The Dirties

The Dirties has been garnering rave reviews and collecting awards at multiple film festivals and for good reason. It's a powerful, engaging and important film. Two high school best friends, Matt and Owen, decide to make a movie project for class where they pretend to murder the group of boys who routinely harass them. Matt is played by Matthew Johnson who also wrote and directed the film. It was filmed at a real high school with actual students so the line between reality and fiction is significantly blurred. Matt is an outsider but one that viewers can relate to, with his quips and love for movies. This makes it all the more disturbing when he begins to take the murder plot too seriously and takes action that will change his life, as well as the lives of all those around him, forever. This movie is not just about a school shooting. It's about consequences, it's about friendship, it's about loneliness. It's definitely a must see.

The Dirties is an independent film that was released in 2013. It's the debut feature for Matt Johnson, who directed, co-wrote, and stared in the film. It's one of the better indie films that I've seen and is certainly worth your time.

Matt and Owen are two friends who are in High school together. They are constantly bullied by a group who go by the name of "The Dirties". Matt and Owen are also huge film fans and are in the school's film club. So they decide to shoot a film about their revenge against The Dirties. That's all that I'm going to say about the plot. It's definitely one of those films that you should go into it without knowing too much. Even the IMDb and Letterboxd synopses, I thought, said too much. But anyways, the story is brilliant. I love films that talk about bullies and show how highschoolers, or whatever, deal with the harassment of the bullies. I don't know if Matt and Owen did really experience bullying in their life, but the way it was portrayed felt so realistic and so well done that I'd bet they did. The characters were great, and they felt lifelike. Thus, we as a viewer, care about them and are interested to see what's going to happen in their lives. The film's writers, Matt Johnson and Mathew Miller, did a splendid job indeed.

Matt Johnson and Owen Williams play Matt and Owen in the film. I thought both of them were tremendous. Matt Johnson will probably take all the plaudits but Owen Williams's performance was just as good. The main supporting actress was Krista Madison who played the role of Chrissy, Owen's crush. She was good as well. The acting isn't the main draw of the film though, it's the story and the directing.

The Dirties is a found footage film. I still like found footage films, which I know many people aren't. But The Dirties is well done and doesn't have any moments where you're screaming at the screen "DROP THE CAMERA ALREADY YOU IDIOT!". There is a cameraman, probably more, who tags along with Matt and Owen. I personally have a couple of interpretations about the cameramen, but I'll save those for the sake of not spoiling anything. The movie is also littered with references from numerous other films, so if you're a film buff, you might get a kick out of some of them.

The soundtrack to The Dirties is also pretty good. There are a couple of songs that play over some scenes that fit perfectly. I read that most of the film's budget went into securing the licenses for the music, but I'd say it was worth it.

All in all, The Dirties is a very well done film that shines a new light on bullying. It's evident that Matt Johnson is a very talented young filmmaker who I personally can't wait to see what his future holds for him. A definite recommendation from me.

I've had the pleasure to see this movie in a semi-private screening with the crew present. Part of the high rating (by my standards) is the fact that the flick's as self-made as self-made gets, being produced and acted by basically the same guys (which is something I often dig).

The movie throws the viewer directly into its documentary-styled collage of at first glance seemingly random scenes featuring two best friends during their high school time. The first half hour develops a pull that draws you right in. While "Two best friends are filming a comedy about getting revenge on the bullies at their high school. One of them isn't joking." is probably as concise as it gets to describe the plot, it also means that a somewhat experienced audience might feel a bit underwhelmed, since what started off fresh will become rather foreseeable and and clichéd in the second half. I was relieved that the ending's at least consequent, finishing the movie in a satisfying way nonetheless.

I like the concept of the movie and mostly like the execution, and I like being able to say that it's a film worthy of watching with high schoolers, since it provides a lot of stuff to discuss about things that are important to know and realize for each and everyone out there.

Director Kevin Smith, who released The Dirties through his self-proclaimed "movie club," has called the film "the most important movie you will see all year" and he isn't wrong. The Dirties is a harrowing look at a subject no one wants to explore and that is the school shooting. Here is a film that takes such a subject and subverts it to the point of being believable and so naturalistic it possesses a rare documentary-style. The fact that it will go largely unseen by the public is a crime.

The film stars Matt Johnson, who also serves as director, co-producer, and co-writer, as Matt along with Owen Williams as Owen, two senior film geeks in high school. They are making a film project about a lawless gang called "the dirties," which is also the name they give to the school bullies who humiliatingly beat them up and harass them whenever they get the chance. When their film project on the gang is gutted by their film teacher for its excessive use of violence and language, Matt suggests they come up with a film where they actually kill the bullies in their school. Like, for real. Owen believes Matt is joking but quietly consents to devising the mad plan for the "fun" of it.

Owen, however, comes to the realization that Matt isn't fooling around. He has resorted to taking pictures of the people that bully them, trace rooms and the bullies' schedules on the blueprints of the school he obtained at the town village, and talking openly about the potential of his carnage with Owen as if he's achieving personal enjoyment from it. Matt makes it clear he doesn't want to go after everyone in the school; just those who caused him and his friend untold misery by mocking them when they were nothing but harmless and obeying.

First-time director Johnson employs the popular film school tactic that will either captivate or alienate you upon its arrival and it's the shaky camera. The camera is obviously hand-held and held very loosely it is. Never does it restrict the environment, as it always seems to capture the right images at the right time. The effect only furthers the already naturalistic acting and dialog in the film. Much of the dialog, like many indies nowadays, was improvised and in a school setting focusing on two kids, one of whom is quietly out of control, this seems like the only method to achieve success through dialog.

It's also worth noting that Johnson's unsteady camera-hand always provides for an unsettling environment. It's hard to make a public school ominous, but with bullies and an unstable character in the forefront, along with directing that reserves as much as it shows, it's not too difficult. The film is so successful at being unsettling thanks to its camera-work that when the inevitable occurs it's almost not as frightening as what we've already indulged in. Then the last line is said that will ring in your head for days to come.

The Dirties works best thematically because it doesn't try to justify its characters, its antagonists, its events, or its cultural importance. It doesn't look to provide answers because there are no clear one. It doesn't look to embellish or sensationalize because it knows this kind of event occurs, unfortunately, very often. It doesn't become politically-partisan, blame mental illness, blame the quality of parenting, or blame news and media. It simply shows the depressing and shocking effects bullying can have on a soul.

A heartbreaking scene comes when Matt and Owen are talking about how they've been bullied for many years but still haven't really learned to cope with it. Matt states that one day, in middle school, he was putting quarters in a vending machine when someone made fun of his dated sweatpants. Matt remarks about how he walked away with fifty-cents credited on the machine, not even putting more money in or walking away with any food or drink. It was the first time he was bullied for being himself, and the pain and torment hasn't ceased since then.

Constantly I was reminded of Gus Van Sant's Elephant, a highly-impressionistic film that based itself off of the tragedy at Columbine High School. The film featured little dialog, pretty empty characters, and scenes that didn't blatantly say their purpose - all of which an intentional tactic on Van Sant's part. The film was harrowing in its simplicity and compelling in its suspense that something was about to happen that was going to affect hundreds of young people differently. The Dirties exercises in a more open fashion, but, thankfully, leaves a lot of questions unanswered. At only eighty-minutes, it had the power and impact on me I don't usually get from films two hours or longer.

NOTE: The Dirties is now available on various video-on-demand outlets and will receive a DVD release later this year.

Starring: Matt Johnson and Owen Williams. Directed by: Matt Johnson.

The Dirties premiered in Park City Utah this year, and it was clear from the beginning that it was one of the best films at either Sundance or Slamdance.

This film is quite possibly the most real and engaging exploration of what it means to be bullied and what it can drive people to. One of the most relevant films you'll see this year, if you can manage to see it.

I've rarely seen a movie that can take you to such a dark place, completely serious and genuine, but still make you smile during those bleak moments. And at the end of the day, it's that reaction of simultaneous investment and revulsion that makes the film worth watching.

It's both hilarious and horrible, thought-provoking and impossibly risky.

When this film gets distribution, see it.