Trascender

Will Caster (Johnny Depp) is a scientist who strives for artificial intelligence that also exhibits human qualities. His detractors want to stop him, and he is shot by them and is infected with Polonium and will die soon due to radioactive poisoning. To save his consciousness Evelyn (Rebecca Hall), his wife and his friend Max (Paul Bettany) upload his consciousness into Will's artificial intelligence program. Max sees the dangers when Will makes himself known on a monitor. He doesn't believe it is actually Will. Evelyn, on the other hand, believes it is Will and wants to go forward.

Hey, we all know this day may be coming and this movie may be a harbinger of that. But for now let's see where this takes us. Keep in mind, it's only a movie.

We see the dangers of Will becoming godlike and controlling the world's internet. However all we actually see is Will doing good healing the earth and people. But, the opposing forces see this as too controlling and fear it could get out of hand and doom everyone including the earth itself. There is that but what is forgotten - in this movie - is the love Will has for Evelyn for whom Will does everything. He constantly cites Evelyn's dream to her. The problem is that later on Evelyn also sees the dangers of a too powerful Will. The ending proves this point.

Some things were not brought into this scenario: no government including those worldwide, no religious groups demonstrating against Will and what he has become in their minds, and no worldwide denunciation by other nations. No, this stays with the small opposition group and the love story with Will doing everything he can to further Evelyn's dream although it may not be as evident as it could have been.

There is some excellent CGI in the works. A good supporting cast of Paul Bettany as Max and Morgan Freeman as Joseph were under used, but still good in this context. Kate Mara as Bree, a leader of the opposition is the only one who is animated and urges the end of Will and what he has become.

When a Johnny Depp character is on the screen or in a monitor on the screen, he is still a force to behold and performs in Oscar-worthy mode all the time. Kudos.

This movie provides us with something to think about. How far will we allow technology to go?

The pacing is slow, and we are never sure where this is leading us, but we are attentive and hope for the best. We like what Will is doing but we don't want him to become a god or godlike. How can he be stopped?

Yes, now only a movie, but one day…………………(7/10)

Violence: Yes. Sex: No. Nudity: No. Language: No,Very brief soft stuff.

Transcendence, much like most of the latest sci-fi themed films to hit cinemas, is a wasted effort. It exhibits signature Pfister cinematography that we've come to love over the past decade. With Nolan's Batman trilogy and Inception, it was only a matter of time for Wally Pfister to take a stab at directing. Unfortunately, the only thing that seems well done in this film is the cinematography. The story, while seeming fresh and exciting on paper, devolves into a half baked idea with mediocre acting. Johnny Depp does the best he can while only being a mere voice during the latter half of the film. The rest of the cast seems wasted, this is especially true because we know how great Paul Bettany, Morgan Freeman and Rebecca Hall can be. Wally Pfister focuses more on capturing really fantastic shots but seems never truly devoted to the actual story. This comes as a major disappointment especially because of the hype that this film has been generating over the last year. When it boils down to it, Transcendence is just another exercise in style over substance, never matriculating to anything more than an average sci-fi thriller that has a criminally underused cast and phenomenal camera-work.

Truly the questions this film asks leave me wondering. So let's start with the film itself, as a scifi thriller, it's beautifully executed with some stunning visuals, to the extent that sometimes it has the feel of a travel advertisement. The story hangs together well, with strong central performances which keep you engaged. Some of the ethics are quite complex, and you have to ask if the machine's intent is really hostile, or is that just the interpretation characters are putting on it because they don't understand. And we fear what we do not understand. The intent here is clearly to tell a story in such a way that you walk away thinking about it. Job done. I came away thoroughly entertained, and thinking more about singularity and transcendence than I have in quite a while. If you are after a Saturday afternoon blockbuster with a lot of action, this might not be the film for you, but if you prefer your action with a little more intrigue, this is a great film.

No irony in the above. The irrational and immensely stupid human reactions are more than realistic, and paint a bleak future while also explaining why we are stuck here today. People are scared of human evolution and advancement, and do their utmost to prevent them from happening. Think of religion or populistic yet unreasonable laws that are based on religion or similarly unfounded assumptions.

This film is great, the possibilities outlined are very real, and those hurring it down have absolutely no knowledge of science and have no imagination as to what the future may realistically hold.

I would expect that Transcendence will do better in countries where there is more critical thinking, such as Japan or most of Europe.

Critics and wannabe critics alike really lashed into this one. And I guess I have them to thank for me liking (not loving) this movie, as they lowered my standards significantly before I walked into the theater. Like them, my expectations were sky-high. I figured since Wally Pfister has been Christopher Nolan's cinematographer since 2000's Memento, maybe some sort of slow-release genius-osmosis had taken place, and Transcendence would be a stellar thriller/head- scratcher like we've come to expect from Nolan. Well, the cold hard fact is that it's not. But it sure isn't terrible.

As scientists are on the verge of a new breakthrough in A.I. technology, a rouge terrorist group known as RIFT begins knocking off labs around the country. One of their antics is the assassination, by radioactive poisoning, of scientist Dr. Will Caster. As his body slowly deteriorates, his wife and his partner work frantically work on a way to upload his mind to a computer, thus allowing him to continue his research. And as anyone could've guessed, the plan goes completely to hell.

Transcendence is not excellent, but it's also not the travesty that reviews from people more reputable than me are calling it. The main problem is the script. An excellent script can make you buy into even the most ridiculous of plots, but first-time-writer Jack Paglen's script never finds a constant tone, is unevenly paced, has underdeveloped side plots, and keeps you at arm's length from any connection with the characters and the story. In other words, it doesn't raise up any concerns or ideas we haven't already seen, and the shallowness of the script gives you plenty of time to question the incongruence of the story.

Other than that, Transcendence is pretty good. Pfister's direction is expedient, and he avoids the jumpy camera syndrome that typically plagues these kinds of movies. In fact I was even getting trappings of Chris Nolan's directing style at times (is it just me?). The ensemble performance from the cast is solid. The cast list may look like Nolan's leftovers, but they do an excellent job, and they make better use of the paltry script than I thought possible. Even though Pfister was behind the camera and not the cinematographer, you think he was going to let his baby look mundane? While not as gorgeous as, say Inception, Jess Hall hits it home and makes Transcendence look properly futuristic while still squeezing in some contrasting elements of nature in almost every frame.

Does 6 stars seem too high? I don't think so. In my mind, 10=revolutionary, 9=excellent, 8=very good, 7=pretty good and 6=jusk OK. An airtight script that rises up to the challenge was all that was needed to make Transcendence truly, um, transcendent. But it doesn't, and the lackluster script affects every other technical aspect of this film like a virus, and makes Transcendence a pretty- to-look-at popcorn movie. I know this is Wally Pfister's first time in the director's chair, but I still feel he was capable of making a film more nuanced than this.