Blandings

Saunders is always a fave but her lines omg. Her threats and superficial social climbing and Farthing and Spall are spot in. Poor put upon Butler Beach is such a great foil. Wow I laughed out loud a lot. Enjoy. Downtown Abbey gone off the rails.

I bought the series on DVD here in Belgium. As Board Member of the Belgium Wodehouse Club, I must say that I can appreciate every attempt to put the work of Wodehouse in the spotlights. Apart from the color of The Empress, I love the show and I hope that there will be more series in the pipeline! The actors are well chosen. The pig steels the show every week! I love Freddy Threepwood and I copied his hairstyle immediately! Aunt Constance is phenomenal in using her eyebrows! Wodehouse is an author that we may not forget! Every television show can help to turn the attention on his works. I am waiting for a television series about Ukridge! Or other characters out of the works of Pelham Granville Wodehouse. The settings in "Blandings" are phenomenal! I am very sorry for the tree that was chosen as brakes for the car of Freddy! I understand that the actor who plays beach will be replaced by an other actor. I am sorry for that!

I had high hopes for Blandings based on Jennifer Saunders' involvement. While she is quite good, the whole cast of regulars is excellent.

Unfortunately the first couple of episodes were just so-so and may have put off some reviewers who were in a rush to judgment when writing up their overly critical posts here. And there are a few occasional characters, like Baxter, who seem to not be quite on a par with the others, but their short-comings are more pronounced because the rest of the cast/characters are so excellent.

By the third and fourth episodes, the actors seem to have found their pace and settled very well into their characters. Timothy Spall is fantastic. Freddie, Beach, the maniacal gardener ... all of them are great in their roles and are laugh-out-loud funny.

Yes it is silly and yes it is quite different from the earlier Wodehouse inspired productions. If you want to see Hugh Laurie and Stephen Fry playing Bertie and Jeeves, then this is not a rehash of the slower paced, repetitive, 1950's, I Love Lucy style Wodehouse that they did so well. If that's your cuppa' ... and I enjoyed that series too ... then by all means watch them. Comparing the two serves no useful purpose.

When the brilliant and inspired Stephen Fry and Hugh Laurie did PG Wodehouse's "Jeeves & Wooster" in the 1990's it was a pure joy. Because they didn't appear to be acting. They seemed to somehow miraculously become those two characters. You couldn't see the strings.

The complete opposite is true of the BBC's new six-part adaptation of PG Wodehouse's Blandings Castle stories. As Lord Emsworth, Timothy Spall does little but put on a posh voice and dig in, like a knackered old repertory company actor playing Toad of Toad Hall for the umpteenth time, in yet another tatty production of Wind in the Willows.

As Emsworth's sister Connie, Jennifer Saunders looks equally bored and uninterested, as if she's hurriedly learned the lines for a quickie PG Wodehouse sketch in an episode of French & Saunders.

Worst of all is Jack Farthing as the idiot son Freddie. His upper class accent is about as convincing as a first year American drama student auditioning to play all the Hugh Laurie parts in a bad remake of Blackadder.

Farthing's on-screen strategy appears to be to pull as many stupid grimaces as possible, bump into the furniture, fall over, and hope for the best.

The only member of the company who isn't dismally miscast is Mark Williams, who's Beach the Butler is neatly underplayed, nicely observed, and completely believable – standing head and shoulders above the surrounding gaggle of tiresome, stereotyped, phone-it-in actors.

The pig is good. Very good. His flat, upturned nose can't help but put me in mind of Kevin Bacon (No pun intended. A genuine, physical similarity that is undoubtedly worth pointing out.) Blandings' early evening, weekend time slot makes me wonder just exactly who the target audience are intended to be. The poor slapstick and semi-Pantomine style appear to be aimed at a younger audience. Chuckle Brothers meets Downton Abbey? Yet that age group's unfamiliarity with the Wodehouse genre would surely only lead to utter confusion and bewilderment. I know Wodehouse pretty well and it left me cold.

The only thing that made me laugh during the whole of the first two episodes was the thought of a couple of streetwise urban teenagers accidentally switching on to Blandings and fruitlessly trying to work out who these people were, and what the hell they were all on about. I will not be returning a third time to this particular crumbling pile.

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I don't care about comparing or contrasting this series with literary masterpieces. I care about how enjoyable it is to watch character actors do their thing. And these actors do not disappoint. Their presentations are so well done and so well matched it gives me great pleasure to watch nostalgically the antics of the British upper crust makes a consistent dash toward lunacy in logic as they refuse to face reality during the great Victorian Age which in truth mimics some of the sexual innuendo to be found here. I hope the series gets the chance to find its feet. This show is an intellectual delight, especially if one enjoys the poetics of words, the sounds they make, and the sub-textual meanings behind them in a given context. The writers must have enjoyed themselves immensely while struggling to put the strings of expressions together to help develop the characters and their relationships to one another. "Lmao", in a dignified manner, of course.