Una madre viuda, asolada por la muerte violenta de su marido, lucha contra el miedo de su hijo a un monstruo que acecha en la casa, pero pronto descubre una presencia siniestra a su alrededo... Leer todoUna madre viuda, asolada por la muerte violenta de su marido, lucha contra el miedo de su hijo a un monstruo que acecha en la casa, pero pronto descubre una presencia siniestra a su alrededor.Una madre viuda, asolada por la muerte violenta de su marido, lucha contra el miedo de su hijo a un monstruo que acecha en la casa, pero pronto descubre una presencia siniestra a su alrededor.
- Dirección
- Guionista
- Elenco
- Premios
- 56 premios ganados y 64 nominaciones en total
Jacquy Phillips
- Beverly
- (as Jacqy Phillips)
Tiffany Lyndall-Knight
- Supermarket Mum
- (as Tiffany Lyndall Knight)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A single mother (Essie Davis), plagued by the violent death of her husband, battles with her son (Noah Wiseman)'s fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Some people find this film terrifying, some just find it eerie. If nothing else, it stands out as original. Writer-director Jennifer Kent hits a home run, taking what she learned from her very unusual film school (watching Lars von Trier) and incorporating it here. But it is so much more than good direction and excellent framing.
This is a film that could fail if the elements were off. If the creature effects were cheesy, it would not be as scary. If the mother was not as convincing, it would not be so emotional. And Noah Wiseman? Wow. Few child actors are able to perform on this level. The last one with this much talent that comes to mind is Chloe Moretz. Give this kid more roles, and give them to him now.
Some people find this film terrifying, some just find it eerie. If nothing else, it stands out as original. Writer-director Jennifer Kent hits a home run, taking what she learned from her very unusual film school (watching Lars von Trier) and incorporating it here. But it is so much more than good direction and excellent framing.
This is a film that could fail if the elements were off. If the creature effects were cheesy, it would not be as scary. If the mother was not as convincing, it would not be so emotional. And Noah Wiseman? Wow. Few child actors are able to perform on this level. The last one with this much talent that comes to mind is Chloe Moretz. Give this kid more roles, and give them to him now.
Amelia is a single mom struggling with hyper-active 6 year old son Samuel with a constant need for weapons to defend himself from unseen monsters. Her husband died in a car accident driving her to the hospital to have Samuel. The school is scared to keep him with the other kids. Even her sister Claire is afraid of Samuel especially to play with her own daughter Ruby. She finds a disturbing children's book about the Babadook. This sets off a scary series of events.
Normally, I hate annoying kids but this kid is brilliantly annoying. It's such a fascinating character and the mother's suffering can really be felt. I did expect this to turn into a monster movie but it becomes more of a psychological thriller which is perfectly great. The turn in Amelia is terrific. On a minor note, a scarier Babadook could have been even better.
Normally, I hate annoying kids but this kid is brilliantly annoying. It's such a fascinating character and the mother's suffering can really be felt. I did expect this to turn into a monster movie but it becomes more of a psychological thriller which is perfectly great. The turn in Amelia is terrific. On a minor note, a scarier Babadook could have been even better.
We are all familiar with the scenario: a young boy with an overactive imagination becomes terrified of the monster underneath his bed, and rushes to his mother for a therapeutic bedtime story. But what if this imaginary monster actually becomes real? This is the set up for a new Australian horror flick premiering at this year's Sundance Film Festival entitled The Babadook. Our protagonist, Sam, is terrified of monsters. So terrified he is loosing sleep, causing trouble in class, and creating his own sinister weaponry out of household objects as a means of defense. It's enough to drive his widowed mother, Amelia, into a frantic state of paranoia. As tensions between the two escalate, a new presence called the Babadook makes it's way into the household which questions the sanity of everyone involved. The film cleverly embraces and deconstructs typical horror film conventions in order to create something new. Though it is hilariously playful and entertaining, it's also a terrifying psychological thrill in the same vein as films like Black Swan or Rosemary's Baby. Essie Davis is great as Amelia, but newcomer Noah Wiseman gives an incredibly memorable child acting performance. If you are a horror fan looking for something new, look no further than The Babadook. Just be prepared to have nightmares afterward, and remember to leave the kiddos at home for this one.
I really enjoyed this film, its dark and unnerving without resorting to loud bangs or "found footage" style filming to get its scares.
Low budget and well shot, the film leans on the power of suggestion and tone to create a film which has a sense of unease throughout, tonally like the Exorcist, where there is this underlying feeling of dread and helplessness
The scares are not spoon fed, so this won't be for everyone, if your brand of horror is purely just modern films like Insidious or the recent Annabelle - then this might not be for you.
One of my favourite films of the year.
Low budget and well shot, the film leans on the power of suggestion and tone to create a film which has a sense of unease throughout, tonally like the Exorcist, where there is this underlying feeling of dread and helplessness
The scares are not spoon fed, so this won't be for everyone, if your brand of horror is purely just modern films like Insidious or the recent Annabelle - then this might not be for you.
One of my favourite films of the year.
Obviously well made and Davis gives a performance for the ages, but this one didn't grab me like it did other people. The annoying child didn't help. The title creature was better off creeping around in the shadows.
¿Sabías que…?
- TriviaDirector Jennifer Kent holds the rights to the film. When asked if there would be a sequel, she said, "I will never allow any sequel to be made, because it's not that kind of film. I don't care how much I'm offered, it's just not going to happen."
- Errores(at around 18 mins) When calling out "legs 11" during the bingo game she holds a blue ball but a back shot shows her holding a white ball and in the next front shot she has the original blue ball again. As an extra the white ball is not 11 but 69 (which maybe a playful joke with the crew and cast)
- Créditos curiososAfter the end credits, we see the Babadook's face appearing as a jumpscare, leading into a blackout.
- ConexionesEdited from Mortal Kombat (1992)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Sách Ma
- Locaciones de filmación
- Adelaida, Australia Meridional, Australia(locations: Marion, Glenside, Goodwood, St Peters and North Adelaide)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 964,413
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,007
- 30 nov 2014
- Total a nivel mundial
- USD 10,685,444
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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