Aku no kyôten

As psycho-killer movies go "Lesson of the Evil" is up there with the best of them. It's by the Japanese horror maestro Takashi Miike and is set for the most part around a school where handsome young teacher Hasami, (Hideaki Ito), has his own somewhat extreme methods of dealing with rule-breakers. Miike's genius is to treat everything so matter- of-factly the film is almost banal to begin with before letting rip. Although extremely violent, this isn't torture porn but a brilliant slow-burner than builds to a fairly devastating and disturbing climax. I certainly can't see this playing in parts of America where school shootings have become almost common place. By making the villain someone who, in another film. should have been the hero Miike neatly subverts the genre, (think "Dexter"). There's also a nice self- depreciating streak of humour running through the picture, not to mention several great recordings of 'Mack the Knife'. Excellent, if very unnerving.

Firstly let me say this is a film not for everyone.personally i loved it , acting was superb direction editing all spot on. as with all films of this genre from japan and and other Asian countries it will be remade (badly i may add ) by the more popular outlets of ,lets just say western money making studios. OK the plot is a bit of a slow burner at the start but soon picks up into an easy to follow story line (some might find the subject matter hard to stomach )but the acting is superb and the gory violence very believable at times. it is hard to compare another film like this where the acting and dialogue go so well together and the lead actor is a joy to watch (perfect casting).in my opinion better than battle royal and probably my fave film due to the acting and crisp and psychotic performance a gem.

First part of this movie was a slow burn. I think that most of the people prefer the second part, when hell break loose. On the contrary, i believe that the second part is worse, maybe even significantly worse. It became so extremely violent that it looked almost like a comedy, so to speak. Nothing felt real, it was like a video game, people were getting killed and i didn't even blink an eye because it was not convincing.

The first part felt real though. It was "indeed" a lesson of the evil. It was shocking and thrilling and dark, much more disturbing than the gorefest which followed. Even acting was better.

Overall, i liked it, even the second part was at least exciting and it was a fun ride, as long as you like psychological drama horror movies which turn into a bloodshed. But i could have been much better if it took itself more seriously.

One of Takeshi Miike's best films; one that is far to complex to sum up briefly (and I don't do long reviews). But I will say this; if you enjoy seeing irritating teenagers get theirs in a variety of bloody ways, this is the film for you.

Claret filled, violent, creepy and funny.

LESSON OF THE EVIL is a relentless, remorseless look at pure evil. It is so brutally violent, it numbs you into submission and you are unsure how you should react to it. There is little joy in watching the film (though there is dark, black humour throughout) but it stands as a unique testament to infant terrible director Takashi Miike's crazy view of the world.

The film's first half is almost as restrained as the second is violently eruptive. The setting is an elite private school in Japan where teachers and administrators discuss the prevalent problem of students cheating during exams, mostly using their cell phones. Numerous solutions are proposed but the most radical comes from Seiji Hasumi, the charming, popular English teacher, who suggests body searches and signal jammers, but who's notions are rejected as being counterproductive to keeping the schools environment healthy. Undeterred, Hasumi continues keeping tabs on students and learns of widespread bullying, harassment and illicit teacher student relationships. You think he's going to turn into some kind of saviour, and the films tone seems to be heading this way, but then, and there is no fine way to describe it, Hasumi goes psycho. He explodes into a violent killing machine during a nightly school function, exacting brutal death, wielding a shotgun, pumping bullets into anything that moves and talking to his demons to leave little doubt he is a complete loony.

Knowing a bit about Takashi Miike and the reputation that precedes him, this midway shift should not be surprising (or even considered a spoiler). His films are almost exclusively violent, of that there is no doubt, but they revel in tasteless torture porn that is not for the squeamish. LESSON is no different and if anything, the overlong period of exposition, detailing the tribulation of a small group of students at the school, seems overcooked in contrast to the rushed, extended finale, which is really where Miike displays his skills as filmmaker. Hasumi is molded in the fashion of television's DEXTER—a likable serial killer with a wide grin and charismatic looks to match who is also extremely lucky in giving anyone investigating the deaths, a slip. But while the last hour is a lot of fun (at one point Hasumi off's countless students wearing a rain jacket and swaying to the jazzy tune of MACK THE KNIFE) it is indescribable, nearly unwatchable and after sometime, repetitious to the point of being unbearable. And, just when you think there might be some end in sight, Miike turns a moment of hope into a Michael Haneke moment of viewer patience testing ala FUNNY GAMES. If that sounds like your cup of tea, you know you're in for a good time.