[go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesBuscar películas por géneroPelículas más taquillerasHorarios y entradasNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la televisión y en streamingLos 250 mejores programas de TVLos programas de TV más popularesBuscar programas de TV por géneroNoticias de TV
    Qué verÚltimos tráileresTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbFamily Entertainment GuidePodcasts de IMDb
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuidePremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Somos lo que hay

Título original: We Are What We Are
  • 2013
  • C
  • 1h 45min
CALIFICACIÓN DE IMDb
5.9/10
23 k
TU CALIFICACIÓN
Bill Sage, Ambyr Childers, and Julia Garner in Somos lo que hay (2013)
Behind closed doors, the seemingly whole Parker family is ruled by a patriarch determined to keep his ancestral customs intact. As a torrential rainstorm hits their town, authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for years.
Reproducir trailer2:31
11 videos
31 fotos
Folk HorrorSupernatural HorrorDramaHorrorThriller

Los Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las ... Leer todoLos Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las de una familia típica.Los Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las de una familia típica.

  • Dirección
    • Jim Mickle
  • Guionistas
    • Nick Damici
    • Jim Mickle
    • Jorge Michel Grau
  • Elenco
    • Bill Sage
    • Ambyr Childers
    • Julia Garner
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    23 k
    TU CALIFICACIÓN
    • Dirección
      • Jim Mickle
    • Guionistas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Elenco
      • Bill Sage
      • Ambyr Childers
      • Julia Garner
    • 112Opiniones de los usuarios
    • 175Opiniones de los críticos
    • 71Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 5 premios ganados y 11 nominaciones en total

    Videos11

    Theatrical Trailer
    Trailer 2:31
    Theatrical Trailer
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 1:03
    We Are What We Are
    We Are What We Are
    Clip 0:58
    We Are What We Are
    We Are What We Are
    Clip 1:09
    We Are What We Are
    We Are What We Are: Clutching At Straws
    Clip 1:29
    We Are What We Are: Clutching At Straws

    Fotos31

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 27
    Ver el cartel

    Elenco principal30

    Editar
    Bill Sage
    Bill Sage
    • Frank Parker
    Ambyr Childers
    Ambyr Childers
    • Iris Parker
    Julia Garner
    Julia Garner
    • Rose Parker
    Wyatt Russell
    Wyatt Russell
    • Deputy Anders
    Kassie Wesley DePaiva
    Kassie Wesley DePaiva
    • Emma Parker
    • (as Kassie DePaiva)
    Laurent Rejto
    Laurent Rejto
    • Hardware Clerk
    Jack Gore
    Jack Gore
    • Rory Parker
    Kelly McGillis
    Kelly McGillis
    • Marge
    Michael Parks
    Michael Parks
    • Doc Barrow
    Annemarie Lawless
    Annemarie Lawless
    • Arlene Stratton
    Traci Hovel
    Traci Hovel
    • Mrs. Kimble
    Nat DeWolf
    Nat DeWolf
    • Mr. Kimble
    Nick Damici
    Nick Damici
    • Sheriff Meeks
    Vonia Arslanian
    • Emily Meeks
    Larry Fessenden
    Larry Fessenden
    • Bearded Tenant
    Odeya Rush
    Odeya Rush
    • Alyce Parker
    Joel Nagle
    Joel Nagle
    • Mathias Parker
    Reagan Leonard
    • Alyce's Mother
    • Dirección
      • Jim Mickle
    • Guionistas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios112

    5.922.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    5grmfpharma

    Poor ending

    Good narrative until the five final minutes... poor ending... it was disappointing.
    7deloudelouvain

    Very enjoyable movie, didn't get bored for a sec

    I would not call it a horror movie even if there were some bloody parts but it was for sure a good movie. Starting slow and building the suspense up every minute. I really enjoyed watching this movie. I guess they put it in the horror genre because some people might get offended by the story but I wasn't at all shocked. I'm pretty sure there must be sicko's like this in our miserable rotten world. If you want to watch a nice thriller with a good plot then you must for sure watch this movie. You won't regret it. Very underrated movie to me when I see the score he only gets. Compared to some really bad movies that still get like 4 stars it goes beyond my comprehension that this one doesn't even get 6 stars. Well I guess that it's every man to his taste.
    9Siebert_Tenseven

    Not A Creepy Shock Thriller

    I went to this film not knowing a thing about it. It really made a difference in the way that it was perceived because I didn't expect a thing. I didn't know if I would see something about an inventor, or a heist, or a love triangle... I had no idea.

    This film captures the mood of an area of Upstate New York known as Delaware County. If you visit there, you get a feeling that people 'round them parts keep to themselves and don't care for telling anyone from outside what it's like.

    In many ways this is not a creepy film with tension building again and again along with sudden "Boo! Scared Ya!" moments. That kind of stuff gets old quickly anyway. The strength of this film is in its professionalism. It's like everyone is trying to rise above the dreaded B level.

    At the beginning of the film there are thunderstorms and floods that portend the rumblings of something unusual going on, and throughout there are beautifully photographed scenes showing the drenched landscape and lush vegetation of late spring.

    The acting is excellent, most likely because the actors were provided with something that is rare in many films these days - a great script. Along with the mesmerizing musical score you are brought along at an even pace, mystified by the strange occurrences and behaviors.

    By the end of the film, which builds to significant tension, you realize something more terrifying than you would have thought, with a horrifying twist, and a final country tune that might give you chills.
    8FilmMuscle

    We Are What We Are for Good or Bad

    A film with such a visible title is surely hinting at the potential themes of the film, right? Well, popularly so, that seems to not be enough for the majority as they're seeking unusually complex films that are basically only made to reach that one significant message to the audience. In my honest opinion, not every film has to blatantly and pretentiously boast its themes and message in order to be considered a masterpiece or, at least, a great film. Upon entering a film, I expect it to entertain and immerse me in a memorable story, coupled with all the effective elements to make it so. If you're commencing this film with that mindset, you're almost guaranteed to have a much better experience. This motion picture tells a remarkable and compelling story about an isolated family who vastly differentiate from the normal citizens- a father and his two daughters and son- suddenly mourning the death of their mother/wife.

    The film does noticeably carry along at a slow pace in its first half as the moviegoer adjusts to the environment and carefully observes this rural atmosphere and its wildly strange inhabitants. Once you familiarize yourself with the family's habits as their backstory unravels, the film begins to kick in. In defense to the flak the film's been receiving from critics who're essentially panning its sluggish pace, I'm forced to question why Terrence Malick's films (the earlier works, especially) are met with such unanimous applause because they perfectly replicate what it means to be excruciatingly slow-paced. With this unfolding plot, the pace eventually picks up in its latter half (unlike Malick's persistence in meddling pace), and we're ultimately greeted, for lack of a better term, with a remarkably tense ending, which serves as a pinnacle in conclusions. Although the film is frankly plagued by an element of predictability due to the way some scenes are shot, an edge of unpredictability is highly prevalent throughout the finale. The crowd encounters several twists and turns along the way until all has been exposed and the conflict hits its marvelous peak. Basically, this is one of those movies that are definitely redeemed by the exceptional manner in which the story wraps up.

    By the way, this is, at the end of the day, a horror film in essence, and I greatly appreciated the film's preference of storytelling rather than the mindless path of excessive gore and pointless violence, that which infests the horrendous contemporary horror flicks. Admittedly, I found myself losing interest in the film's events and ensuing mystery until it finally reaches that sweet spot halfway through the story (as previously mentioned). In addition, it's superbly acted with the whole cast terrifically fitting into their roles and the father perfectly conveying that look of menace, intimidating everyone around him with a low-pitched, frightening voice and a werewolf-like, unshaven face. However, I'll have to mention just how irritated I was by the amount of mumbling that was occurring during the beginning. It was extremely difficult to grasp a single word out of their mouths, and I can't possibly stress just how much I hate actors' decisions to mumble. Understandably, they're often found in miserable positions. Regardless, without subtitles, you're left to struggle with understanding as the tale progresses.

    Furthermore, the cinematography is undeniably beautiful at times and then, it also serves well when it comes to telling the story with that hint of tension and suspense (the primary goal of a cinematographer, in the first place, before going for fancier shots), complementary to the mise-en-scène as well. The director's consistent use of rack focusing undoubtedly contributes to the outstanding execution of some specific scenes, especially the grand finale. In the end, the film isn't fascinatingly complex or considerably intelligent, but it absolutely works in terms of plot, camera-work, and performances. Though the music disappointedly isn't striking and feels fairly bland and generic (removing potentially greater suspense and eeriness from the final product), We Are What We Are will likely stick in your mind due to the completely unexpected and pulsating intensity that erupts as it nears the finish mark.
    7sstetsko

    A good remake of a foreign film... that's rare.

    Having seen and quite enjoyed the Spanish original I was a bit concerned about seeing it remade. My concerns were unfounded though as it turns out since, while the director did use the general idea of the original, he did not so much do a remake as a spin off. The setting, characters, general plot, and ending all very significantly deviate from the original, and there is even a detailed back story added which creates, if not sympathy, at least comprehension for the acts this family does.

    The movie itself is beautifully developed to create both a very plausible realism and very well defined characters. It is these characters that are the goal, and the movie does not resort to needless gore to satisfy cruder appetites. The acting is carried off quite flawlessly, and we do find ourselves at least rooting for the children to some degree. All in all it was well worth the watch.

    Would I say it is better than the original? Well, given that they are both very different it would be unfair to pit them against each other directly. I will say I did prefer the original overall as it was first, so it took some of the novelty out of the second, and the original made it more of a sort of very twisted coming of age tale than the second movie did, and I really liked that dimension of it. But if I look at them more as apples and oranges, I would say they both are very well done and each earns its place as a highly recommended piece of work.

    Más como esto

    Somos lo que hay
    5.7
    Somos lo que hay
    El hombre de las sombras
    5.9
    El hombre de las sombras
    Tomato Red
    5.7
    Tomato Red
    Cita de sangre
    6.6
    Cita de sangre
    Excision
    6.1
    Excision
    The Seasoning House
    6.1
    The Seasoning House
    La noche del fantasma
    5.9
    La noche del fantasma
    Hellbender
    5.8
    Hellbender
    Departamento 7A
    5.9
    Departamento 7A
    Let Us Prey
    5.8
    Let Us Prey
    La posesión del diablo
    4.5
    La posesión del diablo
    Pesadilla en el 5° piso
    5.5
    Pesadilla en el 5° piso

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Based on the screenplay "Somos Lo Que Hay" by Jorge Michel Grau.
    • Errores
      The dungeon door's window bars were removed each time the camera looked through it. Four wide vertical bars were visible in approach and open door shots.
    • Citas

      Marge: I heard somebody down in the shed earlier.

      Iris Parker: It must've been Daddy. He's the only one allowed down there. Ever.

      Marge: Well, it sounded like a girl crying.

      Iris Parker: I don't know what you think you heard, but you must be mistaken.

    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2013 (2013)
    • Bandas sonoras
      I'll Pretend
      Written and Performed by Glen Morris

      Courtesy of Fervor Records Vintage Masters

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes19

    • How long is We Are What We Are?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de octubre de 2013 (México)
    • Países de origen
      • Estados Unidos
      • Francia
    • Sitio oficial
      • Official Twitter
    • Idioma
      • Inglés
    • También se conoce como
      • We Are What We Are
    • Locaciones de filmación
      • Margaretville, Nueva York, Estados Unidos(town and surrounding areas)
    • Productoras
      • Belladonna Productions
      • Memento Films International
      • Paradise City
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 81,381
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 13,727
      • 29 sep 2013
    • Total a nivel mundial
      • USD 159,047
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Bill Sage, Ambyr Childers, and Julia Garner in Somos lo que hay (2013)
    Principales brechas de datos
    What is the French language plot outline for Somos lo que hay (2013)?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.