History of the Eagles

The reviewers before me have pretty much summed this film up. I would put my money on 80% of the viewing demographic will have grown up with the Eagles and many of them, like myself, would know them first and foremost for their music. All of us have heard snippets of stories and probably read differing opinions as to how they imploded and reassembled and then generally just came and went again at random. Many of us would have been to a concert, possibly more than one and seen them in the flesh, marveling again at their magical ability to blend voices and instruments into some of the best music produced in modern times. This documentary knits it all together. There will be millions of words written online over the coming months and perhaps years critiquing this film for better or for worse.

I have adopted the stance that this is a group of musicians that are just as human as all the rest of us, extraordinarily gifted in their chosen fields and were at the intersection of preparation and opportunity just at the right time.

The addition of a copious amount of personal home movie footage, some never aired before adds the essential layer to the production and wraps the package up like a tightly constructed wine. I'm sure there are many who will be watching this who will see themselves in the background of some of the footage, even at the third encores and will will be gasping in their living rooms grateful for the fact that the passage of time is the best camouflage for human recognition. Could you just imagine..." OMG Mom, I don't believe you did that ! How am I going to explain this to my friends !! "

Aside from a few moments that made we want to cringe (such as Glenn Frey's comments about Don Felder being fired during their reunion of the 1990s), this is a very enjoyable and thorough documentary about the Eagles. Not surprisingly, it focuses mostly on Frey and Don Henley-- the pair that wrote most of the songs, sang most of the songs and created the group. It follows the pair from their early pre-band days and ends around 2000. Through the course of the film, there are tons of interviews, lots of odd tidbits and a very comprehensive history of the group. For practically everyone except someone hating The Eagles (who would that be?!), a very well made and as complete a picture of the group as you can find.

It wasn't until Glenn Frey died that I discovered that he and the rest of the band members-past and present-did this documentary in two parts a few years ago. So I ordered both discs from Netflix. The first part covered the Eagles' heyday in the '70s with many of their hits accounted for like their first one-"Take It Easy" which is always my favorite of theirs-or "Take It to the Limit" which Frey mistakenly ID's as the group's first No. 1 single. (It was actually "Best of My Love" which, strangely, was one of the few hits not showcased in the film. "TITTL" actually went to No. 4.) In both parts, the emphasis is on Frey and Don Henley since they wrote most of the songs, were in the band for both runs, and had successful solo careers in between. Other current members Joe Walsh and Timothy B. Schmit also frequently comment alongside former members Bernie Leadon who recently returned to the fold, Randy Meisner, and Don Felder. While I'll always admire Frey as a songwriter and artist, I can't help but think that he's the main reason some members left. I'd like to think they've all made peace with him before he passed. Certainly, I was very glad when Don H., Bernie, Joe, and Tim appeared on the Grammys several weeks ago in tribute to Glenn and performed "Take It Easy" with Jackson Browne-who co-wrote the song some 44 years ago-singing lead even though Browne forgot some of the lyrics. Anyway, I highly enjoyed History of the Eagles so that's a high recommendation.

I loved The Eagles back in the 70's, especially after I finished my military service. Now, watching this special, "The History of the Eagles," and downloading lyrics, I can see that, even without the music, the words are pure poetry. Having taught poetry for nearly 5 decades, that is my ultimate test of whether the lyrics are real, authentic, if you can divest them of the music and they're still poetry. Only the best artists can maintain that precious risk; take away the musical safety net, which might even support a simple three chord progression, and if what you have is still addressing key tenets of the Human Condition, then you aren't merely experiencing entertainers, money makers, or businessmen, you and dovetailing delightfully with poets.

Joe Walsh utters one of the most honest speeches I've ever heard a public figure deliver, and he struggles manfully, painfully, as if ripping heartfelt wisdom from deep within his being, about how in the final analysis, our lives are like fine-spun, intricately-woven novels; however, along the way, what we sense and experience is like running into a sudden comet or meteor, delectable or horrifying.

Don Henley, who always seems to know just what to say in the moment or afterwards, described his immediate ambiguous feelings directly following the cessation in 1980 of the band's efforts: "Horrible relief." I have to wonder how much of a gifted artist's time, effort, soul, life and genius they must invest. Henley comments that he often wondered why he was successful when equally-talented artists did not reach the apex of Henley's success. Glen Frey sends out a desperate, impassioned plea to his wife and children to support him and hope that their "second act" did not change him too drastically.

I admired the coloratura guitar riffs of Don Felder, and I was deeply saddened, when I learned that he had been replaced in one furious collision of egos and cat fights, some borderline, behind the scenes; others, embarrassedly right on stage in front of cheering but partly bewildered audiences. Frey conjures up the perfect analogy between a good band and a baseball team. You are all aligned in teamwork, energy, synergy; however, you don't have the ball in your own hand all of the time. Felder craved more opportunities to sing. Frey himself admitted that the longer The Eagles were together, the less and less he sang lead. Why? Because they had Don Henley. Henley himself mused that Felder's insistence he sing lead on one song was tantamount to Henley's demanding to play lead guitar on "Hotel California." I've watched this special now three times. It is so completely honest that no one individual emerges unscathed, yet most of them proceeded, like "Hotel California" not only from innocence to experience; but, moreover from some degree of benightedness toward a larger sense of awareness, maturity, good judgment and enlightenment as human beings, as artists, entertainers, writers, and people who realized how their creations behind the scenes and before jubilant audiences, mattered far more than they ever dreamed or feared or ever imagined could be realized.

The deep lessons I derived focused upon Henley's efforts to save Henry David Thoreau's "Walden" from commercial vandalism and decimation; Joe Walsh's gratitude at being driven to rehab so that he, too, could experience "A Second Act" with his band mates.

I think that "The History of the Eagles" should be required viewing of any budding producers, agents, or artists. It is one slice of life, one sobering view of fame, celebrity, success and failure, of Phoenixes emerging from their own self-induced immolation, of a group of young men growing up as their country and citizens in it also evolved painfully, sometimes jubilantly, with a lot of luck and some daunting disappointments.

Watching the movie is almost like watching and listening to a magician explain patiently how the trick worked as well as disclosing those times when it didn't work.

I saw the Eagles in concert back in the summer of 77 (Linda Ronstadt opened!) at KC's Arrowhead Stadium, when the Eagles were at their peak, shortly after "Hotel California" had been released. Fast forward about 4 years, early fall 1981, I was hung-over in the afternoon after having celebrated my bachelor party the previous evening. I would be getting married in about 5 hours and was scared shitless. So I popped a beer, lit up a joint, threw a steak on the grill and listened to the HC album as it was the perfect background music for my brain as I tried to get a perspective on where I had been and where I was going. (BTW, still married to my love) The Eagles and their music were the perfect soundtrack for my life during the 70's when my priorities were girls, booze, recreational drugs, girls, bars, music, cars and girls.

So I was and remain a huge fan, although not interested in paying $200 plus for decent tickets to see them in concert (I might have paid $10 in 1977) and I've viewed the SHO doc about 4 times, recently for the first time since Frey's passing. I assume virtually everyone reading this page has also viewed it, so all can do is offer a few thoughts on a solid documentary about a what was a truly great band.

As is with most of these type of documentary's, the most interesting part are the early years, when the Eagles formed a group after being sidemen for various bands in the LA music scene of the late 60's and early 70's. Henley made an excellent observation about making it big but realizing that there were other musicians and writers, just as talented, but for one reason or another didn't get the big career break. Sometimes it's just being in the right place at the right time and for the Eagles, the wave broke just perfectly. After hitting the band hit superstardom with HC, Henley and Frey would align to take creative control of the group, which would ultimately cause the departure of two of the other originals, guitarist Bernie Leadon and bassist Randy Meisner. Lead guitarist Don Felder joined the band on album #3 "On the Border" (my personal favorite) and kicked the band up a notch with his blistering work, plus wrote the music for tune "Hotel California" (Henley & Frey try to minimize his contribution.) And it seems after HC everything pretty much went into the shitter as far as their relationships with one another as greed, arrogance and drugs devoured the band.

Some nice reflections by Joe Walsh, who was already a big name in rock when he joined the group for HC, replacing Leadon. Walsh almost killed himself through years of drug and alcohol abuse. He was able to clean himself up when the group reunited in 94 after 13 years and was able to tolerate the arrogance of Henley and Frey. Felder wasn't willing and ultimately would be fired by Henley, Frey and their manager Irving Azoff, the consigliere of the band. In retrospect Felder may have made the mistake that many make, overvaluing their contribution and importance to their organization. He did file a lawsuit for breach of contract that was settled by both parties and wrote a book about his experience that ultimately left him persona non grata to Henley and Frey and not in consideration for any further work with the band.

To this day the Eagles are still touring, with only Henley left from the original lineup. More power to them,but maybe we would be best left with just our memories of perhaps the most outstanding band of the greatest era in rock.