Shanghai Belle

This is a difficult film to watch, but it offers hope, unlike many of this genre (sexual themes with a message). There is ambiguity, like a trip to the beach by two of the more troubled characters. But in a nutshell, this movie can be watched twice. I was almost to the end before I finally sorted out all the characters and their stories, but the choppy, random scenes did lead to a somewhat saccharine message.

I won't reveal the idea, but it's plain throughout and challenging to see and hear (the city's underbelly gets in the way). Another reviewer complained about the handheld camera and the black and white scenes suddenly switching to color, but I liked it. The city came alive and reminded me of another metropolitan city with grit and wonder, San Francisco. Although, I still can't figure out who was telling the story. The Shanghai Belle, mostly, I guess. But it seemed everyone got to play with the handheld camera and focus on the telling as if they were the protagonist.

Without a doubt, this movie could be rated NC-17, although it will probably come in at an R. But who knows? There is practically everything in there, other than male-on-male sex, although I do seem to remember a smacker some guy planted on another guy. But then, we were off to another camera angle and the black and white Paris skyline with naked ladies in the foreground.

Serious viewers and even some writers should check it out more than once (just close your eyes occasionally). This is creative nonfiction, and if it were a book, it would be a braided essay (which a second viewing should sort out). Still, this is a serious look, if not somewhat voyeuristic, at how 20-somethings (and older women and men) play out their lives in Paris, despite their lot in life. There is violence here, domestic and otherwise, and I nearly got up and walked out during one hateful scene. But despite that, and other examples of sex-gone-wrong, drug addiction, and sadism, there's beauty in "Shanghai Belle." And happy endings, too. I think director Jean-Louis Daniel got it right for the most part.

The movie might attract an audience it doesn't really is made for. If you are thinking of watching something to arouse you, to be enticing, to spice things up. you are wrong here. Which might be a good thing, especially because it tries to find something. While looking it does change a lot concerning its cinematography. The filter/color tricks it uses are interesting.

But they also seem to be without a reason. I'm giving the movie the benefit of the doubt and pretend every gimmick is used for a specific reason, even though I can't really see it. But that is not what brings the house of cards down. The fact, that the movie seems to go for non actors, with a script that has more holes than swiss cheese, is what actually makes this movie almost unbearable.

Shanghai Belle is an aspiring model turned prostitute, who is surrounded by cocaine addicted, party going young women who wander aimlessly in this disjointed mess of a movie. The only saving grace is an excellent soundtrack which is not available anywhere. Hand held camera shots alternate between color and black and white, and we are taken from scene to scene at random, as if we are watching a one hour and forty minute music video. Xin Wang is quite beautiful in the lead role, and she is frequently naked, which, along with the soundtrack is the only reason I am giving this film a 3/10. This could have been a contender, with better editing and a more structured story line; but as it is, it is just an exhausting effort for the unfortunate viewer.

This must be a rerelease of a 60's film.. The only excuse for such poor film quality. Assume the destroying the breakers and plots because they cut the film.