Dhoomam

Dhoomam delivers solid performances from Fahadh Fasil and Roshan Mathew. The story is great with a much needed message but falls short of an engaging screenplay.

The pace is slow, many predictable portions and poor editing. Jump cuts throught the first half makes the story less appealing. It confuses rather than suspense. The time is also a concern, could have cut short it further.

Music is ok but it does not add to the script.

Suspense holds till the end and the ending is good. Actors are great.

Can be watched for a different story line but as a whole film, it fails to deliver what it intends to.

The start is with the protagonist Faahad Fasilgiving lift to his friend (Aparna Balamurali) in an audi car in rain only to get injected with some drug by a stranger and finds himself on top of a hill with the car exploding minutes after him walking out. As unconvincing as it is, the screenplay is too far from reality as Faahad has revealed super strength like powers who carries Aparna to a godown. And the rest of story is a game of expected trivia between Faahad and Roshan Mathews(Sid) in act of survival.

Inshort the film is "Survivor series" remade in the length of a movie. Roshan Mathews gave a good performance impacting his role and the plot of the film but the rest of the Cast are merely puppets and address flaws in the script itself.

So much metal is one gun... OMG such a treat to watch. Special hats off to the AC/DC screenplay and such a crisp editing and a note to Pawan's direction.. but yet the winner is just one my dear FAHADH ... THE WAY THIS GUY HAS CARRIED THIS CHARACTER.. A big loud applause.. yes it lacks the masala and the ending xould have been a bit more emotional and dramatic.. u know its part of cinema making... but on all other grounds of cinematics its a pure treat to watch... keeps you glued... Aparna and Roshan have done well... i think fahadh is promoting vineeth yet again well done performance... overall a great watch... brilliant performances.. adressing a social issue ... last a big hi to the story telling technique... Awesome Mausam... good job guys.

We should encourage more such stories that promise a better future.

It could have been a better ending with some punchline and some redemption. The ending was abrupt.

Of course it succeeded in describing marketing strategies and greed of industries like tobacco that thrive on addiction of it's customers.

One thing that I noticed was that most male character were not smoking but many women were. Especially in India where the larger proportion of smokers are male, this seemed incomprehensible. The men or boy who died of cigarette smoking were not characterised, but only referred. That was another missing point in the script.

Well, I didn't imagine a Pawan Kumar film to be dead from the word go. With a disjointed, non-linear screenplay, Dhoomam fails to deliver on two counts: as a mystery-thriller and a social-message drama. The intentions are good, but the effort clearly lacks conviction. The dialogues carry a dubbed feel and certainly contribute to making the audience feel emotionally distant from its lead characters. Aparna Balamurali's character is present as storytelling bait, and it's predictable from seven miles away.

The truth is, I can trust Pawan Kumar's skills as a storyteller. He did solid work in films such as Lifeu Ishtene, Lucia, and U-Turn. Here, the plot developments are mostly inane, and the thrills are lacking. For a thriller, it also makes the mistake of being over 140 minutes long while having no real tricks up its sleeve. The performances too are nothing to write home about. Ultimately, it ends up being an excessively long "no-smoking" ad cooked with the same level of creativity as the campaigns you see at the beginning of every Indian movie.