Christmas at the Drive-In

Danica McKellar has done better work. Her second outing with GAC Family is not a strong one, despite the presence of Neal Bledsoe, whom she has worked with before, over at Hallmark.

If I were asked to describe 'Christmas at the Drive-In" in one word it would be 'formulaic'.

You can tick the boxes on this: small town. Teenage sweethearts. Important town location in danger of being destroyed. Said location (a drive-in, as you probably gathered from the title) being saved by the two protagonists and sparks fly along the way. Devious entity tries to stop it. Said entity is defeated. Protagonists fall in love.

This sort of movie has been done before and done better. Didn't seem to be all that much chemistry between the leads and the storyline was pretty weak.

Ah, it's Christmas time which means the occasional watch of the Danica McKellat Christmas movie since I was a fan of hers on the Wonder Years. I've actually found the ones on Hallmark to be a bit entertaining but his one (I know it's a different network) was by far the most boring and predictable of the bunch. Last year's wasn't much better, feels like her Christmas fare is going downhill. Christmas at the Drive In made zero sense for these two people to grow a relationship even with the lazy writing of having them been school mates. The relationship felt a bit forced and hopefully they find better writers for Danica's next Christmas adventure.

Meet Sadie (Danica McKellar) a failing lawyer, who has returned to her home town to find out that the drive-in cinema which she used to love going to is closing down. And Sadie gets determined to save it and prove that it's a good way to bring the community together. When she proposes that the Drive In should be saved to the major and his friends they give her 'til Christmas to prove that it's worth keeping open.

But as the days go by Sadie soon finds out this drive in is not gonna be saved overnight and it's gonna take more than just a few ideas about how to keep people warm whilst they're watching a film outside to stop it from closing down.

At first I almost turned this film off because the acting is not that great and it didn't make me laugh much but as the film went on, I got more and more interested in how or if Sadie is going to be save her local cinema. And I think that's because I enjoy going to the cinema and it upset me a bit when they closed during the COVID pandemic and in the end I found it watchable and I might watch it again next Christmas...if I can't find anything else on TV or Netflix.

I also liked this film because it was only 87 minutes and didn't drag on for too long, but I think the length of this film could have been more appealing if they had made it more kid friendly, perhaps by having a few child actors and then it could have attracted families with children that are too young to sit still throughout a long film.

I often say that this kind of movie does not deal well with reality. This premise is one of the more ridiculous in that way that I can remember. So let's try to get over it.

Now the premise is that two old high school flames have to work together on a Christmas (sort of) project. That is one of the more common ones. In other words, the story is just a platform to allow a romance to develop.

There is some decent dialogue including some funny lines. The acting is good. Based on the set-up, the lead protagonists should be about as antagonistic as they could be. While there is some residual friction over business matters and personal history, they get awfully friendly awfully fast and soon the friction turns to nostalgia. Danica McKellar and Neal Bledsoe do have very good chemistry.

There are some little mysteries that unveil later in the movie. Early on, both Sadie and Holden tell their side of their breakup in high school, but it's obvious that something is missing. About half way through we learn more about both backstories since high school.

I said let's try to get over it. Unfortunately, the movie keeps bringing the ridiculous premise up, like rubbing it in the viewer's face. It is central to the story all the way through. And the miracle is even more ridiculous. I really wish the premise hadn't been so stupid. I might have been able to see this as a slightly above average movie despite being entrenched in overused tropes and with no real surprises. But as is, the ridiculous story just takes away too much.

"Christmas at the Drive-In" delivers the predictable Hallmarkish (But actually on the Great American Family Channel) charm, complete with a "Big Bad Developer" (who inherited the very drive-in he wants to sell) versus a determined local hero. The stakes? The titular drive-in, recently designated a historical site but facing demolition. Our heroine, a lawyer returning home after a career setback, champions its preservation - a mission that felt somewhat lacking given the drive-in's apparent lack of business and staff.

While the film adheres to the familiar formula, the leads unfortunately lack chemistry, despite their shared history from elementary school and a past romance. Their relationship past and current, just didn't give me the feels. Honestly, I struggled to understand the drive-in's inherent worth; its saving grace seemed more the heroine's vision than any existing community need. That said, the transformation of the drive-in into a festive event space - complete with Christmas trees, blankets, and warm cider - was visually appealing, and I did appreciate the heroine's creative ideas for revitalizing the space. Ultimately, while the film offers a cozy holiday viewing experience, the thin plot and unconvincing romance hold it back from true greatness. It's a perfectly acceptable holiday movie for those who enjoy the genre, but don't expect to be blown away.

One last thing: The tropes always present in these holiday movies include the couple decorating or baking cookies together, and then sharing a dance-usually to a holiday song. Another holiday gem, *A Lot Like Christmas*'s couple's dance to "Jingle Bells," is one of the cutest holiday movie dances ever. This movie's swing dance to "Hark! The Herald Angels Sing" wasn't bad; I enjoyed it.