Batman: El caballero de la noche regresa (parte 1)

I'll be short. I'm an 90-ties kid (now 21) and I watched a lot of batman cartoons and movies, and even read the comic on which this movie is based on. The movie shocked me how good it was made, the animation, the acting (even though batman isn't voiced by Kevin Conroy), even the sound is simply great.

If you are a batman fan, and watched the cartoon series, and movies, and even better if you read the comics you are absolutely going to LOVE this movie.

It's definitely worth watching it in theaters / or blue ray.

A+

After seeing Batman Year One, I was nervous about this one, but I was pleasantly surprised! The story is faithfully recreated here, with very little censorship of the violence, and most of the (included) dialogue straight from the pages of the comic, albeit with some forgivable changes. The pacing is excellent, and really captures that sense of "awesome" that the graphic novel had. The visual style is "close enough" to Millar's work to give you flashbacks, but of course it lacks the detailed nuances of the comic. And lastly, the music fits everything perfectly.

Some complaints, though. First and foremost, the acting lacks passion. Virtually all the main characters play "middle of the road" emotions well, but any extreme was unconvincing to me. It's almost like there was a "no shouting!" rule for the actors. Nobody gets really angry, or forceful, or upset. Even so, it's nowhere near as disappointing as the acting in Batman Year One.

Also missing is Batman's inner monologue- which I guess can be forgiven since movies are a visual medium, but ultimately we lose some of the comic's best lines because of it. Though they do try to force some of batman's narration into the movie as dialogue, it doesn't work that well at all.

One change I'm not sure about is the PG-13 censorship to the script. They maintain the political dichotomy that existed in the comics, but it's way toned down. They seem to want to avoid alienating people on either side of the political spectrum (perhaps wisely). Some of the humor is still there, but again, it's got kid gloves on.

In the end, though, this is a wonderful execution of a great story. I eagerly look forward to Part 2!!

One of the most beloved Batman tales finally gets the animation treatment. So influential was Frank Miller's "The Dark Knight Returns" that it inspired Tim Burton and Christopher Nolan when they were crafting their live action Batman movies, as well as the 1990s Batman animated series (which gave birth to an entire universe of DC animated shows). Warner decided to split the tale, originally spread over 4 issues, into 2 movies. Turns out that it was an excellent decision which not only successfully adapted the first half of Frank Miller's epic, but added layers to the story and characters that the limited page count of the graphic novel could not leave in.

Rarely does an adaptation surpass the original source material. But Dark Knight Returns part 1 is just such an example of an animated movie that is not only true to its source material, but expands upon it. The original was great; the animated adaptation makes it better. The story will sound familiar to anyone who watched Christopher Nolan's "The dark Knight Rises". It has been years since Batman went into retirement. Billionaire Bruce Wayne now drifts from day to day hoping that the people of Gotham can take care of themselves. But now, a new threat emerges: The Mutants. A vast gang of street thugs led by their grotesque but incredibly strong and savage leader. Despite his age, Bruce is forced to become Batman once again to save his city. But can the aging crime fighter stand up to a threat that is faster, stronger and more powerful than he has ever been? And what happens when Batman comes face to face with his old nemesis Two-Face? Beyond the narrative lies a thorough deconstruction of the Batman character, especially when played opposite the two main villains, Two Face and the Mutant Leader. Both villains serve as a dark reflection of Batman himself. Like Two Face, Bruce Wayne and Batman are presented as two separate personalities fighting for control. But is Batman truly just a mask Bruce wears? Or is it the other way around? And as for the mutant leader, both he and Batman operate as a symbol to inspire others to action. One a symbol of chaos and crime, the other a symbol of hope and justice. But if the mutant leader's extreme acts can rouse Batman to return to vigilantism, so too can Batman's actions rouse criminals to return to their old ways (as one character claims in the story).

The characters are brought to life by a fine voice cast who nail their roles perfectly. Peter Weller of Robocop fame takes the role of Batman; a role that may comes across as a monotone baritone at first. But Weller infuses Batman's voice with nuance and subtlety which fits the character well. The only downside is that despite wanting to show a dichotomy between Batman and Bruce Wayne, Weller uses the same tone of voice throughout the whole movie; Compared to previous voice actors, like Kevin Conroy, who used different speech patterns and tones for Wayne and Batman.

A lot of deep themes about the nature of heroism vs vigilantism abound in this tale, all of which were in the original comic but just expanded upon in the animation medium. On that note, the animation presented here is the perfect balance of fluidity and art detail. Iconic frames, memorable battles and atmospheric scenes are replicated faithfully. Movie goers will be able to see many scenes that Nolan's Batman trilogy lifted from THE DARK KNIGHT RETURNS, including a fight scene illuminated intermittently by a gun's muzzle flash. Its only downside is that Warner decided to use its generic color palate rather than replicate the muted tones and heavy grays colored by Lynn Varley in the original artwork.

Fans would be pleased at how true to the original this is and how it expands on the original, smoothening out the rough edges while adding a whole new dimension to the characters. The action is intense and beautifully animated, accompanied by an epic score by Christopher Drake. This is a true ADAPTATION that does not translate the comic wholesale but translates the comic while making full use of the animated movie medium.

The Dark Knight Returns, is for me, the best Batman film of the year. The animation is superb, especially when the action kicks off. It sees Bruce Wayne return to crime fighting after a 10 year absence. Unlike his Nolan counterpart however, he was Batman for a damn sight longer than just a year. His return is depicted as an obsession that finally grabs control and pulls him in. He barely even notices it when he shaves off his mustache as it just becomes a natural part of the process. A new threat, called The Mutants, rises in Gotham, and Batman has to sort them out. His age becomes his weakness as he must go up against the leader of The Mutants. he film is littered with cuts to TV shows and newscasts discussing whether or not Batman is a help or a hindrance. Peter Weller does a great job as the voice of Batman, and it's nice to see a Batman with a dark and dangerous sense of humour. As an adaptation it remains fairly close to the source material, but manages to capture the ferocity of the violence without being too graphic. Gotham looked and felt exactly how I remember it when I was growing up. This is great stuff, and is a huge tease for Part 2, where we will see The Joker once again.

An impressively loyal adaptation of one of comics' most important stories, complete with social commentary, nods at dark chapters of the character's history and a glut of wanton brutality. Despite being ripped violently into two pieces, the story still functions very well and reaches a natural climax in time for the credits to roll after a drawn-out 75 minutes. I fear the end result may be a less-dense arching plot line, especially as most of the political commentary was removed from this chapter (presumably as it won't be relevant until the second) but there's still more than enough pulp to go around. While the storyline is doggedly faithful (indeed, most of the dialog is copied verbatim from the source), the artwork is both influenced by and notably distanced from Frank Miller and Lynn Varley's amazing work on the printed page. And, while that does rob the story of some of its character, the result is suitable enough; fresh but also familiar. Peter Weller turns in some decent work as the voice of Bruce Wayne, but I couldn't help but daydream about how Kevin Conroy would have approached the material. Very good, if not perfect.