Antes del invierno

Until the final 20 minutes I was watching this drawn by the two main characters. Kristen Scott Thomas and Daniel Auteuil are (as always) superb and their performances rather than the catalyst character, well played by, Leila Bekhti are what keep you engrossed. Scott Thomas and Auteuil are so subtle in their performance that you do feel the emotion, as your own, that which simmers and then manages to just about bubble in both their emotionally closeted worlds. These performances give the revelations revealed or hinted at in the final 20 minutes a lot more power and make what would have been another decent, and very watchable, film about a mature older man becoming obsessed by a young woman and his and his wives helplessness in doing anything about it after too many years wrapped in wealth and family comforts a rather very good film and one that leaves you thinking about consequences and the fallibility of love.

This film has many fine elements, but suffers from the same ennui as the couple it portrays. I picked this up at my library, and knew immediately I had seen it before, but couldn't remember the end, and had to ride the "fast forward" to get through it! It didn't get better with a second viewing! A bored neurosurgeon "hits a rough patch" with his trophy wife, who sublimates her loneliness with her trophy home and garden! It reminds me of a flaccid remake of Haneke's "Cache", with Auteuil reprising his role as the stone-walling husband, who is smitten by a young Moroccan woman, who may be stalking him with roses instead of surveillance! Kristin Scott Thomas plays the long-suffering wife, instead of Juliette Binoche.

The film also has a couple of disparate elements that could easily have been cut, mainly Lucie's psychotic sister, and a Polish patient's Holocast survival story.

This is a fine distraction, if you have nothing else to watch!

"Avant L'Hiver" (2013 release from France; 105 min.) brings the story of a married couple, Paul and Lucie (played by Daniel Auteuil and Kristen Scott Thomas, respectively). As the movie opens, we get to know Paul as a successful neurosurgeon who spends too much time focusing on his job and not enough time on his wife. Then one day Paul runs into Lou, a bartender whom he had treated once when she was a young child. It is not long before it becomes clear that Lou (played by Leïla Bekhti) has a strong interest in Paul. Will Paul reciprocate? Meanwhile Lucie needs to deal with her unstable sister Mathilde, and Paul's business partner in his private practice, Gerard, seems to have an unusual interest in Pau's wife Lucie. To tell you more of this plot-heavy movie would surely ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is a fairly straight-forward relationship drama, focusing on whether the marriage of Paul and Lucie can survive all of the commotions. Contrary to another reviewer here, I did not experience this movie as a "thriller", slow-burning or not... That aside, I absolutely enjoyed the acting performance of Daniel Auteuil from start to finish. He has a natural ability for these types of roles.

I saw this movie during a recent family visit to Belgium, where it had just opened. The screening I saw this at, a week day matinée, was reasonably well attended. No idea if this movie will ever get a release in the US, be it in theatres or on DVD/Blu-ray, but if you have a chance to see this, I would readily recommend this movie to you.

They could've made so much more with this story, but it has no direction, it tries to be profound, but it ultimately fails to. The ending leaves you nowhere, and you ask why you've seen this film? For the cinematics? For the actors? Hmm... For sure not for the incomplete and lack of depth of the script.

Daniel Auteuil plays a doctor and Kristin Scott Thomas plays his wife. They lead a rather secluded, rather upper-class existence, in a big house, with a very big garden. He works long hours, she does not. He starts getting flowers sent to him, and who is sending them and why, is the central mystery of the film.

This is a slow film, a very, very, slow film. It starts off slowly with domestic scenes and only picks up very slowly. We are unsure about the central mystery. Different indications suggest different answers and different roads to go down.

Around half-way through the film is an unexpected scene which seem to jar with the rest of the film. It is not the most important scene in the film. However it does introduce an important theme. Although having said this, it does not introduce a development in the plot. As such then, do not expect the little scene to have any greater significance than it has. Do not expect anything more.

Film is rather like real-life. Everyday domestic matters feature strongly in the film. Accidents can happen, mistakes can be made, situations can be misunderstood.

The fragility of life is a central theme of the film. So too are personal circumstances and change of circumstances. Film is about relationships, lies, lives and loves. There is passion but it is very pent-up.

It is a slow film, a little dark, with a few brief life-enhancing moments.

Tip: Opera buffs may understand a mistake. 8/10.