to protect a sick criminal that everyone would like to kill. The film then projects the viewer into this absurd scenario where a man puts a very heavy price on the head of a criminal inviting citizens to kill him to collect the reward and it will then be up to the police to escort this repulsive criminal to give him a fair trial. In conclusion, the film is adrenaline and very beautiful and manages to keep you glued to the screen for its entire duration.

Shield of Straw (2013) (Japanese Thriller)

Viewed on April 26th, 2013 at Shinuku Piccadilly Cinema in Tokyo, Japan. No subtitles.

After a young girl is murdered, the grandfather publicly issues a $10 million bounty on the head of the prime suspect (an already convicted rapist/murderer played by Tatsuya Fujiwara). An idealistic cop (Takao Osawa) is assigned the protect and transport the suspect despite the repeated assassination attempts. This film by Takashi Miike is absorbing and pushes the protagonist's ideals to the limit, especially considering how the suspect is obviously a homicidal maniac whose protection endangers the lives of both police officers and citizens. As the bodycount of innocent deaths rise, it becomes more and more difficult to justify the suspects' protection. There are a few good action moments to enjoy, but the tension is expressed more so in the threat than the actual violence itself.

One thing I would like to point out is with regard to the performances by both lead actors, which are very strong. This is a bit surprising given their histories. I would not personally classify Tatsuya Fujiwara as a "great" actor, and he does not belong in the same ranks as other Japanese stars like Hiroshi Abe and Koji Yakusho. That said, he has definitely grown on me over the past few years with his performances in "Parade" (2009) and now this film. I see him building a respectable career into the future. Then there's Takao Osawa, a man who has had his fair share of cartoonish and/or stiff performances. But here he turns in the best performance of his career, and actually carries the film on his shoulders from start to finish. Ironically, I also recently saw him give a good performance in "Strawberry Night" (2012), so he is also growing on me.

Miike's direction is impressive as always. He represents a great example of a once cult director who has retained his filmmaking qualities despite turning to mainstream projects. In fact, I'd say that his "hit or miss" career has actually grown more consistent in recent years. Fans should see "Shield of Straw" as soon as possible.

P.S. - This film was apparently panned at the Cannes Film Festival, which is not much of a surprise since it's probably the most "commercial" film in competition.

Enjoyed it! Straight forward (for a Miike film). It would be a great double bill with Clint Eastwood's 1977 flick The Gauntlet. It is very close in plot and theme with The Gauntlet, which I've found to be an overlooked title that, although a then contemporary cop drama it could have been a spaghetti western (not surprising considering Eastwood's origins with the spaghetti and it's links to samurai films). Becomes much darker as it becomes more personal than political in comparison to The Gauntlet; however I think that paints an adequate picture of Shield Of Straw. Check it out!