El libro de la vida

It's October and it is usually the time for Halloween themed movies. Unfortunately for us, Halloween has been reduced to cheap horrors, or repetitive thrillers that are a bit of a bore. This year has been slightly different, but this reviewer would like the studios to go back in the past and pull some more seasonal themes to entertain us. Well, someone got my vibe, because my last review is on a film that captures the festive fun that Halloween is for the young and young at heart. So sit back my friends and catch my latest review on the animated feature The Book of Life.

I'll start this review with talking about the story. The Book of Life has a fantastic tale that centers on the typical complication of a love triangle between characters Manolo (Diego Luna), Maria (Zoe Saldana), and Joaquin (Channing Tatum). Now we know the typical elements involved in this type of plot, but this film deviates from the typical and gives a little more pep around the story. From the start you get the backstory on each character, and the individual struggles they each face. Then they take these qualities and exploit them by bringing in the two masters of the underworld, who make a wager as to who will win the girl. The result of this wager, makes for an interesting romantic tale that is fun, emotional, and more realistic than half the dramas we get these days. However, the movie does not stop there, instead it ties in an adventure and blends it into all the aspects, making for a fun film. Once more, the whole tale revolves around the Mexican celebration of the day of the dead, bringing a unique take on the classic Halloween tale and providing a little education as well.

The story isn't the only thing influenced by the Mexican culture though, the artistic style of the movie is also heavily influenced. The Book of Life is sort of a modern day Nightmare Before Christmas where CGI takes the place of stop motion animation. Many of the elements are similar, with the skeletons and landscapes sharp and angular to mirror the darkness of the afterlife. However, unlike Tim Burton, this director chose to liven things up a little by veering from the dark colors and adding wide splashes of colorful. This is not only to catch your eyes, but also to mirror the celebration that Day of the Dead is about and that life doesn't end as long as you are remembered. In the Underworld especially the color comes out, and the festivities are brought to full fold in the magical realm of the dead. Deep in the land of the Forgotten, the oblivion of elimination is presented by a frozen cavern where hope is nonexistent. Regardless, the worlds are diverse and fun, filled with ancient Central American influences that were a welcomed change. Even the characters have pizazz to them, each main character standing out in their own unique way. I in particular liked the Queen of the underworld, impressed with the blend of partying, happy, and death all wrapped into one package. The ruler of the Forgotten Land, was also of unique design, sharp, dark edges in shades of purple, neon green, and crimson to portray the darkness of his soul.

What else makes this movie fun? The next aspect is the comedy, which for the most part is well timed and well delivered. There isn't much unique writing or witty humor in this movie, but more in how it is delivered. Countless puns are shouted in ridiculous voices, often followed by a character face planting into an object. What's even better is that the comedy is also diverse and spread out instead of following the typical style of beating a joke to death, the exception being Joaquin's obsession with mustaches. In addition to the comedy, the music also brings some thing to the film. Most of the numbers are covers of famous songs, some done horribly to be funny and others that are very relevant to the plot. A couple of the original numbers made my emotions go on a ride, as happiness, sadness, and even love all came together in the instruments and voice. Now most won't find it as powerful as Frozen, but for this reviewer it was nice having the music around the movie, not the opposite way around. Aside from the singing, the voice acting is incredible, each of the cast capturing the essence of the stereotypical Mexican character. Now there are too many to write about so let me pick my three favorites. First is Christina Applegate, the girl has got sass, spunk, and compassion all at work in her tour guide character. The girls sells the story as she uses the wooden puppets, which are represented in the character design, to craft the tale, keeping the kids in line, and yet showing empathy. Then there was Zoe Saldana who has the feisty Mexican girl zest that shows everyone girls don't need men to save them. Her voice is suave and full of passion, and exactly the buffer needed amidst the rowdy, rough voices of the cast. Finally the Queen of the Dead was my favorite character, and Kate del Castillo does a nice job bringing the character to life with flare, kindness, and the ability to hold her own.

What can you take away from my sporadic rambling? The Book of Life is one of the better animated films I've seen in a while. It's Halloween fun, with colorful worlds and characters that balance out the predictable and limited tale. I strongly recommend seeing this movie in theaters, possibly in 3-D. I haven't had this much fun at the movies in quite some time, and I believe most will enjoy the adventure at hand. My scores for this film are:

Animation/Adventure/Comedy: 9.5 Movie Overall: 9.0

Many things could have gone wrong with The Book Of Life. This boisterous, big-hearted animated film is bursting with ideas and colour, stuffed to the brim with - one suspects - pretty much every idea that struck writer-director Jorge Gutierrez's fancy. Indeed, the final film plays very much like the charming but unpolished debut of a filmmaker who can't quite believe he was lucky enough to get the attention of producer Guillermo del Toro, and has no intention of wasting the opportunity in case it never comes around again. As a result, The Book Of Life practically trembles with too many ideas and influences, but remains so earnest and inventive that it's easy to forgive its predictable, overstuffed plot.

In a small Mexican town on the Day Of The Dead, we meet the protagonists of the story: steadfast, earnest Manolo (voiced by Diego Luna), who would rather strum a guitar than fight a bull in the tradition of his forefathers; brash, adventurous Joaquin (Channing Tatum), who becomes the town hero in trying to avenge the murder of his father by bandits; and spunky, intelligent Maria (Zoe Saldana), daughter of the mayor who inevitably wins the hearts of both young men. The stakes, however, are higher than they could ever imagine: the two godly rulers of the underworld, La Muerte (Kate del Castillo) and Xibalba (Ron Perlman), have gambled dominion over each other's lands on the outcome of the love triangle.

It would be an understatement to say that there's a lot going on in The Book Of Life. The film covers everything from a mystical medal that lends invulnerability to anyone who wears it, to a tantalising love-hate relationship between the two gods, while spiced up with musical interludes galore. (It's not often that the film's hero will pause to belt out a soul-searching rendition of Radiohead's Creep, but that kind of thing happens all the time in The Book Of Life.) Mix it all up with retellings of Mexican folklore, including visits to the joyously colourful Land of the Remembered and the ghostly grey Land of the Forgotten, and the film can be a somewhat frenetic viewing experience, to say the least.

But, for all that Gutierrez packs his film full of ideas and details, he also manages to make most of it work very well. The love triangle may be trite, but there's nevertheless enough heart and humour holding Manolo, Maria and Joaquin together. Manolo's relationships with his dad Carlos (Hector Elizondo) and his departed mom Carmen (Ana de la Reguera) are coloured in with surprising depth as well. It's also wonderful to see a love triangle centred around a girl who knows her own mind - and rest assured that Maria speaks it often enough to make a real impact.

The Book Of Life also doubles as a very welcome riot of imagination and tradition. Every frame of the film is beautifully and thoughtfully designed, down to the fact that Manolo seems to have been intricately crafted out of wood. Moreover, instead of shying away from its Mexican roots to increase its global marketability, the film firmly embraces them. This gives Gutierrez room to craft some delicately dark moments in a graveyard or two, reminding everyone that those who have died can still live as long as they're remembered by the ones who loved them. And yet, the film never descends into darkness, instead tapping into the giddying energy of a fiesta - most memorably in a journey through the Land of the Remembered - complete with heady bursts of colour and music.

There's no denying that Gutierrez's film can occasionally be too much to handle. It's loud and almost cheerfully silly, tossing pop songs and Mexican folklore into a mix that sometimes doesn't work. But, at its best, The Book Of Life is like a rambunctious puppy: messy, loud and insistent, but radiating so much life and charm that it becomes quite impossible to resist.

24 October 2014 Film of Choice at The Plaza Dorchester This Morning - The Book of Life. An unusual animation from the stable of Jorge R Gutierrez. Joaquin, Maria and Manolo are best friends who are torn apart when Maria is sent to Europe to calm her wild ways. The two boys are both in love with her and when she returns, they compete for her affections unaware their lives are being controlled by the two Lords of the Underworlds, who have set a wager on the outcome of their love triangle. La Muerta is the mistress of the beautiful and vibrant Land of The Remembered, whilst Xibalba is the discontented ruler of the Land of The Forgotten. The characters were portrayed as wooden puppet style people, yet when they entered the Land of The Remembered they became exquisitely carved skeletons. The animation was amazing. Apart from all the characters in in three lands I found myself avidly watching the backgrounds. The colours were so vibrant and the details were so beautifully worked. This film was set around the Mexican Day of The Dead and the whole feel of it came across as one glorious fiesta. Another animation triumph and a spectacular musical score to match.

Book of life is one of the most colorful and original set designs I have every seen in an animated movie, especially in that is CGI animation.

This movie toke a real surrealistic style to the character design in order to pay homage to Mexican culture.

It's a classic fairy tale being told in a story within a story manner, with a museum tour guide telling a group of kids a fairy tale of three children who lives will effect the center of the universe, aka Mexico, when Gods gamble on what type of people they would be as adults.

Although as a semi-musical, the Glee approach in mixing in original content with contemporary hits kind of lessened the originality of the flick, but as a whole the movie was quite entertaining.

First lets; clarify; I am not Mexican nor any in my family and friend group; however it has been a long long time since we catch kids movie able to captivate 5,6,7 or 8 year old girls and boy and the parents that took them. Just the quality, colors and artistry of the images; makes the movie worth; but the subject matter is even more impressive. How many times you were able to really laugh on a subject matter like death and make children (and adults) happy with an adventure that is pure entertainment but also gives a quite poetic look at life and dead. In brief; take your children to see it as an excuse; you probably will enjoy it even more. Forget PIXAR formula products; this is just a masterpiece