Halimin put

By Alex Deleon, Los Angeles This film was viewed at the L.A. SouthEast European film festival (SEEFEST) in May 2013. "Halima's Path" is a minor key masterpiece that deals with post war trauma after the Bosnian civil war in two intertwined peasant families -- one Muslim, the other Christian. What makes this film so special apart from the gripping subject matter, is the overall esthetic conception, the brilliant cinematography, the authenticity of the settings (Satyajit Ray would have loved it) -- the absolute world class acting, and the direction, which, as one viewer remarked in a post screening Q and A, "puts Hollywood to shame". Balkan films from Romania, Serbia, Turkey, and even tiny Albania, have circulated in various festivals but Croatia hasn't had very much to offer until the emergence of Zagreb based director Arsen Anton Ostovic, who learned the trade at the NYU film school and has made two other remarkable features before this. Halima's tortuous Path -- on the way to identify the remains of her husband and son exhumed from mass graves -- is Nothing but heart rending as portrayed by actress Alma Prica in a towering performance that is almost too authentic to bear. This is a heavy drama with an intricate plot, many characters in complex kinship relations, and multiple interwoven flashbacks that are sometimes hard to sort out, but the direction is so skillful that the viewer is simply swept up and drawn along in one perfectly constructed scene after another to the shocking conclusion with a deftly touching cemetery coda. Every character is perfectly drawn and portrayed by an amazing ensemble cast, some Croatian, some Serbian, some Bosnian Muslim, and at least one Slovenian. The overall effect is transfixing even if slightly confusing at times, at least to outside viewers not so familiar with similar sounding names and reading the film through English subtitles.. "Halima's Path" is a stunner and jaw dropper, but it may take a second viewing to sort out all the details. Basically, the story is this: -- The film opens with a prequel to the main story in 1977. A title tells us this is western Bosnia where the population is mixed Moslem and Christian (Vlah). On a stormy night a pretty young Moslem woman, Safiya, comes running through the fields to the house of her aunt, Halima, to tell her she is two months late --pregnant - of course unmarried, and afraid her father will kill her if he finds out that the father-to-be is aChristian-- Moreover, she loves the guy! We'll think of something, says Halima. Next we see Safiya jumping off a ladder on the family farm trying to induce an abortion. Ineffective. Her father starts beating her to within an inch of her life with a whip when Slavomir, her handsome Serbian boyfriend shows up. He poleaxes the enraged father, Avdo, with a stick but has to flee when a son pulls a shotgun on him. Jafiya, badly battered, is kicked out and comes back to Halima, her aunt, Avdo's sister, for refuge. The stage is now set for the big secret that will be the fulcrum of the tale. We will later find out that after Safiya secretly gave birth after the failed abortion. Halima who was barren, secretly adopted her niece's child, Mirza, and raised him as her own. Slavomir who has been away in Germany for two years to make money returns in a fancy car to retrieve Safiya. When he asks about their baby Safiya lies and tells him it was stillborn, then runs off with him to raise a new family as a Christian wife in an all Serbian town.

Flash forward 23 years -- it is now the year 2000, five years after the end of the Bosnian war. In a series of momentary flashbacks we learn that both Halima's husband and son were carried off by Serbian soldiers and shot in an ethnic cleansing massacre. We can also see that one of the soldiers was young Slavo -- Under UN supervision mass graves have been exhumed, the bones carefully laid out in a warehouse mortuary and DNA or blood samples from surviving relatives are needed to identify the bones so they can be reburied properly according to Moslem custom. Salko, Halima's husband, Salko, has been identified but, since she was not the biological mother of Mirza her blood sample won't help. She has to find Safiya who ran off 22 years earlier and hasn't been heard from since....Avdo's wife, Nevzeta, who never agreed to Safiya's expulsion from the family, has heard some things on the grapevine ... Cut to Safiya, now "Sophia", and her family of three daughters somewhere on the Serbian side. Slavomir, who was once so clean cut, has been traumatized by his war experiences in the Serbian military, has become an alcoholic, has grown long hair and a beard, is constantly depressed and looks like Jesus ... Halima now a forlorn pathetic figure who knits sweaters for the dead to keep from going mad, is determined to find Safiya --- . . She will be assisted reluctantly by brother-in-law Mustafa (Brother of her deceased husband) who once despised her for her barrenness but has softened with age. What will happen when she does find Safiya/Sophia...? When director Ostojic remarked that Alma Prica is regarded as the best actress in Croatia and has been so for a long time, I asked him what American actress he would compare her to and the answer was immediate, Meryl Streep! - In any case this is a fantastic ensemble cast all around without a single glitch as far as the acting is concerned. "Halima's Path" is a Croatian Bosnian Slovenian co-production and a pristine example of cross border cooperation in a region that was so recently torn to pieces by a horrendous series of wars, now largely forgotten in the West.

If You don't want to cry skip this movie - it is very good and really deeply touches basic human conflicts that are so common on Balcans, but also universal. It was so difficult to me to explain to a foreigner (I am Serbian grew up in Slovenia during Yugoslavia) what was really going on during the war in Bosnia, Croatia... In short words it is inexplicable. The movie is a really good explanation what is going on during the centuries: how deeply people actually are connected to each other, but in many periods they try to behave as they are not et all. Actors are great and connection to reality is all the time alive. But specially I like dedication of this movie to a woman, who is a special victim in Balcans wars. I felt Halima's story is a very strong symbol for all mothers who pass all kinds of experiences to get a child and rise it - just to lose it for stupid wars, again and again and again...

This movie awakens emotion and no matter how hard you try as a strong male not to cry, a few times in this movie that's just not easy. I suggest that women bring to the cinema enough Kleenex.

Excellently acted, well photographed. Excellent film.

The film's director, whose two previous films (A Wonderful Night in Split and No one's son) were great to me, did an excellent job, and I think that movie audiences will love this movie.

Minor objections that some might object to the film's authenticity. It's nonsense like: why they in the woods gives the blinker when hillbillies are not using blinker in the city.

Regardless of these little things that will be noticed just during second or third viewing of the film this movie is probably the best Croatian film in recent years.

I watched Halimin Put last night and I can only congratulate Arsen Ostojić on the magnificent job he did by directing this feature film; as one says in Croatian, svaka čast majstore! I always enjoy watching films from the Balkans because of the actors' fascinating acting. Indeed, they act in such a natural way that we have the feeling to be also part of the film and experience the actors' feelings.

Beyond the tensions and cultural differences that may exist between Christians and Muslims, I really appreciated that Mr. Ostojić dealt with the psychological trauma suffered by people involved (both actively and passively) in a war. We mostly tend to forget that even if a war is over, it actually never ends for those who experienced it as this a hellish moment of life they cannot easily get over. I think the biggest strength of the film lies in the perfect depiction - through the behaviours of the characters - of the psychological ravages each person experiencing war has to cope with once the nightmare ends ; at least this is what made a lasting impression on me.

I am no film critic, but I was eager to submit my review on this title as it has been quite a while now since I last watched a film of such high quality. There is of course still very much to say about the other very interesting aspects of the film, but professional film critics will do it better than I ever will.

Keep up the good work, Mr. Ostojić! :-)

Bosnia is hardly known for its film industry, overshadowed by the last two decades of war. As a lover of foreign films, I must admit that I don't suppose I've even heard the language spoken before in a film, or was aware of movies being made in Bosnia and Yugoslavia. This one really won me over with its cinema verite style, shot on actual 16mm film. It's really refreshing when you see how someone can tell such a compelling story that's so simplistic - the story of a mother in search of her family. There's an air of authenticity in everything here - from the real locations, to the actors who lived through this very divisive conflict in their history. It's truly amazing - almost feels like a realist novel unfolding on screen, as you quickly forget that you're watching a movie.