Ya te Extraño

Jess (Drew Barrymore) and Milly (Toni Collette) are lifelong friends from childhood. Jess was an American girl fish-out-of-water in England and Milly was the only one who befriended her. Milly's mother Miranda (Jacqueline Bisset) is an often-absent flaky actress. The girls did everything together. Milly has famed rocker husband Kit (Dominic Cooper), a high powered job, and two kids. Jess lives on a boat with Jago (Paddy Considine) desperately trying to get pregnant. The couple's money is drained and Jago has to work on a North Sea oil rig. Then Milly is diagnosed with aggressive breast cancer.

This is solid female friendship material. The breast cancer story has its melodramatic touches but it doesn't go overboard. There are enough surprises to keep it fresh. Director Catherine Hardwicke could have made this tighter. Through it all, Barrymore and Collette create a believable best friends duo. Collette especially shines. In the pantheon of female best friends with cancer, this is one of the better ones.

"How could the tumor have gotten so big? It's aggressive, like you. Jesus. Well, is it contained? In my body, yes. You should have gone back sooner. Yeah, thanks. Hadn't figured that out. "

I'm not really a fan of tragicomic films with a terminal illness as a main topic. And yet I'm always impressed after accidentally watching such a movie. That was the case with "Philadelphia", starring the overwhelming Tom Hanks who was diagnosed with AIDS. In "Still Alice" Julianne Moore starred as the with Alzheimer stricken Alice. And not so long ago, I praised "Me and Earl and the Dying Girl". Also "Miss you already" kept me captivated. Especially by the stunning interaction between the two protagonists Jess (Drew Barrymore) and Milly (Toni Collette). Two best friends who shared every milestone in their life with each other. An inseparable duo. They know each other thoroughly. Both their negative and their positive sides. And they succeeded as actresses to give me that feeling that they really knew each other since their childhood. A bond they created over the years whereby they intuitively know how the other feels, what she thinks and how she'll react. That's why there's this liberty to respond humorously to dramatic moments.

For me this was the main theme of this dramatic comedy. Even though tragedy hit Milly in a profound and poignant way, it's that undestroyable friendship that emerges every time. The two inseparable friends with each their own personal problems. Milly suffers from something she would be better off without. Jess and her husband are craving for something else. Milly wants to be cured from cancer. Jess has a desire to have children. Of course it's not so obvious to resolve both problems quickly. I was amazed about the fact that both ladies had a problem telling each other about these major events, although they are so close friends and shared everything with each other. And still do. Weird.

Obviously this film will be regarded as a typical chick flick, with lots of unconstrained sniveling and sobbing. The themes are also women-related : giving birth (by the way, that scene was grossly exaggerated), best girlfriends for life, breast cancer, a disturbed positive self-image with the usual sexual problems after wards. It also could have been the opposite, in my opinion. In such a way that the male portion of the world could relate to it. Two male protagonists and real "buddies for life". One of them has testicular cancer and the other one has spermatozoa of poor quality. Same concept. But with less giggles.

The only remark you could have about this film is that the obvious clichés, associated with these emotional issues, aren't avoided very well as in "Me and Earl and the Dying Girl". The two protagonists were sublime, although for me Barrymore will always be that little girl who played along with "E.T.". Perhaps both husbands Jago (Paddy Considine) and Kit (Dominic Cooper) played a minor role, but nonetheless an important one. Especially Considine was brilliant with that sarcastic, dry humor he used sometimes. I never imagined that seeing how someone vomits in a salad bowl, because of chemotherapy, would be sinister and comical at the same time. "Miss you already" isn't exactly a light-hearted film and definitely isn't suitable as entertainment to kill (sorry) a Sunday afternoon, but it still made an overwhelming impression on me. And although I thought I knew how it would end, it still was different than I expected. Women! Always against the grain ...

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Greetings again from the darkness. The theatre was filled with the sounds of sobbing. And by sobbing, I mean bawling … not the typical post-movie sniffles. While I was a little confused on just where my fellow movie watchers thought this story was headed, it's understandable that sometimes a dark theatre is simply the best place to have a good cry. Director Catherine Hardwicke and screenwriter Morwenna Banks deliver an unfettered look at friendship, sickness and loss … and a reason to bring tissues.

Tearjerker movies have quite the history of success. Some of the more popular sob fests include: Love Story, Brian's Song, Terms of Endearment, Beaches, Steel Magnolias, and The Notebook. This latest is probably most similar to Beaches in that the focus is on two lifelong female friends (polar opposites in personality) who ride the roller-coaster of life together – through good times and bad.

Milly (Toni Collette) and Jess (Drew Barrymore) meet in elementary school and experience many of life's "firsts" together. We know this because the film begins with a bit of a clumsy flashback sequence that shoots us through their high school years, heavy partying, and finally picks up after they are married.

There are many mysteries of the female gender that those of us with Y chromosomes will never comprehend. One of those is the close friendship between the vain, center-of-attention type, and the always supportive enabler. Milly is the classic taker, while Jess is a giver. Milly is the high-flying socialite who dresses flashy and draws a crowd, while Jess is the dependable sidekick, always there to make sure Milly is never alone. It's confounding and a bit sad to those of us who view friendship as something much different.

Both Ms. Collette and Ms. Barrymore are strong in their performances, though Collette has the much meatier role. What's impressive about the movie is how it takes head on the horrific travails of those with breast cancer. The emotional and physical and medical aspects are all dealt with no compromise. Some of it is tough to watch, but admirable in its directness. Milly's breast cancer takes center stage, while Jess' struggle to get pregnant is low-keyed. Fitting for their personalities, but each based in real life sagas. Milly's husband Kit (Dominic Cooper), and Jess' husband Jago (Paddy Considine) both provide understandable reactions to the obstacles faced by their spouses. Add in a bleached blonde Jacqueline Bisset as Milly's eccentric mom, and the five lead actors each contribute a relatable element to the story.

Two other actors make an impression: Frances de la Tour as a wise and direct wig-maker, and Tyson Ritter (front man for The All-American Rejects) as a free-spirited bartender who may or may not be a good influence on Milly. Even though Jess is the heart of the story, it's Milly who dominates … just like their friendship. Green vs glamour.

Director Hardwicke will always hold a special place in my movie memories thanks to her sparkling 2003 debut Thirteen. She and writer Banks clearly understand women, and believe it crucial to show the courage required in the fight against breast cancer. Fortunately, their main character is funny and spirited, and pals around with someone we would all be proud to call a friend. And that's nothing to cry about.

This is not like one of those you have already seen cancer themed film, there's two main characters and their two sets of struggles. They both are very close friends since childhood. When they grow up, one settles down comfortably in life, but fall seriously ill and another one struggles to build a family.

I think the film's strength was the development in every scene without wasting a bit. There's always something happens that keeps us alive. I expected the usual, but it gave me a different entertainment. In the movie everything was between two friends, even each had their own family to care about, this story concentrated what came between them and how they fought together.

Great direction, shot in wonderful places, but the actors were decent. They should have been better, especially Toni Collette. To me the sentiments were very weak knowing the theme belong to the tearjerkers. Initially you might think it is a female version of '50/50', almost it was, but tried to be a different with additional story expansion. Overall a good movie, little fun to watch, you might enjoy it, but I can't guarantee.

7/10

Interesting to see that another reviewer compared this to 50/50. In many regards that is, one of them being that 50/50 does seem to get the recognition it deserves (even only in small degrees). Another interesting this is the German title for this movie: In heaven everyone is wearing high heels. Whatever that is supposed to mean.

Overall the movie is pretty engaging and the main actresses have a good chemistry together. For the subject matter it is kept pretty light, which you'll either appreciate or hate. Judging from the rating more people are on the love side. That doesn't mean it's always easy to watch and some may say this could've been a TV drama of the week kind of thing. But that would be unfair to the people involved, all of whom are doing a good job here.