CALIFICACIÓN DE IMDb
5.6/10
25 k
TU CALIFICACIÓN
Cuando el fin parece estar cerca, los pilotos, tripulación y pasajeros de un avión con dirección a la Ciudad de México, se enfrenta al mayor peligro, que está en el interior de cada uno.Cuando el fin parece estar cerca, los pilotos, tripulación y pasajeros de un avión con dirección a la Ciudad de México, se enfrenta al mayor peligro, que está en el interior de cada uno.Cuando el fin parece estar cerca, los pilotos, tripulación y pasajeros de un avión con dirección a la Ciudad de México, se enfrenta al mayor peligro, que está en el interior de cada uno.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 10 nominaciones en total
Coté Soler
- Operario 2
- (as Cote Soler)
José María Yazpik
- Infante
- (as José Mª Yazpik)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie is very funny, and yes, very light. Therefore, if you go to theater expecting another "Todo sobre mi madre", please be aware that you will be for sure highly disappointed - so maybe you should do something else. This is an "Airport" disaster movie, set in Almodovar's world and populated by his trademark characters. You can easily imagine the final outcome, don't you?
I found the result of this crossover wildly entertaining, and refreshing. But not silly: a couple of themes thrown in the story – the ones related to the supposed financial crimes of one of the characters - gave me the feeling that Almodovar is trying to say something even about the current situation of Spain and Europe (and the setting of the last scene, with all those empty interiors, that shameful waste of money, looks like a clear statement from the author about what should be actually called a "disaster" in nowadays world).
I am not Spanish: so maybe what I think about the relevance of Pedro Almodovar's work for Spanish culture could easily be wrong. Still, I am under the impression that you can hardly find in the whole world another artist that has so single-handedly influenced and changed the mindset of a country like this man has done for Spain in the last thirty years (and it's a long way, from "Marcelino pan y vino" to Agrado and his sisters). In my opinion, Spain has been made a better place, by the Almodovar revolution. God bless him.
I found the result of this crossover wildly entertaining, and refreshing. But not silly: a couple of themes thrown in the story – the ones related to the supposed financial crimes of one of the characters - gave me the feeling that Almodovar is trying to say something even about the current situation of Spain and Europe (and the setting of the last scene, with all those empty interiors, that shameful waste of money, looks like a clear statement from the author about what should be actually called a "disaster" in nowadays world).
I am not Spanish: so maybe what I think about the relevance of Pedro Almodovar's work for Spanish culture could easily be wrong. Still, I am under the impression that you can hardly find in the whole world another artist that has so single-handedly influenced and changed the mindset of a country like this man has done for Spain in the last thirty years (and it's a long way, from "Marcelino pan y vino" to Agrado and his sisters). In my opinion, Spain has been made a better place, by the Almodovar revolution. God bless him.
"I'm So Excited!" from 2013 is not Almodovar's best effort - it's as raunchy as it gets, and it seems like it's on the light side for him. It really isn't, if you understand Spanish politics.
The plot concerns a flight from Madrid to Mexico with an economy class that's been drugged so they'll sleep through the flight and won't become restless, and a first class with just a few people in it. Those people consist of a dominatrix, a virgin psychic, a man escaping from bank fraud, an actor, a couple on their honeymoon, and a man who describes himself as being in the security business.
They are attended to by three gay male flight attendants who at one point lypsync and dance to "I'm So Excited." They also pass out Valenciana cocktails with mescalin in them.
It seems that the plane might not land - there's a problem with the landing gear and the pilot is frantically seeking an airport where he can make an emergency landing.
Someone described this as a gay Airplane! and I suppose in a way it is. Almodovar I think was saying that the economy class (i.e., the poor) are kept unaware of circumstances. The wealthy people in first class are awake and, if not in control, at least they know what's going on.
If you're not a fan of Almodovar, you will undoubtedly hate this. I liked it - I'm not one for raunchy, sexual humor -- but because I like Almodovar and his quirkiness, I put up with it. I have to say the guys' rendition of "I'm So Excited" was hilarious - I watched it a couple of times. Also, Miguel Angel Silvestre, one of my favorite actors, plays one of the honeymooners. Antonio Banderas and Penelope Cruz have cameos.
Almodovar isn't for everyone, but he's an intelligent director with an offbeat sense of humor. If you're unfamiliar with him, I recommend you start with "Woman on the Verge of a Nervous Breakdown" or "All About My Mother," or the wonderful "Volver."
The plot concerns a flight from Madrid to Mexico with an economy class that's been drugged so they'll sleep through the flight and won't become restless, and a first class with just a few people in it. Those people consist of a dominatrix, a virgin psychic, a man escaping from bank fraud, an actor, a couple on their honeymoon, and a man who describes himself as being in the security business.
They are attended to by three gay male flight attendants who at one point lypsync and dance to "I'm So Excited." They also pass out Valenciana cocktails with mescalin in them.
It seems that the plane might not land - there's a problem with the landing gear and the pilot is frantically seeking an airport where he can make an emergency landing.
Someone described this as a gay Airplane! and I suppose in a way it is. Almodovar I think was saying that the economy class (i.e., the poor) are kept unaware of circumstances. The wealthy people in first class are awake and, if not in control, at least they know what's going on.
If you're not a fan of Almodovar, you will undoubtedly hate this. I liked it - I'm not one for raunchy, sexual humor -- but because I like Almodovar and his quirkiness, I put up with it. I have to say the guys' rendition of "I'm So Excited" was hilarious - I watched it a couple of times. Also, Miguel Angel Silvestre, one of my favorite actors, plays one of the honeymooners. Antonio Banderas and Penelope Cruz have cameos.
Almodovar isn't for everyone, but he's an intelligent director with an offbeat sense of humor. If you're unfamiliar with him, I recommend you start with "Woman on the Verge of a Nervous Breakdown" or "All About My Mother," or the wonderful "Volver."
A plane malfunctions and faced with possible imminent death, pilots, crew and passengers reveal their innermost secrets.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
Sometimes you go into a movie simply wanting a little fun. After so many years of Pedro Almodovar making twisted psychodramas and searing romances, often to acclaim like Academy Award nominations/wins and film festivals across the world, we now have a total screwball comedy that is another 'bottle' comedy from summer last year (remember This is the End all staged in one place). It's a filmmaker not going for anything serious, anything too deep, anything that will be About The Human Condition (in caps). And if there is, that's icing on the cake. This is just about farce, in the lightest ways for this filmmaker now in his latter years.
Here you get to see what these characters do at the end of their self-involved ropes. There's a lot of energy and a lot of silliness with these characters, played by actors who are familiar players in this director's oeuvre, but the sketches click mostly. It's only when Almodovar leaves the plane for a scene where a character calls a woman and we see her story for a bit that it drags and loses its energy.
But those male flight attendants are hysterical, in timing and how they express everything as BIG and frantic as possible, and when the music number of the film's title hits it finally releases one of only thinking of the song as that scene from Saved by the Bell (or maybe it's just for me it did). Fast, loose, and knowing how goofy it is, its movie-making that hits the spot at the end of a long day and maybe with a little drink on the side (minus he mescaline).
Here you get to see what these characters do at the end of their self-involved ropes. There's a lot of energy and a lot of silliness with these characters, played by actors who are familiar players in this director's oeuvre, but the sketches click mostly. It's only when Almodovar leaves the plane for a scene where a character calls a woman and we see her story for a bit that it drags and loses its energy.
But those male flight attendants are hysterical, in timing and how they express everything as BIG and frantic as possible, and when the music number of the film's title hits it finally releases one of only thinking of the song as that scene from Saved by the Bell (or maybe it's just for me it did). Fast, loose, and knowing how goofy it is, its movie-making that hits the spot at the end of a long day and maybe with a little drink on the side (minus he mescaline).
This film is about the pilots, business class crew and business class passengers on a fateful flight to Mexico City.
"Los Amantes Pasajeros" tells a really funny story about eleven clichéd characters on a transatlantic flight. There is much alcohol, drugs, camp characters and of course lots of sex (both gay and straight). The plot is so hilarious that no one can take it seriously! Every business class passenger has a story, and a distinct personality. When they are trapped in the flight, literally hell breaks loose. I really like the three flight attendants, they are just so funny! When the plane was going to land, I could not believe it was already 90 minutes into the film - I thought it was just 30 minutes in! The journey was so hilarious that time just flew by at sonic speed.
"Los Amantes Pasajeros" is very unlike other Pedro Almodóvar films, in fact I don't even remember him making such a camp and fluffy comedy before! I really loved every minute of it.
"Los Amantes Pasajeros" tells a really funny story about eleven clichéd characters on a transatlantic flight. There is much alcohol, drugs, camp characters and of course lots of sex (both gay and straight). The plot is so hilarious that no one can take it seriously! Every business class passenger has a story, and a distinct personality. When they are trapped in the flight, literally hell breaks loose. I really like the three flight attendants, they are just so funny! When the plane was going to land, I could not believe it was already 90 minutes into the film - I thought it was just 30 minutes in! The journey was so hilarious that time just flew by at sonic speed.
"Los Amantes Pasajeros" is very unlike other Pedro Almodóvar films, in fact I don't even remember him making such a camp and fluffy comedy before! I really loved every minute of it.
¿Sabías que…?
- TriviaThere are many references to Pedro Almodóvar's universe throughout the film. The name of the plane is Chavela Blanca, in clear reference to Pedro's beloved singer and friend Chavela Vargas and to another of his most cherished friends, the late Blanca Sánchez. The air company Peninsula is shortened in the plane top wing as Pe, Penélope Cruz's renowned nickname.
- ErroresThe pilots state that one of the landing gear can't retract. The landing gear indicator - shown in excellent close-up - has three green lights and one red - this means three gear are down and fully locked and one is retracted. A proper combination would be three red and one flickering light.
- Créditos curiososat approx 6 minutes, the words UNA HORA Y MEDIA DESPUÉS seem to come out of the airplane's exhaust, as the plane flies across the screen.
- ConexionesFeatured in Projector: I'm So Excited! (2013)
- Bandas sonorasI'm So Excited
Written by Anita Pointer, Ruth Pointer, June Pointer, and Trevor Lawrence
Performed by The Pointer Sisters
(p) 1982 by Anita Pointer Publishing / Leggs Four Publishing / Ruth Pointer Publishing / EMI BLACKWOOD MUSIC INC.
Autorizada para España a EMI MUSIC Publishing Spain S.A.
All rights reserved. International Copyright secured.
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- How long is I'm So Excited!?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- I'm So Excited!
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,368,119
- Fin de semana de estreno en EE. UU. y Canadá
- USD 97,328
- 30 jun 2013
- Total a nivel mundial
- USD 21,259,853
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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