Snack Shack

Set in Nebraska City, Nebraska 1991, teenagers A. J. Carter (Conor Sherry) and his scheming friend Moose Miller (Gabriel LaBelle) try their hand at various get rich quick schemes from placing bets at off track betting parlors to brewing their own beer to sell to other high schoolers. After their parents put a stop to their questionable activities the two empty their savings accounts in order to place an exorbitant bid on the snack shack at the community pool as A. J. now has to pay back the money to avoid being sent to military school. Over the course of the summer A. J. experiences romance, tragedy, and struggle.

Snack Shack is the sophomore mainstream directorial effort of Adam Carter Rehmeier following his 2020 film Dinner in America. The film is a semi-autobiographical film with Rehmeier having based significant parts of the film off his own experience manning a pool shack in his youth. While I found the film to be an acquired tasted due to its purposefully abrasive characters, there is an unmistakable air of authenticity to the film that once I emersed myself in did win me over.

Being set at the start of the 90s, Snack Shack has an air of similar films from the decade that preceded (Fast Times at Ridgemont High and the like) or even more modern ones such as Adventureland. Both Conor Sherry and Gabriel LaBelle give strong performances and have good chemistry as A. J. and Moose, and while their introduction doesn't initially present them as the most likable of characters it does feel true to form in that phase of brash overconfidence that adolescent boys often go through as they approach adulthood. Despite having a heavy focus on shenanigans and risky behavior the movie does also showcase the humanizing aspects of the characters particularly regarding the major milestones of first loves or an untimely tragedy that carry strong weight.

While I didn't enjoy Snack Shack as much as some similar films in this genre (such as The Way Way Back or Adventureland) I did appreciate the film for its authentic presentation that captured not only the look of its time and place but also the feel. The characters are flawed but human and there's a strong core to the movie once you get to know it beyond its slightly abrasive surface.

I miss when comedies weren't afraid of offending anyone. I miss when comedies didn't try to teach me a lesson. I miss when comedies accurately showed how guys act and talk around each other.

I forgot how much I missed them until I watched Snack Shack. Now while this can be described as a 90s throwback comedy, it does a great job of celebrating bro culture without celebrating some of the creepy stuff from 80s/90s comedies, like peeping on women.

Having said that, some of the vulgar language and jokes had me cracking up. It reminds me of so many conversations I've had with my friends. The situations and movie overall are pretty hilarious, with a few highly memorable parts.

Lead actor Conor Sherry kills it. He does a great job with the comedy, with the perfect balance of being a dork without being a wuss. And there are a few serious moments where his performance made me say, "Wow." I think we'll be seeing more of him.

A couple things hold this back from being an instant comedy classic. Later in the movie, it focuses less on comedy and more on drama, both romantic and non. Most of it is done well, but there are very few laughs in the last half hour. And some of the romance drama feels manufactured, forced and unnecessary.

I still had a good time with this movie and encourage people to support R-rated comedies. We don't get nearly enough of them.

(1 viewing, early fan screening 3/6/2024)

The first act of this film set it up to be this obnoxious buddy comedy about two scheming capitalists, but the story morphs into a brilliant portrayal of growing up over a summer.

The movie is not as funny as it would like to be at certain points, but that doesn't matter. The strength of the script is in the delivery and the characterization of the two leads and family life.

The conflict can seem a bit silly at first, but then you get it when you realize what life was like at 14. Everything matters until nothing does, and then you fall apart. These actors are admirable, and I respect the fact that they actually look like teenagers.

The script has more f-bombs than Scarface, and it gets loud and obnoxious, and that's what growing up is like. Cannot wait to see more from this director.

This the second movie this year that pleasantly surprised me by how good it is despite lacking any hype. The first was "Scrambled," which, while not groundbreaking, I found pretty enjoyable. Snack Shack is the latest one; I recall sitting in the nearly empty theater, thinking it deserved a larger audience than just 2 guys. I have a feeling that years from now, these films will be regarded as some of the hidden gems from the 2020s. We'll wonder why they weren't more widely discussed at the time.

Pretty chaotic start, I think hectic's a better word. The movie's premise pretty fun, two 14yr olds trying successfully come up with successful get-rich-quick schemes. It's not like a lot of movies made recently; the first half of the movie reminds me of the early 2010's when a bunch of R rated movies were being made.

But it's also not just silly fun; it's a compelling coming-of-age story. While it starts off as a fun ride, the emotional depth it offers is unexpected yet satisfying. Gabriel LaBelle reminded me of Jon berthal at times. The acting overall was impressive, and I loved the casting. Although we didn't see much of the other kids' parents, it allowed us to forge stronger connections with the characters present. Overall, the characters are easy to become invested in.

The movie slows down a bit in the middle, wasn't feel good all the way. In hindsight, scenes like A. J. walking alone earlier in the film seem like subtle hints of what was to come. Given that the story is from AJ's perspective, it's understandable that it doesn't maintain a consistently upbeat atmosphere throughout because it's not super fun vibes from him.

The movie takes on a somber tone at times, which is when I began to notice its length. While the start was quick-paced, funny and full of energy, the film gradually evolves into a personal and heartfelt coming-of-age story. The second half leans more towards drama, resulting in a slower pace, but I didn't mind it. Instead, it added depth and emotional complexity, creating a little rollercoaster of emotion.

The movie is predictable In away, particularly potential romantic conflicts with new characters. However, this predictability didn't detract from the overall enjoyment of the film for me. While it doesn't revolutionize storytelling, its nostalgic depiction of a bygone era reminded me of "Licorice Pizza". And just like that movie, which I loved despite differing opinions from others, this film effectively transported me to its time period. Unlike "Licorice Pizza," though, this movie isn't as solely character-driven; there's a clear plotline driving the narrative forward.

I feel like the message of the movie is don't let girls get between you and your boy. I laughed cause it reminded me of a 30second clip of Tupac interview about "hoes get horny" you can find on YouTube.

Anyway, I enjoyed it, felt nostalgic. It wasn't what I expected, I saw the trailer play once maybe a month ago and all things would lead you to believe it's a comedy. However, it has a more serious undertone and more emotional depth than you'd expect. So I love it and definitely recommend, just not as a comedy.

Genuine, heartfelt, funny and a true representation of youth. I wish more films were like this. Makes you nostalgic for a time you never lived

...Is all I wanted to say but that's not enough for IMDB. A stellar performance from the entire cast. Kind of forgot I was watching a movie. The dialogue is on point and yes, for those of a wary heart, there's a lot of cussing but unsurprisingly that's how kids speak

This movie could so easily have been produced with all the gloss of Hollywood, fraught with drama, dumbed down, high-stakes, PG-rated just for the money but it remains true to so many people's lived experiences. It's a movie not afraid of showing the rough edges of both comedy and drama

I wish film makers would dare to write and produce movies like this. It would certainly bring me back to the cinema, because movies like this one should be enjoyed on the big screen.