CALIFICACIÓN DE IMDb
6.2/10
2.7 k
TU CALIFICACIÓN
Un joven blanco sureño en el verano de 1961 se encuentra atrapado en un lugar y una época en la que tiene que elegir de qué lado esta.Un joven blanco sureño en el verano de 1961 se encuentra atrapado en un lugar y una época en la que tiene que elegir de qué lado esta.Un joven blanco sureño en el verano de 1961 se encuentra atrapado en un lugar y una época en la que tiene que elegir de qué lado esta.
- Dirección
- Guionistas
- Elenco
Cedric The Entertainer
- Reverend Abernathy
- (as Cedric the Entertainer)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As I write this the IMDb rating is "5.3" and it appears that relatively few have seen it. Almost 15% of the few votes are "1" presumably from the white supremacists who downvote any movie that depicts activity for human rights. The mean is "6" and the median is "7" which are much more reasonable evaluations.
The main character is Bob Zellner, a young white Alabama activist for Civil Rights in 1961. The movie is based on his book written from his own experiences. The sad part is that now, 60 years later, we are still dealing with many of the same issues in small pockets all over the USA. Most seem to still be somewhere in the South. It is always jarring when we hear of yet another white supremacist, now often females, who attack people of color. The prevalence of phones with video cameras to record such incidents make them better known all over.
Anyway the subject is always hard to see but this movie does justice to the times and the racial struggles. I was in high school in the South in 1961. My wife and I watched it at home on DVD from our public library.
The main character is Bob Zellner, a young white Alabama activist for Civil Rights in 1961. The movie is based on his book written from his own experiences. The sad part is that now, 60 years later, we are still dealing with many of the same issues in small pockets all over the USA. Most seem to still be somewhere in the South. It is always jarring when we hear of yet another white supremacist, now often females, who attack people of color. The prevalence of phones with video cameras to record such incidents make them better known all over.
Anyway the subject is always hard to see but this movie does justice to the times and the racial struggles. I was in high school in the South in 1961. My wife and I watched it at home on DVD from our public library.
A gripping and compelling story with acting that went above and beyond to do justice to the intensity and emotion of this film. Lucas Till delivered a truly outstanding performance and Bob Zellner, and the entire cast brought their best to create a film I will definitely be watching again and again.
I found the perspective of this film to be uniquely important in a time when it's easy to judge each other's politics by appearance. We need more stories that prove that it's a person's character, not their family, their background, or their skin color, that makes them good, and that we can all work together to be agents of change rather than dismissing someone for being different than us, in any way. I'm looking forward to more films like this that celebrate the need for intersectional cooperation in seeking justice, rather than widen racial divides.
I found the perspective of this film to be uniquely important in a time when it's easy to judge each other's politics by appearance. We need more stories that prove that it's a person's character, not their family, their background, or their skin color, that makes them good, and that we can all work together to be agents of change rather than dismissing someone for being different than us, in any way. I'm looking forward to more films like this that celebrate the need for intersectional cooperation in seeking justice, rather than widen racial divides.
I feel somewhat the same towards this film as I did to last years The Last Full Measure with the main similarity being that it's heart is in the right place but it doesn't do a lot to distinguish itself. The message of this film is inspiring but it's a message that's told in most films relating to the Civil Rights Era. The performances were all around decent. There was one bad performance but most everyone else did a good job with what they were given. The script is okay at best. Like I said, the script doesn't do enough to make this film stand out and the dialogue is mediocre at best but not terrible. In terms of cinematography and music, it's average. Nothing special about the music or the way the film is shot. There really isn't too much to say since it doesn't do a lot for me. It's got a good string foundation that just doesn't build off of it that well. Check this out if you're interested in the subject matter but you could probably pass on this one.
I always expect low ratings on films like this one, the people that rate it as such are like some of the characters in the movie! These movies make them feel uncomfortable for a reason.
It's the summer of '61. College student Bob Zellner (Lucas Till) decides to talk to Rosa Parks for a school paper on race relations. It starts him down the road to the civil rights fight and self discovery.
This movie starts with Bob getting hung from a tree. Next, he jumping to talk to Rosa Parks. Before all that, the movie should introduce the audience to Bob himself. He comes off as unnecessarily clueless. Part of that is Lucas Till and his model good looks. He seems to fit more on a Californian beach. He's also not showing enough shock. Lucas has a tendency to seem above it all. This is a biopic of a real life person. I have to assume that there is some reality to the performance. The short reel of the real Bob gives off a slightly different vibe except when he's confronting Doc in that one scene. I do find the portrayal of ingrained racism of that time and place very compelling. I'm fascinated with his relationship to his grandfather. I wish for more of the father son relationship. I absolutely believe that Lucas Till is white. I'm just not sure if he's Bob.
This movie starts with Bob getting hung from a tree. Next, he jumping to talk to Rosa Parks. Before all that, the movie should introduce the audience to Bob himself. He comes off as unnecessarily clueless. Part of that is Lucas Till and his model good looks. He seems to fit more on a Californian beach. He's also not showing enough shock. Lucas has a tendency to seem above it all. This is a biopic of a real life person. I have to assume that there is some reality to the performance. The short reel of the real Bob gives off a slightly different vibe except when he's confronting Doc in that one scene. I do find the portrayal of ingrained racism of that time and place very compelling. I'm fascinated with his relationship to his grandfather. I wish for more of the father son relationship. I absolutely believe that Lucas Till is white. I'm just not sure if he's Bob.
¿Sabías que…?
- TriviaChaka Forman plays his own father, James Forman Sr., in this movie. James Forman Sr. was a prominent African American leader in the American Civil Rights movement during the 1960s. As executive secretary of the Student Nonviolent Coordinating Committee for much of the 1960s, he played an essential role in many of the seminal events of the Civil Rights movement, including the freedom rides, the Birmingham movement, and the Selma-to-Montgomery marches. Chaka Forman's mother, Constancia "Dinky" Romilly, a white woman, was a daughter of Jessica Mitford (one of the aristocratic Mitford Sisters, several of whom became famous--or infamous--in their native England for their divergent political loyalties). Unlike her sisters Diana and Unity (who declared their loyalty to Nazism) Jessica was a devoted leftist who at one time was a Communist Party member. She was also close friends with Virginia and Clifford Durr (portrayed in this movie by Julia Ormond and Greg Thornton) and was in fact living with the Durrs when she gave birth to Constancia; Virginia Durr's autobiography, "Outside the Magic Circle: The Autobiography of Virginia Foster Durr," contains a photograph of Chaka Forman's mother, Constancia, as a baby sitting on the lap of her mother, Jessica.
- Bandas sonorasSouthbound
Written by Doc Watson (as Arthel Lane Watson)
Published by Hillgreen Music, Budde Spongs, Downtown DMP Songs
Performed by George Stanford
Produced by Herman Beeftink and Dave Berg
Courtesy of Elite Source Music
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- How long is Son of the South?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Güneyin Oğlu
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 48,582
- Tiempo de ejecución1 hora 45 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was Son of the South (2020) officially released in India in English?
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