Ambientada en la década de 1860, la película está protagonizada por Krieps como la canadiense francesa ferozmente independiente Vivienne Le Coudy que se embarca en una relación con el inmigr... Leer todoAmbientada en la década de 1860, la película está protagonizada por Krieps como la canadiense francesa ferozmente independiente Vivienne Le Coudy que se embarca en una relación con el inmigrante danés Holger Olsen.Ambientada en la década de 1860, la película está protagonizada por Krieps como la canadiense francesa ferozmente independiente Vivienne Le Coudy que se embarca en una relación con el inmigrante danés Holger Olsen.
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Dead Don't Hurt
Viggo Mortensen wrote and directed the Western, The Dead Don't Hurt, a story set at the onset of the Civil War. A Danish American meets a French (or Canadian, it's not really clear) American in the American frontier, and they fall for each other but choose not to marry.
Olsen's dream location is a barren piece of land that seems unsuitable for his partner, Vivienne. She makes the best of it by getting a job at the local saloon, and plants flowers and vegetables the best way she can. Olsen, however, feels this urge to go fight in the Civil War, leaving her by herself.
Like most stories of the American frontier, there was not a lot of lawful behavior. With Vivienne now alone, shenanigans ensue. In fact, we know most of the outcome during the opening scene, which I haven't decided was the right decision. But there is enough mystery that I stayed interested, though ultimately disappointed.
I had some trouble with the story as a whole. Showing patriotism for the new country that was still being settled is honorable. But abandoning a woman who begrudgingly decided to stay in a harsh environment was very pathetic. His selfishness sets forth a chain reaction that resulted in a very chaotic ending. Passion for what you love is one thing, but it's meaningless when it comes at the expense of who you love.
I'm also a bit tired of the lawlessness old West trope, even if it's an example of accuracy. Our cartoonish villain's (Weston) father is even afraid of him, along with pretty much the entire settlement. Come on, Viggo. The characterization was just sloppy, and Weston really was only there to give the most extreme of outcomes to Olsen's choice.
I disliked the very end, and I'll leave it up to my readers to see if they feel the same.
Viggo Mortensen wrote and directed the Western, The Dead Don't Hurt, a story set at the onset of the Civil War. A Danish American meets a French (or Canadian, it's not really clear) American in the American frontier, and they fall for each other but choose not to marry.
Olsen's dream location is a barren piece of land that seems unsuitable for his partner, Vivienne. She makes the best of it by getting a job at the local saloon, and plants flowers and vegetables the best way she can. Olsen, however, feels this urge to go fight in the Civil War, leaving her by herself.
Like most stories of the American frontier, there was not a lot of lawful behavior. With Vivienne now alone, shenanigans ensue. In fact, we know most of the outcome during the opening scene, which I haven't decided was the right decision. But there is enough mystery that I stayed interested, though ultimately disappointed.
I had some trouble with the story as a whole. Showing patriotism for the new country that was still being settled is honorable. But abandoning a woman who begrudgingly decided to stay in a harsh environment was very pathetic. His selfishness sets forth a chain reaction that resulted in a very chaotic ending. Passion for what you love is one thing, but it's meaningless when it comes at the expense of who you love.
I'm also a bit tired of the lawlessness old West trope, even if it's an example of accuracy. Our cartoonish villain's (Weston) father is even afraid of him, along with pretty much the entire settlement. Come on, Viggo. The characterization was just sloppy, and Weston really was only there to give the most extreme of outcomes to Olsen's choice.
I disliked the very end, and I'll leave it up to my readers to see if they feel the same.
The Dead Don't Hurt may sound like the standard issue story of revenge and small town corruption but its greatest strengths lie in how it prioritises its characters and their relationships over any action or exploitation. It didn't need to be told in a non-chronological structure however, it's still able to find its rhythm and become an engaging slow burning western.
Even though it has a few recognisable faces, the film is held together by two quietly commanding performances. Viggo Mortensen & Vicky Krieps both carry the film by themselves at certain points as they internalise most of their feelings whilst showing how they really feel in subtle ways. Together, they make for a believable couple who's quickly blossoming bond has a real tenderness to it.
Viggo Mortensen shows he's a jack of all trades by writing, directing, and composing the score as well as starring in it. His direction is beautiful as he uses Marcel Zyskind's cinematography to gently glide through the sets and display the gorgeous locations in all their natural glory, keeping that going throughout the end credits as well. His mournful western score is a natural fit for the intimate proceedings.
Even though it has a few recognisable faces, the film is held together by two quietly commanding performances. Viggo Mortensen & Vicky Krieps both carry the film by themselves at certain points as they internalise most of their feelings whilst showing how they really feel in subtle ways. Together, they make for a believable couple who's quickly blossoming bond has a real tenderness to it.
Viggo Mortensen shows he's a jack of all trades by writing, directing, and composing the score as well as starring in it. His direction is beautiful as he uses Marcel Zyskind's cinematography to gently glide through the sets and display the gorgeous locations in all their natural glory, keeping that going throughout the end credits as well. His mournful western score is a natural fit for the intimate proceedings.
The frame of this film is ingenious, beautiful landscapes and most of the score played by a string ensemble with piano. Acting is also great with the main characters saying more with their glances than a thousand words.
The negative thing is this film takes ages to get to the meat of the plot, namely when Olsen leaves Vivienne to rejoin the army consecutively showing what happens to her while he's away.
Just before that we were at the point to stand up from our seats and leave the cinema hall. Luckily I held on to my principle to watch films to the end, even if they're bad, so in the end we had an enjoyable afternoon at the cinema.
The negative thing is this film takes ages to get to the meat of the plot, namely when Olsen leaves Vivienne to rejoin the army consecutively showing what happens to her while he's away.
Just before that we were at the point to stand up from our seats and leave the cinema hall. Luckily I held on to my principle to watch films to the end, even if they're bad, so in the end we had an enjoyable afternoon at the cinema.
This movie is a great piece of art. It tells the story about 2 people trying to build their lives at the frontier. Sadly their dream get's interrupted when the civil war is starting. When Olsen (viggo mortensen) returns home from the war both start to realize that everything has changed. Everything in the movie felt natural and it was beautifully shot. If there would be a negative point for me then it would be that the first 30 minutes in the movie felt a bit confusing because there were some flash forwards and flash backs all in the mix. I give the movie an 8/10. I highly recommend this movie if you are a fan of the western genre.
What to expect when watching this movie: 1. A classic tale of revenge 2. Beautiful landscapes and nature.
3. A very intimate love story 4. All the ingredients of an good old fashioned western. (and yes a good shootout!)
What to expect when watching this movie: 1. A classic tale of revenge 2. Beautiful landscapes and nature.
3. A very intimate love story 4. All the ingredients of an good old fashioned western. (and yes a good shootout!)
Beautiful story about the love of two outsiders in the countryside, where they just want to survive and build a home, and trying to keep the distance from the archetypical western "heroes". Wonderfully photographed tale, and Viggo Mortensen did his best as a director, actor, writer and composer. Sometimes, it's a bit too slow, otherwise, I appreciate that they didn't fill the story with common cowboy stuffs and self-serving violance - Mortensen's movie isn't about the danger and corruption of the west, but about independence and strong, unique connection between lovers. I really like the middle part, where the film switched to Vivienne's subjective perspective.
¿Sabías que…?
- TriviaViggo Mortensen did not intend to act in the film. "Late in the game", the actor who had originally been cast as Holger left to work on a different project. Vicky Krieps suggested he take the role himself.
- ErroresThe character calls the woman by the wrong name calling her Marion instead of Vivienne.
- Citas
Little Vivienne Le Coudy: Is it the end of the world?
- ConexionesReferenced in CTV News at Six Toronto: Episode dated 8 September 2023 (2023)
- Bandas sonorasA chantar m'er de so qu'eu no volria
written by Beatriz de Dia
performed by Vicky Krieps & Eliana Michaud
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- How long is The Dead Don't Hurt?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Dead Don't Hurt
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 752,964
- Fin de semana de estreno en EE. UU. y Canadá
- USD 384,762
- 2 jun 2024
- Total a nivel mundial
- USD 1,960,564
- Tiempo de ejecución
- 2h 9min(129 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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