La maldición de Chucky

It kind of annoys me that such a modest, but brilliantly executed, film like this goes STDVD when pretentious piffle like Baz Luhrman's The Great Gatsby gets sharted over every screen in America.

I got the sense that everyone involved in this movie committed 100% to making an exciting piece of clever and entertaining genre filmmaking. The lighting, production design and music were fantastic and the cast equally superb. Fiona Dourif is an impressive new scream-queen/final-girl and Danielle Bisutti did a wonderful job as the somewhat-sympathetic bitch.

I very much doubt that Don Mancini will be winning a Director's Oscar any time soon, but IMHO he ranks higher than many of the past winners because I feel he believes in value-for-money entertainment - and some of those fancy directors could learn a lesson from him.

A family gather together for a funeral, only a killer doll has an old score to settle; and blood & mayhem ensue.

Opening in a creepy large house (with its own Diamonds are Forever type lift), a mysterious death occurs in the first few minutes after a revamped 'Good Guy' doll is delivered. From the outset there's an updated excellently designed Chucky doll and Joseph Loduca's melodic eerie music score which sets the tone.

There's plenty of atmosphere in this installment from series veteran Don Mancini, with Curse sharing much with the Psycho films in design and pace. Brad Dourif again voices Chucky. The great one liners are fewer, a bit more poignant and cutting. There's a few relationship surprises and story twists. Web-cam moment, stitches reveal and closing are particularly memorable, also there's a great scene after the credits.

Some of the cast are debatably too polished, nevertheless, the horror elements are there and include the original mix of Nanny, young child and a killer doll. The child actor Summer H. Howell is strong and wheelchair bound Fiona Douif (daughter of Brad) is notable as Nica.

Many scenes are effective with inbuilt tension and jump scares, notably the shower encounter and dinner gathering. With lingering camera movements and interesting angles, Mancini also leaves plenty to the imagination as some of the set ups take place off screen, that said there are lots of effects, blood and gore on display - decapitation, an electrocution, an empty eyeball socket and an axe attack to name a few.

There are lots of nice touches that are fitting to the modern Chucky doll, that mirror today's toys, making him all the more menacing when he comes to 'life'. Pupils dilate, his eyes are bloodshot, walking and running - Chucky is back better, creepier and badder than before. For die hard Child's Play fans Dourif appears briefly in his serial killer Charles Lee Ray guise, some old photos and newspaper clippings feature Andy and scene's link direct to the first outing.

What the production has saved on the lack of locations, to it's credit, the money has been put into the excellent special effects. Mancini returns it to its Child's Play roots while making references to the rest of the series including a great cameo from one of it's most colourful characters.

It delivers with its back to horror basics approach, updated effects, Mancini's Hitchcockian execution and links to its previous counterparts. With this in mind Curse of Chucky is less likely to date than some of its predecessors. Recommended.

Curse of Chucky is better than most horror movies that get a theatrical run. The staging is rather small, with a small unknown cast and a limited location, but they make the absolute best of everything they have. Brad Dourif, the original director, and another important cast member from parts 4 and 5 appear; and this movie actually seems like a return to the formula of the original movies, using some of the surprise and humor of the last two. A woman caring for a disabled daughter, and living in a lovely Gothic mansion, receives the Chucky doll anonymously. After being quickly dispatched, the rest of the family arrives to take over the estate from the daughter. Among them is a little girl, who adopts the Chucky doll. The parents of the girl seem to have ulterior motives and a strange relationship with their babysitter, which is later revealed as a pleasant and humorous twist. Chucky begins killing off the victims, using the creepy mansion as a great backdrop. The camera work is great. The suspense is good. There are some great kills. This movie does not look cheap. Its only VOD concession seems to be that it sticks to the same location over the same night, and changes settings only rarely. The last entry seems to largely avoid parts 4 and 5, although it does not erase them completely. Often, horror movies that deviate from formula come out disastrous, but Chucky reinvented itself as a series with Bride and Seed of. Fans of those movies may be disappointed this doesn't pick right up where they left off. Still, it's a nice surprise to go back to the pure cheesy formula horror of the first three movies. The ending, of course, leaves room for a sequel that could play off the theme of the movie, and revisit dangling threads from the earlier series. Well worth renting, streaming, buying.

This was a movie that I'll be honest; I didn't have high hopes for when I took it home as a pre-street from Family Video. I grew up mostly on the third movie in the series as it was always on the movie challenges. I also liked the second one quite a bit. Outside of that, Bride of Chucky was interesting in its way, but Seed I've seen once and didn't care for it. This one worked for me though after that first viewing. The synopsis here is after her mother's mysterious death, Nica (Fiona Dourif) begins to suspect that the talking, red-haired doll her visiting niece has been playing with may be the key to recent bloodshed and chaos.

We start this movie off getting to meet Sarah (Chantel Quesnelle) who is the mother to Nica. Nica is wheelchair bound and it seems to be from birth. Nica was going to college but dropped out and her mother is protecting her. She isn't very nice about it though. A package is delivered and it is addressed to Sarah. She opens it to find a Good Guy doll. That night, a scream wakes up Nica and she goes to check to find her mother murdered.

To help out with the funeral, Nica's sister shows up with her family. The sister is Barb (Danielle Bisutti). She is married to Ian (Brennan Elliott), who is struggling work wise currently. There is also their live-in nanny of Jill (Maitland McConnell). Ian can't seem to keep his eyes off her. There is also their daughter of Alice (Summer H. Howell). Joining them is Father Frank (A Martinez). We learn that Sarah and Nica left the church some time ago, but Frank is there if she needs him.

It is around this time that Nica notices that the Good Guy doll is missing. Alice finds it and where she does is a cause of confusion for Nica. Alice learns his name is Chucky. We soon see that Chucky is alive. He poisons one of the bowls of chili for dinner and that is just the beginning of the mayhem.

That is where I'm going to leave my recap for this movie and what I find enjoyable about this movie is that it is getting back to form of the Child's Play series. What is interesting is that this plays like a reboot for a good part of it. We know this is a sequel from research that Nica does that confirms events of the past happened. This movie plays with the idea that only Nica and Alice know the doll is alive. It takes the former a bit to realize it and Alice being a kid, no one will believe her. This is taking it back more to the slasher roots as well.

Something I found interesting is how many of the characters are unlikeable. The movie also plays with troupes of this as well. Nica is handicapped but doesn't want to be treated that way. Barb is convinced that her sister cannot do anything to help herself and wants her to move into an assisted living facility. This is in part that her family is struggling monetarily so she wants to sell the house. She is mean to her husband, so it makes you think that he's interested in Jill. I'll say, this young woman is attractive. There was an interesting reveal there that makes a lot of sense as well.

I want to shift the focus next to Chucky. Now the last two films we saw him, he has the stitched-up face. This movie here has a more traditional look, which made me think reboot. I did like a reveal later in this movie to in fact confirm, every movie leading up to this happened. There is a shift in Chucky as well that he might not necessarily being trying to get out of the body and embracing what being inside of the doll means. Having seen the next movie in line, I know something there that I won't spoil, but we get a bit of that here. Chucky is quite brutal with some things that happen in the unrated cut here.

Since I've delved into the character, I'll go next to the acting. Brad Dourif is back as the voice of Chucky. He's a great actor in general and he owns this character for me. That isn't to say the remake isn't good, but it is hard to top an actor who has taken it on for as long as he has. I liked that his real-life daughter of Fiona taking on the role of Nica here. She does a good job and it is this movie that I find her the most attractive. Bisutti, Elliott and McConnell are all solid. They are flawed. Bisutti doesn't have any redeemable qualities, but the other two show a bit. McConnell is also quite attractive. I'd say the acting on the whole is solid.

Then the last thing that I wanted to go into here would be the effects. It looks to be like they did as much with Chucky as they could practically. There are a few times where there is something off about the face and I'm assuming it was because they were going to have it move in a certain way. That took me out of the movie, I'll be honest. Aside from that, I think most of the kills look good. There is a bit of CGI that didn't hold up, but not as much as I thought. There is some solid cinematography here as well.

So then in conclusion, this movie surprised me the first time I saw it and I think it is still solid. I like them going back more to their roots from where the series was going. The voice acting of Dourif as Chucky is on point. Fiona Dourif is solid as our lead and the rest of the cast is solid. I'm middle of the road when it comes to the effects while the soundtrack fit for what was needed. There are some decisions made in this movie that don't make sense. Some of it can be chalked up to a slasher movie, but I want a bit more from this series. For me, this is movie is over average, but just coming up short to go higher.

My Rating: 6.5 out of 10.

From the first couple of minutes it's easy to tell that Don Mancini is treating Curse more as a horror film than the previous couple of entries in the series. The movie is shot and edited to build suspense and is a world apart from the sitcom trappings of Seed.

A girl in a wheelchair (Brad Dourif's hot daughter Fiona) living in a rural home with her troubled mother receives a mysterious package one afternoon. It's Chucky, and he's somehow managed to get himself in the mail again. He's arrived to settle a score, and soon enough he has brainwashed a child into keeping his secret and is sneaking about in the shadows offing unsuspecting victims.

Many people are saying that this movie is a return to form, and that it retcons Bride and Seed out of existence. Er...no, the film very much DOES acknowledge the events of Bride and Seed. Even if you paid the bare minimum of attention it would be hard to not to realize this. But I guess that expecting the movie to go in a different direction only led to further surprises when it eventually did tie in to the previous movies as well as giving us more back-story to Charles Lee Ray.

I was worried that Chucky would be all CGI as Kevin Yagher has not been involved with the series since Bride, and while there IS some CGI, he's anamatronic for the most part. Instead of hogging the camera though he keeps quiet watches the humans interact for about half the movie before unleashing toy terror. Horror composer Joseph LoDuca delivers a pastiche of the Renzetti, Revell, and Donaggio's efforts without giving Curse a signature sound of its own. Not really a complaint, but more of a missed chance.

It's certainly a worthy sequel and a can be viewed as a genuine horror film without any of the guilty pleasure of Seed. Keep watching to the end of the credits for a further surprise that ties the series together even more (though it does contradict the closing scene before the credits actually roll).