Rupert Campbell-Black y Tony Baddingham mantienen una larga rivalidad que llega a un punto crítico.Rupert Campbell-Black y Tony Baddingham mantienen una larga rivalidad que llega a un punto crítico.Rupert Campbell-Black y Tony Baddingham mantienen una larga rivalidad que llega a un punto crítico.
- Ganó 2premios BAFTA
- 5 premios ganados y 11 nominaciones en total
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A very easy and bingeable watch, thoroughly enjoyable. Great characters, storylines, drama and 80s music to sing along to. David Tennant again plays a fantastic antagonist. Aidan Turner is amazing as always. The cast clearly had a blast filming this and it comes through in the series. So many talented actors and actresses in one programme. The series starts off comical and gets more dramatic as the episodes go on. The series has remained faithful to the book and the nature of the 80s. The characters are enjoyable and easy to become invested in. I ended each episode wanting to watch more right the way until the end. Hoping for season 2!
I read Rivals a few years ago and enjoyed every page! It's quite difficult to compare the book and its characters to its television adaptation, since we all bring our own perception of what certain characters should look and act like. Also, while we can read a book at our leisure, television has to move along at a pace that fits the format and doesn't drag, so some characters or side story lines may have to be cut for time's sake. That being said, yes, there are differences from the book, but none so great that it ruins the overall fun and entertainment value. The characters, especially Aidan Turner as Declan O'Hara, the upstanding journalist and David Tennant, the nasty Lord B are great! Makes us love Declan as much as we hate Lord B! The 80s music is fantastic, though the one part I found annoying was the opening high pitched opera music, just not a good fit. As to all the sex scenes, yes, we could do without some, since we all have an imagination, but that would not be the book Cooper wrote. It was wonderful to spot Jilly Cooper herself in the restaurant lunch scene. She looked as though she was thoroughly enjoying the show, as did I. The last episode ended quite different from the book, so I'm hoping there will be at least another season where we get to see what happens with Taggie and RCB . . . And of course, we know nasty Lord B has to be around to wreak more havoc.
Perfect autumn viewing. 80's Jilly Cooper novels were passed around until pages fell out, so I was curious about the idea of bringing one to life on TV in 2024. It's perfectly done. The show is able to make well placed acknowledgements to life 40 years ago; and while it is amusing, it is never comic. It is also blunt about the era's inequities. The story is great, a proper romp but not sordid, with twists & turns you'd expect from a JC book and a Disney + show. The styling is spot on. The casting + characters are brilliant. Bit of a Danny Dyer crush now actually! A must watch. Season 2 please!
So obvs read the book an aeon ago (it was like a coming of age ritual in a certain time and place) and TBH remembered very little aside from the odd name (coz some Jilly created were soooo de rigeur - Rupert Campbell Black says it all - and have somewhat passed into the lexicon) but almost immediately I started to, if not remember the plot wholesale, get a synaptic snap with the heady scent of YSL Opium from watching The Rivals.
This adaptation (one ep in) is seeming to get it just right. Its silly giggles rather than laugh out loud and saucy not salacious. It quickly built the world - the 80s, greedy Thatcherite old boys and yuppies, bored wives and fearsome warrior women all treated like meat whatever they do, concord, cigars and the birdie song, the English class strata, the UK in a globalising world tryna dig nails in at the top... and the socio-political commentary, whilst not being shoved in your face, is much more clear than when reading the books. It might be coz I'm older and have met more people that Cooper's critique of British culture is more obvious, but I think its also the casting, the accents, the costumes - drawing out each character's habitus (to cite Bordeau) and presenting it to the audience for consideration, admiration, denigration and/or titillation.
Okay its a little bit of a panty, pantie panto but FFS why not?!
This adaptation (one ep in) is seeming to get it just right. Its silly giggles rather than laugh out loud and saucy not salacious. It quickly built the world - the 80s, greedy Thatcherite old boys and yuppies, bored wives and fearsome warrior women all treated like meat whatever they do, concord, cigars and the birdie song, the English class strata, the UK in a globalising world tryna dig nails in at the top... and the socio-political commentary, whilst not being shoved in your face, is much more clear than when reading the books. It might be coz I'm older and have met more people that Cooper's critique of British culture is more obvious, but I think its also the casting, the accents, the costumes - drawing out each character's habitus (to cite Bordeau) and presenting it to the audience for consideration, admiration, denigration and/or titillation.
Okay its a little bit of a panty, pantie panto but FFS why not?!
In terms of TV shows, this year has been fairly average. Rivals stands out as an absolute highlight. It's a multi-layered work that definitely deserves a sequel.
Conceptually, it's a soap opera, narratively a satire, and stylistically a period piece. A careful viewer will find a message within that, for once, isn't superficial or forcefully pushing political idealism but instead seeks truth. Rivals is entertaining, clever, raunchy, and funny. Not a single episode feels loose, unnecessary, or forced; the story and characters build beautifully toward an outstanding climax.
The writing, scenes, lines, and direction all serve the greater whole. The soundtrack appeals to every child of the '80s. The acting is a pleasure to watch. The always excellent David Tennant shines as a humanized villain, with Alex Hassell as his opposing force. Victoria Smurfit and Aidan Turner form a believable, well-matched broken couple. The audience witnesses the rise of a few new stars, especially Bella Maclean will be name to recon in the future.
Highly recommended, the best show of the fall.
Conceptually, it's a soap opera, narratively a satire, and stylistically a period piece. A careful viewer will find a message within that, for once, isn't superficial or forcefully pushing political idealism but instead seeks truth. Rivals is entertaining, clever, raunchy, and funny. Not a single episode feels loose, unnecessary, or forced; the story and characters build beautifully toward an outstanding climax.
The writing, scenes, lines, and direction all serve the greater whole. The soundtrack appeals to every child of the '80s. The acting is a pleasure to watch. The always excellent David Tennant shines as a humanized villain, with Alex Hassell as his opposing force. Victoria Smurfit and Aidan Turner form a believable, well-matched broken couple. The audience witnesses the rise of a few new stars, especially Bella Maclean will be name to recon in the future.
Highly recommended, the best show of the fall.
¿Sabías que…?
- TriviaCoincidentally, Aidan Turner has previously filmed at Chavenage House (The Priory in Rivals). The same filming location was also used to portray Trenwith House in the 2015 BBC TV adaptation of Poldark.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Rivals
- Locaciones de filmación
- Tetbury, Gloucestershire, Inglaterra, Reino Unido(Cotchester village)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución55 minutos
- Color
- Mezcla de sonido
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