Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.
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Opiniones destacadas
What an insult this film is to anyone who's favourite movie genre is Horror!! The film itself is Predictable, unoriginal, no story whatsoever,it's basically just clowns killing young people,that's all there is to it and i've seen it done better so many times before in other horror movies, trust me when I say don't waste your money going to the cinema to watch this utter garbage. Please don't!! I'd only rate this 4 out of 10 and I was quite looking forward to seeing this film, any film that is shown in the cinema is usually half decent, this wasn't at all, in certain scenes I was laughing as it was so absurd.
This is an absolute cheese fest of a movie, with the biggest twist being that one of the characters is gay.
Fun thrills, exciting action, but very run of the mill, as it fails to offer anything substantial and is very 80's horror without any real modern renovation besides its odd 'moral of the story' which is essentially boils down to 'boomers bad, gen-z good'. Important to know that this review is coming from a 26 year old.
I wouldn't watch this unless you're okay with a very cheesy plot and even more cheesy acting, lactose intolerant movie goers beware, this flick will give you bad diarrhea, 5/10.
Fun thrills, exciting action, but very run of the mill, as it fails to offer anything substantial and is very 80's horror without any real modern renovation besides its odd 'moral of the story' which is essentially boils down to 'boomers bad, gen-z good'. Important to know that this review is coming from a 26 year old.
I wouldn't watch this unless you're okay with a very cheesy plot and even more cheesy acting, lactose intolerant movie goers beware, this flick will give you bad diarrhea, 5/10.
The marketing for this film was way better than the movie. Which seems to be the theme lately for horror films. I will say, I am a huge Terrifier fan so most new slasher films can't compete to me - which i realize not everyone loves Terrifier. Especially try to follow up T3 with a clown movie not even a year later? I'm surprised Shudder took this one on.
However, I can appreciate it is a good starter horror for younger audiences. I can also appreciate the homage to older slasher films. I did not read the book so I have no say on how true it is to the source material.
Just like Until Dawn, which I also was disappointed by, they're gonna beat this dead horse with a sequel I'm assuming. Meh.
Practical effects were good. Acting was ok. A fun little movie for a Friday night but if you're super into horror it's not something to be taken too seriously. A lot of hype around something I felt didn't deliver.
However, I can appreciate it is a good starter horror for younger audiences. I can also appreciate the homage to older slasher films. I did not read the book so I have no say on how true it is to the source material.
Just like Until Dawn, which I also was disappointed by, they're gonna beat this dead horse with a sequel I'm assuming. Meh.
Practical effects were good. Acting was ok. A fun little movie for a Friday night but if you're super into horror it's not something to be taken too seriously. A lot of hype around something I felt didn't deliver.
Rating - 7.2:
Overall, a pretty good slasher movie that infuses comedy to make the film genre-bending and unique; while there are many moments that are stereotypical of other low-budget slasher movies, "Clown in a Cornfield" does a pretty good job subverting expectations or calling out and making fun of its stereotypes in a meta way to make the experience entertaining and fun.
Direction - Pretty Good: The direction on a macroscale is pretty good as they do a good job blending slasher with comedy, making this an entertaining experience; the direction on a microscale feels very similar to other low-budget teenage horror to start with, but the movie really starts to get into its groove towards the 30-minute mark as it begins to subvert stereotypes and blend humor with horror; the storytelling is decent as it uses the stereotypical teenage slasher movie to lay the groundwork for the plot, then either subverts these expectations or calls out and makes fun of its stereotypes in a meta way; they build tension decently well, but it is a bit formulaic at times as it builds up to horror moments
Story - Decent to Pretty Good: The concept is your typical clown slasher movie, but mixed with comedic elements to make the movie bend what genre it is; the plot structure is pretty standard for a slasher movie; character writing is surprisingly pretty good, as while the movie does have its fair share of stereotypical tropes that it calls out, these characters grow in ways that surprise the audience
Screenplay - Pretty Good: The dialogue is filled with corny dialogue you would expect from low-budget, teen slasher movies; but the dialogue definitely gets better as the movie goes on; the humor is an integral part of this movie as it helps prevent the movie from being a straight slasher movie, being meta at times and making the movie feel pretty unique; the symbolism is present and somewhat profound; the foreshadowing is present and helps lay crumbs for how the story will transpire
Acting - Decent to Pretty Good: Katie Douglas - Pretty Good (Even though she starts the movie off with many stereotypical teen horror scream-queen mannerisms, she grows into her own and has good stage presence by the end of the movie; she has decent chemistry with the rest of the cast, especially Abrams), Aaron Abrams - Decent to Pretty Good (Plays the fatherly figure pretty well, despite his corny moments; he has pretty good chemistry with Douglas), Carson MacCormac - Decent (He plays his role decently well, especially as more weight is lifted off his shoulders as the movie goes on; he has decent chemistry with the rest of the cast), Kevin Durand - Decent to Pretty Good (Has a presence on screen that is felt; has decent chemistry with the rest of the cast), Will Sasso - Pretty Good (Uses his comedic presence to make his character both funny yet Machiavellian), Rest of the cast - Decent (While the movie is filled with stereotypical teenage slasher performances, they do a decent job with what they are given and definitely get better as the movie goes on; they help support building tension and the main cast decently well)
Score - Decent: Feels a little similar to other horror movies; very over-the-top in how it builds suspense for the horror moments
Cinematography - Decent: Typical of other low-budget slasher movies
Editing - Decent: Typical of other low-budget horror movies
Sound - Decent to Pretty Good: Helps build suspense and tension similar to other low-budget slasher movies
Visual Effects - Pretty Good: Good use of practical effects because this is what you want from a slasher movie
Production Design - Decent: Sets the cornfield for "Clown in a Cornfield"
Makeup - Decent to Pretty Good: It helps display the blood and gore for the kills; it helps paint the clowns
Costumes - Pretty Good: Helps dress the clown for "Clown in a Cornfield"
Pacing - Pacing is slow at the beginning and then very fast once the conflict is introduced, so basically, every slasher movie
Climax - The climax is pretty good and brings everything together but is somewhat predictable considering where the movie was heading
Tone - Tone is not your typical low-budget clown slasher movie; the movie sprinkles in comedy throughout to bend the genre and make the movie unique
Final Notes - Saw the world premiere at SXSW.
Direction - Pretty Good: The direction on a macroscale is pretty good as they do a good job blending slasher with comedy, making this an entertaining experience; the direction on a microscale feels very similar to other low-budget teenage horror to start with, but the movie really starts to get into its groove towards the 30-minute mark as it begins to subvert stereotypes and blend humor with horror; the storytelling is decent as it uses the stereotypical teenage slasher movie to lay the groundwork for the plot, then either subverts these expectations or calls out and makes fun of its stereotypes in a meta way; they build tension decently well, but it is a bit formulaic at times as it builds up to horror moments
Story - Decent to Pretty Good: The concept is your typical clown slasher movie, but mixed with comedic elements to make the movie bend what genre it is; the plot structure is pretty standard for a slasher movie; character writing is surprisingly pretty good, as while the movie does have its fair share of stereotypical tropes that it calls out, these characters grow in ways that surprise the audience
Screenplay - Pretty Good: The dialogue is filled with corny dialogue you would expect from low-budget, teen slasher movies; but the dialogue definitely gets better as the movie goes on; the humor is an integral part of this movie as it helps prevent the movie from being a straight slasher movie, being meta at times and making the movie feel pretty unique; the symbolism is present and somewhat profound; the foreshadowing is present and helps lay crumbs for how the story will transpire
Acting - Decent to Pretty Good: Katie Douglas - Pretty Good (Even though she starts the movie off with many stereotypical teen horror scream-queen mannerisms, she grows into her own and has good stage presence by the end of the movie; she has decent chemistry with the rest of the cast, especially Abrams), Aaron Abrams - Decent to Pretty Good (Plays the fatherly figure pretty well, despite his corny moments; he has pretty good chemistry with Douglas), Carson MacCormac - Decent (He plays his role decently well, especially as more weight is lifted off his shoulders as the movie goes on; he has decent chemistry with the rest of the cast), Kevin Durand - Decent to Pretty Good (Has a presence on screen that is felt; has decent chemistry with the rest of the cast), Will Sasso - Pretty Good (Uses his comedic presence to make his character both funny yet Machiavellian), Rest of the cast - Decent (While the movie is filled with stereotypical teenage slasher performances, they do a decent job with what they are given and definitely get better as the movie goes on; they help support building tension and the main cast decently well)
Score - Decent: Feels a little similar to other horror movies; very over-the-top in how it builds suspense for the horror moments
Cinematography - Decent: Typical of other low-budget slasher movies
Editing - Decent: Typical of other low-budget horror movies
Sound - Decent to Pretty Good: Helps build suspense and tension similar to other low-budget slasher movies
Visual Effects - Pretty Good: Good use of practical effects because this is what you want from a slasher movie
Production Design - Decent: Sets the cornfield for "Clown in a Cornfield"
Makeup - Decent to Pretty Good: It helps display the blood and gore for the kills; it helps paint the clowns
Costumes - Pretty Good: Helps dress the clown for "Clown in a Cornfield"
Pacing - Pacing is slow at the beginning and then very fast once the conflict is introduced, so basically, every slasher movie
Climax - The climax is pretty good and brings everything together but is somewhat predictable considering where the movie was heading
Tone - Tone is not your typical low-budget clown slasher movie; the movie sprinkles in comedy throughout to bend the genre and make the movie unique
Final Notes - Saw the world premiere at SXSW.
A name like "Clown in a Cornfield" promises the kind of pulp-like over-the-top violence and self-awareness that made director Eli Craig's Tucker and Dale vs. Evil so much fun. What we got is something tame and forgettable. Something that isn't nearly as smart as it thinks it is. It tries to be a combination of Children of the Corn, IT, Scream, and others but comes away as less than the sum of its parts.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
2025 SXSW Film & TV Festival Cheat Sheet
2025 SXSW Film & TV Festival Cheat Sheet
Get the lowdown on the buzziest films we screened in Austin, including Jenna Ortega in Death of a Unicorn, the dark comedy Friendship, and more movies you'll want to add to your Watchlist.
¿Sabías que…?
- TriviaMajor score for IFC on their biggest opening weekened recorded with a 3.6 million gross
- ErroresA bow saw can't cut off a head.
- ConexionesReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Bandas sonorasWhat Do I Owe
Written by Michael John Barnicle and Mark De Rosa
Performed by Dummy
Courtesy of Pravda Records
By arrangement with Groove Garden
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- How long is Clown in a Cornfield?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,251,799
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,648,991
- 11 may 2025
- Total a nivel mundial
- USD 10,188,330
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 2.39:1
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