Orda

I stumbled upon it today on Netflix while eating lunch. I watched it for about a half-hour, but found it to be a waste of time and quit after 30 minutes. It's evident that there's some great acting and direction at work in this production, but it totally failed in the storytelling department. I think it's a good thing for the screenwriters to be from the "show", not "tell" school of film making, but more exposition would have helped. It seemed like Game of Thrones without enough back story. Maybe something got lost in translation since it is dubbed.

I found the depiction of the Mongols to be totally misleading. As a history buff, I understand that the Mongols ruled the largest and most diverse empire in the history of the world for more than 200 years. However, I don't think that feat was done by what this film depicts as the most boorishly brutal group of "hillbilly" Mongols this side of Urals. It's as though the director had studied some isolated tribes in Mongolia and grafted his impressions onto his depiction of the Mongol ruling class. For all their ruthlessness, the Mongols of the Golden Horde were more worldly and diplomatic than the bunch depicted in this film. Some historians consider the Mongol Empire the first multinational corporation. If the movie Mongols had ruled Russia, I doubt that they would have been able to hold onto power for a decade instead of a few centuries. If the Russians had allowed themselves to be conquered by this sorry group, it does n't really make the Russians look too good either.

I have finished this movie, but I have to be honest - I almost didn't. This was not due to bad acting, the acting was good and believable, the atmosphere was even there because of the music and well created props and outfits. But the way this story is told is not really contagious, the dramaturgy hangs itself already quite in the beginning with an unclear plot. Than in the middle part it seems to get it going but it's tedious in many moments due to scenes that were too long and irrelevant. The plotbreak around the end doesn't add anything neccessary to this movie, it seems to start a new story and some minutes later the credits are already rolling. Sadly not a recommendation.

I give one snot to the reviewer here who claims to be a history buff. You really need to spend more time reading. I indeed found this to be a true depiction of the declining life of the Tatars (a.k.a. Golden Horde). They had already climaxed as a civilization and were just a short time from total defeat by the Russians. Thank goodness for that! What a perfect time to tell the story of a priest and his journey of faith. I found the writing of this screenplay to be amazing in its depth and the film itself visually striking. One of the best films I have ever seen out of Russia. A big hit at the Moscow film festival, you just cannot stop watching.

a religious film. that is the point who, I suppose, explains it in a wise manner. not as manifesto against Mongols, not as a story about Russia. only as story of sacrifice and faith. sure, it is only a point of view. sure, it is a too subjective film and that is not a real surprise. because the cruelty, the week leaders, the powerful women, the story of Alexey and the moral victory are pieces of a portrait who defines way for assume the past. looking historical accuracy it is bizarre work. because the atmosphere, the tale, the mission of an hierarch are only important things. and, sure, the victory of Orthodox Church against an ambiguous evil. a film who could be useful for understand Russia out of definitions.

it is a seed. like Tsar who presents a thin slice of history , in an admirable manner but who do not desire to present only a story but a long chain of questions. a beautiful movie - the acting ( Roza Hayrullina and Maxim Sukhanov are the best arguments), precise science of recreated atmosphere and great talent to give impressive images. a film about power and faith, fall and twilight. like an Oriental fairy tale, it presents the clash between worlds and the power of weakness. with a splendid result. it contains violence and cruelty, clichés and , at first sigh, unrealistic moments. but the key is simple - it is a Russian story, seed and not fruit of a way to discover the past as root of present. a real good film. despite reserves .