El desacreditado agente del Servicio Secreto Mike Banning se encuentra atrapado en la Casa Blanca después de un ataque terrorista; usando sus conocimientos, trabaja con la seguridad nacional... Leer todoEl desacreditado agente del Servicio Secreto Mike Banning se encuentra atrapado en la Casa Blanca después de un ataque terrorista; usando sus conocimientos, trabaja con la seguridad nacional para rescatar al Presidente de sus secuestradores.El desacreditado agente del Servicio Secreto Mike Banning se encuentra atrapado en la Casa Blanca después de un ataque terrorista; usando sus conocimientos, trabaja con la seguridad nacional para rescatar al Presidente de sus secuestradores.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
*** (out of 4)
Former Presidential guard Mike Banning (Gerard Butler) finds himself going up against a group of terrorists who have overtaken the White House and now have the President of the United States (Aaron Eckhart) held captive. Banning must go thru the White House to save the President's son as well as try to save the main man before the terrorists get ahold of what they're after. Look, if you're walking into OLYMPUS HAS FALLEN expecting some sort of heartfelt political drama then I'd recommend leaving before the trailers are over. If you're looking for an outrageous, over-the-top, corny, goofy madhouse then this here will be your cup of tea. There's no question about it but director Antoine Fuqua does a terrific job at keeping the action moving at a fast pace and giving us some characters to root for. The film really does seem like a throwback to those films of the 1940s that were made when the U.S. was involved in WWII. Those films were very patriotic, waved the U.S. flag proudly and didn't give a darn about anyone else. This film certainly waves the flag with the villain being North Korea and I must admit that I was a little shocked at how blazing the film was in painting them as pure evil. I was also shocked to see how many guts this film had because at no time did you ever know where the story was going to go because you even have women getting beaten, which is usually something that doesn't happen in these type of films. The action is pretty much non-stop after a somewhat silly opening where we see the "tragic" circumstance that leads Banning away from his job. It doesn't take long for the guns to start firing and we're treated to all sorts of fights, explosions and violent deaths. The film is really over-the-top in terms of its story but it's equally matched by the graphic violence, which just makes for a fun time. There's even a torture sequence, which contains some hilarious dark humor. The cast is another major plus as Butler has no problem playing a sympathetic tough guy and of course Eckhart can handle his part. The supporting cast is just as fun and includes Melissa Leo, Dylan McDermott, Morgan Freeman, Angela Bassett and Robert Forster. Again, the plot itself is pretty far-fetched and there's no question that the film doesn't try to be anything other than a popcorn movie. I think it really succeeds all around and is certainly one of the better action pictures so far in 2013.
Round-Up: After watching Morgan Freeman in Oblivion, the make up team obviously went for the old look because he looks like he needs to make another bucket list. Gerard Butler really did buff up for this film and he does pull off the whole action hero thing. I also liked the guy who played the villain because he was quite cool and collected and he never got excited, even tough he was going to blow up America. All of the other actors seemed to be dropping like flies throughout the movie but its a great watch.
Budget: $70million Worldwide Gross: $161million
I recommend this movie to people who like there political action movies with a Die Hard concept!. 7/10
The reason why this happens is pretty straight forward and has to do with the unusual way the movie industry works. Often, the scripts for movies aren't developed in-house by the studios, but rather purchased from freelance writers who come up with an idea and then "pitch" it to multiple studios looking for a buyer.
The process works for both the writers and the studios. There is a catch, however, which is that the person pitching relies upon a studio honoring an informal agreement not to use an idea without compensating the creator. The problem is that less scrupulous studio executives will have no problem passing on an idea and then blatantly copying it for their own movie. And even though everyone involved knows what's happening, it's pretty rare for anyone to actually sue over it, so it tends to keep happening.
A famous example of this (famous in the relative sense) happened with the movies 'Deep Impact' and 'Armageddon'. The original author who pitched 'Deep Impact' watched a studio exec take copious notes during the pitch, pass on it, and then rush to create a script and get his ripped off version made in time to compete with 'Deep Impact', which was purchased by another studio.
This usually happens when someone creates a script that captures the zeitgeist; that taps into an idea that just clicks with what people are talking and thinking about and it becomes the "must have" idea of the year.
Unless you're an industry insider, it can be difficult to know which movie was the original concept and which was the ripoff, but generally the original idea will be more polished and well thought out. 'Armageddon', for example, famously had such huge plot holes that the cast was complaining about them during filming.
'Olympus Has Fallen' (OHF) came out around the same time as 'White House Down' (WHD). Both movies feature an attack on the white house with an invading force, aided by a turncoat secret service agent, conquering the presidential security in an attempt to take him hostage. Both movies also have a protagonist who isn't secret service, but has some connection to the agency and ultimately proves that he deserves to be guarding the president. Both movies involve protecting a child caught in the crossfire. Both have failed attempts by special forces to re-take the building. Both involve explosions that destroy the building. Both movies involve forcing a change to foreign policy. And so on, you get the idea.
I don't know which was the original, but I have a guess. The movies were made during the presidency of Barack Obama. After he was elected, there was a lot of speculation about whether he would be the subject of an assassination attempt. To African Americans Obama represented an almost unbelievable event: one of their own elected to the most powerful office in the nation. And there was a great deal of angst about losing him violently, the way a number of prominent black leaders had been lost in the past. I think that was the kernel that sparked the original screenplay; this clash of the old power base and the new one in the symbolic seat of national power.
To my mind, WHD was the liberal take on the idea while OHF was the conservative counter. WHD featured a charismatic black president clearly modeled after Obama, right down to his attempts to quit smoking. The villains are white supremacist types backed by the old-guard military industrial complex who are fearful of the changes the president was making to foreign policy. And the protagonist is a millennial trying to prove he was worthy of the responsibility of protecting the president, perhaps an analogy for the young political activists that brought new methods of campaigning to Obama's election.
OHF, by contrast, features a white male president with villains who were almost exclusively Asian, and rather than representing the supporters of the status quo they are actively looking to tear down American force abroad, suggesting that the bad guys can't stand how effective the traditional American foreign policy is. In other words, the message is "we are winning and they are getting desperate". Even the protagonist is more representative of the target audience: a middle-aged man with a penchant for defiantly vowing to destroy the villains and defend our way of life.
Neither movie is particularly deep; it's mostly about the action sequences. In other words, these are popcorn movies. But I do think it's interesting how two such similar base ideas can manifest such different messages. While WHD is about the (then) rising tide of the progressive political movement and the supposed fear within groups that traditionally held power in the US, OHF is all about the traditional conservative message of Jingoism and the need to protect ourselves from the parts of the world that don't share our values.
Whatever the case may be, OHF was successful enough to green light a second film 'London Has Fallen', which is a continuation of the themes, only with (primarily) middle-eastern villains instead of Asian ones, and an upcoming 'Angel Has Fallen'. Personally, I thought OHF was decent but unspectacular. I enjoyed it enough when I saw it on HBO or Netflix or wherever, but I probably wouldn't pay to see it in the theater.
The story is compelling and fast paced, right from the very beginning. And it keeps its high tempo right up to the end. Sure there were some very predictable moments and situations that even a blind man saw coming a mile away. But despite that, director Antoine Fuqua managed to put together a wholesome entertaining movie.
The action sequences are good and well executed, coming off as believable, despite it being one man against 28. And the way that these sequences were filmed just puts you right there in the action.
As for the acting, well, with a cast as this, you know that you are getting your moneys worth. Gerard Butler really carried the movie quite well. The movie also brandished talents such as Aaron Eckhart, Dylan McDermott, Angela Bassett and Morgan Freeman.
If you enjoy action movies then you should sit down and watch "Olympus Has Fallen", if you haven't already seen it, because it is quite entertaining.
¿Sabías que…?
- TriviaIn the special features, it mentions that the attack on the White House was planned by former Secret Service agents who were asked how they would attack it if they had to.
- ErroresMike hasn't been to the White House in 18 months, yet all of the lock codes are the same.
- Citas
Mike Banning: [to Kang] Why don't you and I play a game of fuck off. You go first.
- Versiones alternativasThe edited for TNT/TBS cable TV version aside from the usual language and violence edits most notably hackneys its edit for the part where Mike (Gerard Butler) stabs Kang (Rick Yune) in the head. Instead, the viewer witnesses Mike about to stab and then it cuts straight to Kang's body ceasing to move making it unclear that Kang was stabbed let alone where.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #21.111 (2013)
- Bandas sonorasChristmas With The Man I Love
Written by Andrew Kingslow (as Andrew Peter Kingslow) (PRS) and Sarah Dowling (NS)
Published by KPM APM (ASCAP)
Courtesy of APM Music
Selecciones populares
- How long is Olympus Has Fallen?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Olympus Has Fallen
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 98,925,640
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,373,794
- 24 mar 2013
- Total a nivel mundial
- USD 170,270,201
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1