Cuidado con Batman

It's been the same cycle with every new animated interpretation of Batman since TAS. "I don't like the way it looks!" "The writing's not as good!" "They ruined (insert character's name here)!"

A few years go by, cooler heads prevail, and eventually most seem to come around and appreciate each of these shows for what they are rather than holding them to up to their own preconceived notions of what Batman "should" be.

I get it. You're a "hardcore" Batman fan. You know what it's all about and every little nuance of the mythology. But here's the thing - there is no one true Batman. The character's been around so long and gone through so many permutations that there is no definitive version. There are depictions that strike a chord with certain generations for different reasons, but in the end the Adam West show is a valid as Christopher Nolan's films. Each incarnation highlights and honors different aspects of these characters. That's what's so great about Batman. That's why he's survived as long as he has. He's malleable. As long as you keep the cornerstones of his mythology in place, he's pretty flexible when it comes to adaptations.

This is not TAS. I think we can probably all agree that that's still one of the better representations of Batman and the most successful show overall. But we live in a world of hyperbole so if something's not amazing, that means it must suck. I don't think Beware the Batman is as good as TAS. Not by a long shot. But that doesn't mean I can't enjoy it.

Adjusting to a new look always takes some time, but I've grown to like it. And I think the voice cast is strong. For a show aimed at kids, the writing strikes me as more sophisticated than anything from The Batman - and especially The Brave & The Bold.

I like seeing new villains. I like the detective side of Batman getting more attention. And I like the risks they're taking with characters like Alfred. Borrowing from the Earth One/Sean Connery take definitely sets this apart from previous series. In my opinion, the more traditional take on Alfred makes more sense - but I do admire their decision to do something different.

It's not a perfect show. But I'm interested to see how it evolves. Fans always hate anything new or different. Give it time. When they roll out another new Batman cartoon in a few years, everyone will probably be moaning about the good old days of Beware the Batman.

Being the only Batman series set in CGI and having a much darker tone, Beware the Batman sticks out among the post-Batman Beyond series which were both more lighthearted and in traditional animation. The mystery to me is why this only ran for one season of 26 episodes, because this was the best of the bunch.

The series presents some different takes on well known characters like Alfred and Barbera Gordon, and while some Batman purists may find that objectionable I thought it added another layer to Alfred especially, because while he is enjoyable as Bruce's butler he shines as an interesting character here with a pretty wild past.

And we see villains here I don't think have been in any other Batman series, like the chaos loving Anarky who got under my skin several times, because while the Joker has a certain morbid humour to his character Anarky was a madman all the way through with an overly creepy voice performance by Wallace Langham.

Aside from him we have a few other new characters I've not seen like Magpie, Professor Pyg and Toad and a few from the more known rogues gallery like Killer Croc, Ra's Al Ghoul, and almost Two-Face who I guess we could have seen if the show wasn't cancelled like som many good shows are, ending on a cliffhanger.

Check it out, it's a good show that needs more attention.

So, like every Batman series that has come out since the '92 Dini-verse, 'fans' have come out of the woodwork to tell everyone how terrible this show is. Between the CGI, the lack of known villains, the different take on Alfred... It's horrible just like The Batman & The Brave and the Bold.

Except, it's not...

The animation is fine. It's not the Dini version, nor the CGI Dini version (aka, Green Lantern), and it's not the hammy tB&tB, nor is it the overstylized 'The Batman' animation. It's its own thing, and it grows on you.

The characters were a little bit more difficult to swallow, especially the elder statesman major domo Alfred. However, in both the comics and the Batman: the Animated Series, they have toyed with the idea of Alfred being former MI-6, so, it's hardly out of canon. It is an interesting take, and one not fully explored before.

Using Katana as a partner did put me off at first, but as the stories have progressed, it makes it seem that they're aiming at assembling the Outsiders, a team thus far never brought together on the big or small screen. Again, the writers are thinking outside of the box, so kudos to them!

The final bit that is putting off a lot of 'fans', is the rogue's gallery. No Joker, no Riddler, no Catwoman. Instead, we're getting a "Who's Who" of "Who in the heck is that?" They've dug deep into the DC vaults for some D-listers to use as the bad guys, characters that I, as a reader of the DCU for my entire life have to go look up--and it works. There's no expectation of how the characters are supposed to act, the characters just 'are'. They can be written in any way the writers wish, which is a GREAT strength of the show.

In summation, if you're expecting any of the previous Batman incarnations, you'll be disappointed. If you are looking for something that is actually reasonably fresh, and can surprise you, then by all means, tune in!

Oh, and don't judge by a single episode or two... as of this writing, the show is a whole six episodes in, and it has be hooked. Hopefully, only better things to come!

This was a great show. Had multiple episodes story arcs. Great voice cast And featured a great array of lesser known but equally intriguing villians. Shame it got canceled so soon. Great series, which is on par with Batman:TAS,as far as morr mature subject matter and great dark stylistic approach to animation...

This is not Batman the Animated Series. It will NEVER be Batman the Animated Series. That being said, this is still a pretty solid show once you get past the boring bits.

The first few episodes are the worst. Granted, that's not unheard of for a new show, but it's only when an overarching storyline is established that the show starts to take off.

The show seems to take the Batman: Year One approach of giving us a Batman who hasn't quite fleshed out his routine yet. In the early episodes, he makes mistakes in battle and gets clocked more than once which results in a pretty noticeable injury. Anthony Ruivivar is no Kevin Conroy but his Batman sounds right nonetheless. It's his Bruce Wayne that's not quite up to snuff, since there's usually a subtle voice change between the two characters. Still, nothing distracting.

The supporting cast, for the most part, are good as well. The show takes the former MI6 version of Alfred and runs with it, though I'd be lying if I said it would've been stronger if they HADN'T told us about it from the get-go. Lt. Gordon keeps with the Batman: Year One feel in that he doesn't wholly trust Batman at first and even makes a few attempts to arrest him. That and he's Lt. Gordon, not Commissioner Gordon. Katana takes a while to flesh out her character, but eventually the plot allows her to develop a character that is similar but still different from Batman's. If only her costume was the same...

The one character they messed up was Barbara. They took this great female character and turned her into the Barbara Gordon from Frank Miller's All-Star Batman and Robin series: a devoted fangirl who spends just a little too much time thinking about Batman. This is sorted out later when she becomes Oracle (thankfully without taking a bullet to the spine), but not until the post-cancellation episodes.

The villains are a mixed bag. The best of the bunch is Deathstroke, to whom the entire storyline of the post-cancellation season is dedicated. I say he's the best because he'll be involved without you knowing it until you watch the entire arc, after which all the pieces fall into place and you realize just what an awesome villain Glen Murakami made him into. Then again, Glen made him just as awesome in his Teen Titans cartoon, so I think he's just good at it. Second best is Professor Pyg, who's not as violent here as he is in the comics but his professional approach to villainy makes some of his dialog pretty funny to boot. He gets a bit weaker in his final outing in Season 1, mostly due to the generic plot of the episode. For third-placer Anarky, it's the opposite. He starts off as this weak pseudo-Nolan Joker out to spread anarchy and chaos, though in post-cancellation his dialogue's finally ironed out and he becomes engaging, even pairing up with Harvey Dent. Yeah, Harvey Dent's in the series, and I don't think it will come as a surprise to anyone that he goes bad by the end. In fact, he's pretty much rotten from the get- go, constantly at odds with Batman while being best friends with Bruce Wayne. Tobias Whale is more or less your clichéd crime boss character, and Magpie... Well... I really don't know what to say on Magpie. She's the only reoccurring villain who's rather inconsistent. First she's a mental case (you know, ASIDE from the usual mental cases), then she's a pseudo-Catwoman, then she's a DIFFERENT mental case, and then she's just a prop in the background. Fortunately, there are only a few episodes devoted to her, and then she's sort of forgotten about. I like to think she's replaced by Deathstroke.

I once heard from someone that works on this show that it would be getting a second season, and just as well since Episode 26 ends on not one, not two, but FOUR cliffhangers, two of which involve The Terminator himself. I only hope CN takes it off Toonami and puts it back on the afternoon block where Justice League and previous DC shows once stood. And now that it's been almost a year since its cancellation, might as well wish Bob Kane and Bill Finger would rise from the dead and tell WB to stop mucking up their comic adaptations.