Broadchurch

It took me a while to review 'Broadchurch', wanting to wait until watching all three seasons before reviewing. From the very start, 'Broadchurch' had me gripped and despite a couple of things that didn't quite work didn't let go.

At its best, 'Broadchurch' was some of the best television to grace my television set, not just in recent years but in general. Simply adore mystery dramas and the positive word of mouth was near-universal, reasons enough to watch it. Was riveted and couldn't look away throughout all three seasons and was thirsty for more, that's the mark of a great or more series. Like 'The Missing' and the Danish version of 'The Killing', as far as series from the past decade go, 'Broadchurch' came incredibly close to perfection. It isn't quite but even the little that didn't quite work weren't enough to stop it from being exceptional.

The ending of Season 1, while very shocking, was a bit of a let-down after the rest of the season being so flawless. It just felt rushed and contrived and the perpetrator and motive did seem on the unlikely side. While Season 2 was still incredibly interesting and enjoyable, with lots of tension, suspense and poignancy to spare with greatly written characters and engaging court room scenes, the old case mystery was atmospheric and tense but felt shoehorned in initially and forced in placement with Hardy out of character, though did get better and more interesting later on.

With all that aside, 'Broadchurch' is fully deserving of the acclaim. It started off absolutely brilliantly with Season 1 let done only by an ending that didn't do it justice, wasn't quite as good but good enough to not lose interest in Season 2 and, contrary to what a few have said, Season 3 does something different with a new case but referring to previous events and still has the ability to shock, absorb and move.

'Broadchurch' is one of the finest visually series seen by me. The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.

Standing out also is the writing. It's rare to find on television recently to have a series so intelligently written and be so layered and meaty. While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips. Aside from the multi-layered and utterly absorbing cases, all three series have many characters and subplots and do justice to all of them, rare these days in television and film.

Characters, lead and supporting, are interesting and never black and white, having redeeming qualities as well as flaws. 'Broadchurch' does a particularly good job with Ellie in Season 2. The subplots are a perfect balance of dark, sensitive and emotional, especially in Season 1. The direction is accomplished throughout.

You couldn't have asked for better performances either. Particularly outstanding is Olivia Coleman, now this is an actress who brings many emotions and nuances to a role that few actresses of the television medium do so well, and sometimes in an understated way. David Tennant's acting here is some of his career's best, bringing conflict and likability to a deliberately flawed character.

David Bradley, Pauline Quirke, Jodie Whittaker, Charlotte Rampling, Eva Myles, James D'Arcy, Julie Hesmondhalgh and Sarah Parish are standouts in support.

In summation, exceptionally riveting. 9/10 Bethany Cox

I have been loving the emotional depth of this show! So often families of murder victims exist merely to give clues for the eventual solution but in Broadchurch we are exposed to the grief of a bereft and torn family.

I have never paid much attention to Olivia Coleman before but what an amazing actress! She will be added to my list of actors to follow from now on! She plays Ellie Miller a local detective who is not only charged with investigating the murder but who also knows personally the various suspects and players in the drama. An interesting mix and a fruitful tension!

I am very glad for her character because Miller's superior, DI ALec Hardy (David Tennant), is very much the clichéd grumpy dysfunctional detective we have all seen in a hundred other cop dramas. Having said that he plays his role well. If we must have this trope then Tennant brings some new life to it which is a tribute to his screen presence.

The setting is small town Dorset(Southern England). The village setting with its entangled relationships is fertile soil for the twists and tangles of the story.

After 6 episodes I am very much involved with the characters from the town of Broadchurch and am hoping the producers of this show will let it come to the end of its story arc in the scheduled 8 episodes.

An enthusiastic reviewer started writing about this show when it started filming, speaking with great anticipation about the creator of the show's previous work and then the premise of his new show - a crime story, inherently tragic, focusing on grief, dark puzzles and a small community in which everyone knows everyone. I immediately thought of 'The Killing' and whether I would feel the same sense of of despondency when I watch shows like that.

Turns out I was both right and completely wrong. And I'll get to the emphatic 'yes!' for this show in a moment. The storyline, like in most crime shows these days, is hardly original. And you could say that like many British TV shows with veteran actors, intriguing plots with a dark narrative devoid of hope or a happy ending (contrary to most American TV shows with a similar premise), this show too, relies on intriguing characters to keep your interest in the puzzle and the secrets each character holds. But Broadchurch does all that without ever indulging in tragedy or hopelessness. No easy feat.

The acting and casting are flawless. The story feels real and unfolds with a steady, organic pace. David Tennant's nuanced take on the character, which could have easily been another self-important anti-hero with a troubled past, instead offsets Olivia Colman's character wonderfully. Her genuine, sincere approach to life, creating inevitable friction is a surprisingly fresh take on the traditional mismatched police partner or 'buddy cop' dynamics.

And then comes the beauty. Each shot framed like a painting featuring the stunning cliffs and beaches around the Dorset coast in all its rugged glory. Even interviews with suspects are photographed with elegance and an unexpected ethereal quality, using blurred light and colors. The stunning landscape setting is used not just as a backdrop, but a powerful narrative, contrasting its vastness with the small stories of each one of the locals. The calm, reflective moments in each episode feature scenes without dialog, allowing you to absorb it all.

This is where the music comes in. Too often an afterthought, a necessary element to invoke emotion or underline the words, here the music becomes one of the main characters of the show. An understated yet stunning soundtrack by Ólafur Arnalds, featured prominently throughout the series. And what a revelation it is. Allowing you to watch Broadchurch both as a sophisticated detective story and as an evocative, elegant music video. And while concert halls featured the most talented composers in the past, sadly or thankfully, TV shows (possibly more than feature length films even), seem to be the perfect outlet for the most creative contemporary artists. Utopia, Breaking Bad and Battlestar Galactica come to mind.

You could say then, that it is Ólafur Arnalds' score who helps Broadchurch transcend the sadness and grief of the story told, but it wouldn't be fair to understate the the stunning cinematography and art direction, subtle and powerful storytelling and production by Chris Chibnall. And with a cast that is able to portray the characters with depth and authenticity, it helps Broadchurch stand out from similar shows, deserving a review beyond simple comparison.

So Broadchurch has finally come to an end after three series. Chris Chibnall recently rounded off, and moves onto his new project, Doctor Who. It's a difficult series to review overall, the first series was incredible, I think it raised the bar for this genre, it was devastating, engaging, and re-opened a genre that had somewhat been underplayed for so long, the whodunit. In each series that's always been the burning question, who and why. Series one was fabulous, and gained the show a massive following, getting over 10 million viewers. I enjoyed Series two, although it faced criticism, the third series got the show very much back on form, with a very dark and gritty story.

Dark, complex engaging stories, that have kept the nation guessing for weeks, will we see the like of this again for some time? A credit to the writer.

Dorset provided a stunning backdrop to the grief stricken town. The show always managed to look so good. Well acted throughout, Tennant and Coleman made a fantastic duo. I will never forget the impact of seeing Matthew Gravelle (Joe Miller) in my then place of work after the first series, talk about chilling.

I am glad that it ended with the third, when Chibnall finally decides to leave Doctor Who, he could revisit the show, maybe a spin off, maybe a new series? A brilliant series overall, 9/10

I enjoy British crime dramas. I find the pacing and depth of characterization is more engaging than the better American shows and there is often more emphasis on "mystery". Meanwhile I find the Americans are more innovative and the plots seldom have the holes that sometimes mar British crime stories. Broadchurch is a marvel. I have never seen a TV drama that explores the emotions of so many characters so convincingly. Crimes are traumatizing. Broadchurch gets this perfectly. Nor have I have ever seen a crime drama that packs a visual punch in so many scenes. The Dorset coast is a character in Broadchurch. It plays its role as effectively as any of the brilliant actors in this piece. And that brings up the acting. You won't find a weak performance and some are unforgettable. There were times when I was reminded of how exciting it was watch Sopranos for the first time. Broadchurch may even have the same kind of influence on future television filmmakers. It transcends comparisons between the US and the UK. It's a new standard and an instant classic.