Russia 1985-1999: TraumaZone

An amazing series, filled with extraordinary first-hand archive footage presented without audio narration that provides viewers with unique and often highly-intimate perspectives on life in the USSR and Russia during this period. Overlaid only with basic English text, it provides an unfiltered and graphic visualisation of the often-appalling world that Soviet citizens endured - and then how dark malignant forces took root. Watching this series helps one to better understand why Russia and her neighbours are the way they are today, to appreciate the immense pain and endless hardships endured by generations of people across a vast stretch of land. It feels epic and is epically insightful in the process. Brilliantly presented, compelling TV. Living history at its best.

.... But after watching this, I realise I knew virtually nothing.

I was born in 1971 in the UK. I studied modern history. I lived through the of the Cold War and vividly remember the Berlin Wall coming down. I remember the attempted coup in Russia. I remember the joy at the Cold War ending and Russia emerging from communism

Watching this, I now realise all I had was a hideously narrow view of things. You can't help but feel utter sorrow for the Russian people as the world collapsed around them and the wealth of the country was stolen. It's heartbreaking

This is a horror film. It was aptly named.

Adam Curtis made an excellent choice not to narrate Russia 1985-1999: TraumaZone. Although at times I've almost heard his voice and it would have fitted perfectly, the images were so strong and speaking for themselves that narration would've just spoiled them.

In fact it would be very difficult to summarize in one review what this documentary tried to convey. We saw a lot of extremes one associates with Russia, probably intensified because we're observing a country partially rooted in European culture.

It was inevitable that Russia 1985-1999: TraumaZone offers some insights in the former Soviet republics, as well, even some satellites of the Warsaw pact. I'm pointing this out since it still puzzles me why a lot of people use the terms Russian and Soviet interchangeably.

Russia 1985-1999: TraumaZone was very good, both in terms of content and delivery. Even the inevitable bias, given the footage stemming from BBC archives, was so slight that it didn't ruin the objectivity of the documentary.

It's a masterpiece and a mammoth production undertaking, very cleverly edited where each episode allows the viewer to follow a few particular people featured throughout for instance, intersped by various other events throughout the (former) Soviet Union. Although in some sense, it's just a countless number of bits of BBC video spliced together, it is much more than that and very cleverly done. There's no spoken narration but some great sound and music: pop, choral & even some dancing authentically attached to the videos, and only a few very good succinct subtitles to give some sense of the wider history. There is so much material, in such detail, from so many perspectives that in the way it's done it represents something of a vast video social history of Russia in the end of the 20th century. There are a few of the political players, but mostly just suffering ordinary people, not to mention the odd bear, monkey, a forlorn hungry zoo tigress... One can gather quite a lot about the historical political situation from the point of view of the traumatised masses and from so many different locations and ethnicities across this great nation imploding under the weight of kleptocracy. A 9000km long tragic crime scene.

Adam Curtis blesses us again with another multi-hour, hard-hitting, raw documentary. The concept of the footage speaking for itself is risky; however, the bet pays off fully, transporting the viewer into a realm of real-life ultraviolence. While not entirely a novel concept, it is a far more intellectual endeavor than a pundit panel or a classic history documentary.

Growing up in the 1990es Russia, my recollections of the period are vague and are in the process of being excavated by a psychologist. The series rips up the protective cortisol abatement of psychological trauma I experienced only as a spectator - a seven-hour panic attack fueled by violence, injustice, and disregard for human life.

While this viewing experience may sound like a definition of Hell, it is strangely therapeutic - perhaps by being so personal. It also, perhaps unintentionally, has a message of perseverance in face of the horrors of the human condition.

Scene highlight: man drinking low-quality bootleg vodka with disgust - sums up the atrocities depicted in the documentary quite well.