The Cinema Snob Movie

I would like to start off by saying I am a fan of Brad Jones and The Cinema Snob. I love his movies Freak Out, Cheap, and Midnight Heat. I think Game Boys is fine, I'm not the biggest fan of Paranoia or Hooker with a Heart of Gold, but we'll get to that later. With that said, I was expecting to love The Cinema Snob Movie, so I bought the DVD, popped it in and was blown away at how bad it was. I feel terrible for saying that because I see the love and the effort put into the making of the movie from the director, actors, writers, etc. but I just felt so let down by this movie. Before I talk about the bad, I'll talk about the things I like: 1) The cast...for the most part. Brad, Orlando, Jillian, Noah, and the array of side actors in the film club all do a great job, there are weak links, but I'll get to that. 2) The writing. While I have some problems, I felt the story was well enough written that I was watching to see what happened next, I may have gotten bored, but I couldn't turn it off. 3)The directing. On the one hand, the point-and-shoot style of filming is a little too bland for my taste, it works for a comedy, and it works as a joke in itself after the characters talk about how their style of filming is such. I felt the movements were naturalistic, the cuts during the murders do well in concealing the effects while letting you see enough to leave an impact.

Now for the bad: 1) Jake and Ryan. I'll be the bad guy and say I hate Jake as an actor and personality. I don't find him funny, I find his delivery stilted and awkward, and I can't stand his voice. I know that last one is an unfair criticism, but it really is a distraction for me in any of Jone's work even Midnight Heat. His delivery is awkward here too and I dreaded anytime he was on screen. As for Ryan, I am a huge fan of him as an actor and personality. He was a stand out in Freak Out despite such a small part and was one of my favorite parts of Cheap. Oddly enough, he lacks the personality he showed in those films, and I know that was intended, but just because it was intended doesn't mean it works. 2) The pacing. This movie is over two hours long. The murder plot doesn't come until the second half. Most of that first half is just telling jokes, which, fair enough it's a comedy, but if you want to have a murder mystery too, shouldn't that be introduced a little sooner? It's just a personal preference. 3) The look and sound. I do not like Paranoia, Hooker with a Heart of Gold, and The Cinema Snob Movie for similar reasons, but the one that connects them all is their look. I'm not talking about how their shot, but how their shots look. It's too clean, but not clean enough. On the one hand I feel this is an unfair statement as it shows Team Snob is growing as filmmakers, but on the other hand I miss the look of his old movies. For some reason, it's easier for me to accept bad audio and bad lighting than it is for me to accept sort of good lighting and OK audio.

Let me get this out of the way first, I'm a fan of Brad Jones and his Cinema Snob character. But as the old saying goes it's possible to have too much of a good thing.

The story deals with a fictionalized creation of the character of the Cinema Snob. He's an exploitation filmmaker wannabe who's got a great script, an actor lined up and everything but can't get a deal to make the movie. So he goes undercover as a pretentious film guy for reasons. There's murder, intrigue and enough community theater acting to choke a horse.

I'm not saying it's bad but I am saying it's something that really didn't need to get made. It is interesting as a bit of a time capsule seeing the old "Team Snob" and seeing which ones are still around today.

So this movie is the movie that finally usurps the shawshank redemption in the IMDb top 250 ratings? Interesting to say the least. After watching paranoia and all of Brad's other "quality" films i can say without a doubt that this movie Isn't THAT good. At least this movie has commentary tracks from 3 different sources which is more than most homemade films offer. Also it's good to see that it was handled by a more professional team than most of the other Brad Jones films. But still this fanboy-ism (not a word but should be) needs to stop. We all seen this when the dark knight rises came out as well which was only really an OK flick. I'm not even sure if all the people in that excited category are real people on this page. Like when you look at independent films and all the comments and threads on release day are obviously people who worked on the film itself. Not saying Brad would do something like that to draw attention to his film cause i'm sure that type of stuff irritates him as well but at least two of them are probably people making multiple accounts. Still as a whole the lighting was good and scenes really work when they work, except for some over saturation in the park scenes this was excellently shot. But come on now? A perfect 10? Be serious now people cause that stuff just ain't right. Didn't hate it but also felt amateurish but like I said it is still miles above "hooker with a heart of gold" or "paranoia" which is the only one i should be comparing it to since it was the only one that was actually sold on DVD as well. This is miles above all Brads other movies and deserves to be watched if you are a fan. Well done script that could have been executed better but did not disappoint with technical prowess far above and beyond anything seen in paranoia. I like that it tries to be not just for fans and tries to be it's own self contained movie. I can see what everyone who worked on it was going for but yeah if you aren't already a fan then you aren't gonna enjoy this.

When I received the DVD, my older brother looked at the box and read the back, and his response was "Wow, there is nothing I would rather watch less". To this, my reaction was simply "First, no one is asking you to. And second, it's not for you". Little did I know that this is actually one of the major themes of the CS's cinematic debut.

Firstly, Nostalgia Critic may have been the gateway drug to TGWTG, but the Cinema Snob is the reason I keep coming back, especially after the tremendous loss of theSpoonyOne from the site (he is a close second to CS as my favorite), and to see these two still working together just made me so glad to see them not deprive the internet community of their amazing chemistry. I hope their collaborations continue for years to come.

Brad Jones is one of the most charismatic and witty personalities on the internet, and this is simply a showcase of his immense talent, brought to us by the talented folks he has managed to surround himself with. That said, while the film does lose momentum a bit in the third act, it never feels rush or poorly paced. TeamSnob has something important to say about the state of culture, and uses their time on film wisely. Also, Springfield has never looked prettier during the day or more sinister at night.

Brad carries the show, no question about it. Craig Golightly's alter ego is clearly a manifestation of the conflict within him, the desire to make something important but only being able to make trash. But trash this ain't. This theme was also sort of looked at with the CS's subplot in the TGWTG film 'To Boldly Flee'. What lives on, integrity or infamy? Beauty or shock?

Special mention has to be made of Noah Antwiler aka Spoony. He absolutely steals every scene he is in. I've always thought Spoony was naturally talented and effortlessly sharp, and he really hits a stride here. Orlando as well really gets it and owns his Vladmir character, spewing out one of the best lines in the whole movie near the end. They both play it just wacky enough that the jokes work, and they seem to exist just outside the real world. The rest of the actors who make up the film club are excellent mock-ups of the various reasons why people get into art films - to be pretentious, because they were shamed into it by being told their taste was wrong, because they have voyeuristic fantasies, etc. Each is like a little call-out to the Eberts of the world.

The film making and direction are top notch, and really display their growth as a production crew. Ryan and co. are clearly learning from their past works like 'Hooker' and 'Paranoia'. The pacing and editing are tighter, and the timing of the jokes really hit 80-90% of the time. It sometimes even rivals a lot of major independent works. TCSM is in a world of it's own, and it allows itself to really indulge in it, very much like It's Always Sunny in Philadelphia, even going so far in one bar scene to use what could be called a trademark Sunny gag ("Yeah, I'm still here").

Alas, there are always a few shortcomings, and they had to do with casting. I think Jake was fine as Neil, but I don't think he really quite fit the role, especially opposite someone with the personality of the CS. Not that he was terrible, but something about the mixing made him sound like he had a lisp, which I know from the CS site he certainly doesn't. It was a little distracting. Brian Lewis's Scott Bakula was a complete throwaway. I really dig the guy, but he was wasted here. AND WHERE WAS JERRID? But nothing spoiled the overall film, and these are minor squabbles from a devoted fan. I was laughing out loud too much to really be dragged down by them.

From the worst modern independent films (Birdemic) to the best, this should rank up there as one of the top from the Internet 2.0 era. With most independent films of this kind, you usually find yourself forgiving the shortcomings and looking the other way when a glaring flub occurs because you are constantly reminded of the limits of the film makers. Any message or emotions are lost because the audience is too distracted by the miracle that a completed film was even made. But there was rarely a moment that took me out of the story here. I got their point, and it came across with style and quality.

The message, as others have pointed out, is great: don't apologize for your taste. Do what you love, and love what you want to. The CS is the perfect vehicle to make this point - he himself is the contradiction in most creative people. His reach exceeds his grasp. You watch his series, and the humor comes from the fact that his intellect and his taste are completely opposite and always fighting within him. And who wins? The viewing public.

Bless them for trying to make a film that reached beyond the fanbase. People who get the CS and the generation of internet reviewers born from the MST3k era will love this film, and people who don't get it, that's okay. They're not supposed to.

ps - props to Big Box Model Jillian for giving up the goods.

As a fan of Brad's work across the board, I can say that I enjoyed the film for its meta humor but still found it lacking from a mainstream perspective. Without knowledge of the personalities behind the characters (such as Noah Antwiler's contributions as "Spoony" or Ed Glaser's work on TGWTG.com), the movie will fall flat for those unfamiliar with their body of work.

POSITIVES The Cinema Snob is an entertaining character and is the engine which drives Brad's other work. For every experimental project, there needs to be a mainstream draw to interest the viewer. One would not be interested in Star Wars fan fiction, for example, if one had no knowledge of the Star Wars franchise to begin with. "The Cinema Snob Movie" is a major boost to the weekly (or bi-weekly) reviews Brad does as his cantankerous, barefoot reviewer on thatguywiththeglasses.com. It provides depth to the universe in which he lives and opens new avenues for characters to appear in the future.

The cinematography is miles ahead of anything Mr. Jones has done in the past, shown in superior framing of scenes and more compelling camera angles that seem very appropriate to the mood. Jillian's addition to the cast always feels organic (marriage helps that along, I guess), so the romantic scenes aren't as awkward as they could be. The story itself is also an interesting narrative, as we're taken from "story A" (the producer's quest) to "story b" (the murder mystery) in a seamless transition. The "who done it" aspect is played very well and the resolution is quite entertaining and comical.

NEGATIVES One of the casting choices acts as a minus here. Jake feels like an odd choice as the "buddy" of the Snob, especially since Jerrid is the built-up character in the site's main series. His acting isn't terrible, but at times he seems to be a bit too boisterous and overzealous in his effort to sell the scene. It ends up bogging down the entire first half of the film and making the viewer wish Jerrid was waking up with the pizza stuck to his cheek.

The biggest drawback in the film is also its strong point. Without the meta humor attached to the main Cinema Snob review series, the film will fall flat for those unfamiliar with Jones' other work. Although the jokes stand on their own, the casting choices lack any "big names" to prop the film up, relying on the viewer's knowledge of TGWTG's cast of characters to draw interest in the movie. The performances of the actors are by no means awful, but they are average enough to warrant a big name that could have acted as a cheap draw for potential fans.