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IMDbPro

Somos lo que hay

Título original: We Are What We Are
  • 2013
  • C
  • 1h 45min
CALIFICACIÓN DE IMDb
5.9/10
23 k
TU CALIFICACIÓN
Bill Sage, Ambyr Childers, and Julia Garner in Somos lo que hay (2013)
Behind closed doors, the seemingly whole Parker family is ruled by a patriarch determined to keep his ancestral customs intact. As a torrential rainstorm hits their town, authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for years.
Reproducir trailer2:31
11 videos
31 fotos
Horror folclóricoHorror sobrenaturalDramaTerrorThriller

Los Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las ... Leer todoLos Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las de una familia típica.Los Parkers, una familia que sigue costumbres antiguas, se ve amenazada cuando una tormenta llega a su área, lo que obliga a sus hijas Iris y Rose a asumir responsabilidades más allá de las de una familia típica.

  • Dirección
    • Jim Mickle
  • Guionistas
    • Nick Damici
    • Jim Mickle
    • Jorge Michel Grau
  • Elenco
    • Bill Sage
    • Ambyr Childers
    • Julia Garner
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    23 k
    TU CALIFICACIÓN
    • Dirección
      • Jim Mickle
    • Guionistas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Elenco
      • Bill Sage
      • Ambyr Childers
      • Julia Garner
    • 112Opiniones de los usuarios
    • 175Opiniones de los críticos
    • 71Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 5 premios ganados y 11 nominaciones en total

    Videos11

    Theatrical Trailer
    Trailer 2:31
    Theatrical Trailer
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 1:03
    We Are What We Are
    We Are What We Are
    Clip 0:58
    We Are What We Are
    We Are What We Are
    Clip 1:09
    We Are What We Are
    We Are What We Are: Clutching At Straws
    Clip 1:29
    We Are What We Are: Clutching At Straws

    Fotos31

    Ver el cartel
    Ver el cartel
    Ver el cartel
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    + 27
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    Elenco principal30

    Editar
    Bill Sage
    Bill Sage
    • Frank Parker
    Ambyr Childers
    Ambyr Childers
    • Iris Parker
    Julia Garner
    Julia Garner
    • Rose Parker
    Wyatt Russell
    Wyatt Russell
    • Deputy Anders
    Kassie Wesley DePaiva
    Kassie Wesley DePaiva
    • Emma Parker
    • (as Kassie DePaiva)
    Laurent Rejto
    Laurent Rejto
    • Hardware Clerk
    Jack Gore
    Jack Gore
    • Rory Parker
    Kelly McGillis
    Kelly McGillis
    • Marge
    Michael Parks
    Michael Parks
    • Doc Barrow
    Annemarie Lawless
    Annemarie Lawless
    • Arlene Stratton
    Traci Hovel
    Traci Hovel
    • Mrs. Kimble
    Nat DeWolf
    Nat DeWolf
    • Mr. Kimble
    Nick Damici
    Nick Damici
    • Sheriff Meeks
    Vonia Arslanian
    • Emily Meeks
    Larry Fessenden
    Larry Fessenden
    • Bearded Tenant
    Odeya Rush
    Odeya Rush
    • Alyce Parker
    Joel Nagle
    Joel Nagle
    • Mathias Parker
    Reagan Leonard
    • Alyce's Mother
    • Dirección
      • Jim Mickle
    • Guionistas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios112

    5.922.7K
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    Opiniones destacadas

    5Howling_at_the_Moon_Reviews

    A solid "meh, alright, cool"

    Not terrible, not amazing... but I was entertained. The pacing was a bit off and I feel like if they had really thrown it into "thriller" it would have been a bit more engaging. The two lead girls did a great job. Would recommend.
    7deloudelouvain

    Very enjoyable movie, didn't get bored for a sec

    I would not call it a horror movie even if there were some bloody parts but it was for sure a good movie. Starting slow and building the suspense up every minute. I really enjoyed watching this movie. I guess they put it in the horror genre because some people might get offended by the story but I wasn't at all shocked. I'm pretty sure there must be sicko's like this in our miserable rotten world. If you want to watch a nice thriller with a good plot then you must for sure watch this movie. You won't regret it. Very underrated movie to me when I see the score he only gets. Compared to some really bad movies that still get like 4 stars it goes beyond my comprehension that this one doesn't even get 6 stars. Well I guess that it's every man to his taste.
    7gavin6942

    They Are Who They Are

    The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.

    Director Jim Mickle is known for his films "Stake Land" (2010) and "Mulberry St" (2006), and has really made a name for himself as a rising star in the world of horror. This is probably his best picture yet, and hopefully gets him the praise he deserves and his name to be more widely known.

    Mickle did not originally want to direct a remake of the original film, as he dislikes American remakes of foreign horror films. After speaking with Jorge Michel Grau, Mickle and Demici realized they could put their own spin on it. Michael Haneke, Japanese horror, and cult film "Martha Marcy May Marlene" served as inspirations.

    I think this film speaks for itself. The pacing, tone, atmosphere... it is very accomplished. Now, granted, I am not familiar with the Mexican version, so I can hardly compare them. But this impressed me.
    8FilmMuscle

    We Are What We Are for Good or Bad

    A film with such a visible title is surely hinting at the potential themes of the film, right? Well, popularly so, that seems to not be enough for the majority as they're seeking unusually complex films that are basically only made to reach that one significant message to the audience. In my honest opinion, not every film has to blatantly and pretentiously boast its themes and message in order to be considered a masterpiece or, at least, a great film. Upon entering a film, I expect it to entertain and immerse me in a memorable story, coupled with all the effective elements to make it so. If you're commencing this film with that mindset, you're almost guaranteed to have a much better experience. This motion picture tells a remarkable and compelling story about an isolated family who vastly differentiate from the normal citizens- a father and his two daughters and son- suddenly mourning the death of their mother/wife.

    The film does noticeably carry along at a slow pace in its first half as the moviegoer adjusts to the environment and carefully observes this rural atmosphere and its wildly strange inhabitants. Once you familiarize yourself with the family's habits as their backstory unravels, the film begins to kick in. In defense to the flak the film's been receiving from critics who're essentially panning its sluggish pace, I'm forced to question why Terrence Malick's films (the earlier works, especially) are met with such unanimous applause because they perfectly replicate what it means to be excruciatingly slow-paced. With this unfolding plot, the pace eventually picks up in its latter half (unlike Malick's persistence in meddling pace), and we're ultimately greeted, for lack of a better term, with a remarkably tense ending, which serves as a pinnacle in conclusions. Although the film is frankly plagued by an element of predictability due to the way some scenes are shot, an edge of unpredictability is highly prevalent throughout the finale. The crowd encounters several twists and turns along the way until all has been exposed and the conflict hits its marvelous peak. Basically, this is one of those movies that are definitely redeemed by the exceptional manner in which the story wraps up.

    By the way, this is, at the end of the day, a horror film in essence, and I greatly appreciated the film's preference of storytelling rather than the mindless path of excessive gore and pointless violence, that which infests the horrendous contemporary horror flicks. Admittedly, I found myself losing interest in the film's events and ensuing mystery until it finally reaches that sweet spot halfway through the story (as previously mentioned). In addition, it's superbly acted with the whole cast terrifically fitting into their roles and the father perfectly conveying that look of menace, intimidating everyone around him with a low-pitched, frightening voice and a werewolf-like, unshaven face. However, I'll have to mention just how irritated I was by the amount of mumbling that was occurring during the beginning. It was extremely difficult to grasp a single word out of their mouths, and I can't possibly stress just how much I hate actors' decisions to mumble. Understandably, they're often found in miserable positions. Regardless, without subtitles, you're left to struggle with understanding as the tale progresses.

    Furthermore, the cinematography is undeniably beautiful at times and then, it also serves well when it comes to telling the story with that hint of tension and suspense (the primary goal of a cinematographer, in the first place, before going for fancier shots), complementary to the mise-en-scène as well. The director's consistent use of rack focusing undoubtedly contributes to the outstanding execution of some specific scenes, especially the grand finale. In the end, the film isn't fascinatingly complex or considerably intelligent, but it absolutely works in terms of plot, camera-work, and performances. Though the music disappointedly isn't striking and feels fairly bland and generic (removing potentially greater suspense and eeriness from the final product), We Are What We Are will likely stick in your mind due to the completely unexpected and pulsating intensity that erupts as it nears the finish mark.
    7claudio_carvalho

    Depressing and Creepy

    The Parker family is fasting following and old family tradition. When the matriarch, Emma Parker (Kassie DePaiva), goes to a hardware store in the nearby small town during a rainstorm, she does not feel well, has an accident and dies. Her husband Frank Parker (Bill Sage), who is the owner of a trailer camping area, grieves her death and forces her older daughter Iris (Ambyr Childers) to assume the responsibility for keeping the family tradition, feeding them and nursing her teenage daughter Rose (Julia Garner) and her young brother Rory (Jack Gore). He also gives Emma's journal to Rose with the history of their family to learn their traditions.

    Meanwhile Sheriff Meeks (Nick Damici) and Deputy Anders (Wyatt Russell) are investigating cases of missing persons in the skirts of the town. Doc Barrow (Michael Parks), who lost one daughter that has disappeared, is carrying out Emma's autopsy and finds an important discovery that will connect the missing cases with the Parker family. What is the tradition of the Parker family?

    "We Are What We Are" is a depressing and creepy remake of a 2010 Spanish movie "Somos lo que hay". The story is developed in slow pace in a depressive atmosphere and the acting is top-notch. Unfortunately the screenplay discloses the mystery too soon but the gore conclusion is gruesome and hard to be seen. My vote is seven.

    Title (Brazil): "Somos o Que Somos" ("We Are What We Are")

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Based on the screenplay "Somos Lo Que Hay" by Jorge Michel Grau.
    • Errores
      The dungeon door's window bars were removed each time the camera looked through it. Four wide vertical bars were visible in approach and open door shots.
    • Citas

      Marge: I heard somebody down in the shed earlier.

      Iris Parker: It must've been Daddy. He's the only one allowed down there. Ever.

      Marge: Well, it sounded like a girl crying.

      Iris Parker: I don't know what you think you heard, but you must be mistaken.

    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2013 (2013)
    • Bandas sonoras
      I'll Pretend
      Written and Performed by Glen Morris

      Courtesy of Fervor Records Vintage Masters

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is We Are What We Are?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de octubre de 2013 (México)
    • Países de origen
      • Estados Unidos
      • Francia
    • Sitio oficial
      • Official Twitter
    • Idioma
      • Inglés
    • También se conoce como
      • We Are What We Are
    • Locaciones de filmación
      • Margaretville, Nueva York, Estados Unidos(town and surrounding areas)
    • Productoras
      • Belladonna Productions
      • Memento Films International
      • Paradise City
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 81,381
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 13,727
      • 29 sep 2013
    • Total a nivel mundial
      • USD 159,047
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 45min(105 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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