English Vinglish

English Vinglish directed by Gauri Shinde is an outstanding movie.

English Vinglish also marks the comeback of Sridevi,who plays the role of Shashi with bravura! Story: A belittled and insecure Indian housewife,Shashi (Sridevi) enrolls in an English language class.

The movie's only drawback is the slow pacing.But yet,first-time director Gauri Shinde does an excellent job in making this movie a delightful one.

The music is soothing.

The cinematography is top-notch.

The dialogs are well-worded The screenplay is water-tight.

Performances: Sridevi rocks as Shashi!I feel that her performance must earn an National Award.If not at least a Film-fare Award.Kudos to her! Amitabh Bachchan,although in a cameo steals the show.The whole theater went berserk when Amitabh Bachchan makes his appearance.His comic timing is superb!He truly rocks! Adil Hussain is efficient.Navika Kotia and Shivansh Kotia as the children,act well.

Cory Hibbs as David Fischer,Rajeev Ravindranathan as P.Ramamurthy,Ruth Aguilar as Eva,Damian Thompson as Udumbke and Sumeet Vyas as Salman Khan play their parts very well.Mehdi Nebbou as Laurent is good.

All in all,English Vinglish is a must-watch for everyone.I am giving it a nine out of ten.Strongly Recommended!If you miss it,its your loss!

For someone who has been born and brought up on English medium schools, and I don't say this proudly, but for whom English is his first language of thought, it is very hard to put self in Sridevi's shoes. Someone, who doesn't know English, but in all other ways is very competent. Someone, who is constantly the butt of family jokes and jibes, especially by the husband and the rapidly growing daughter. That the film succeeds in making us feel her angst, and her ways of coping with it, showing the kind of situations she encounters, especially when she goes to New York, is a tribute to the story and the performances, especially the virtuoso acting masterclass by Sridevi, who shows, in more ways than one, that she's still got it !

The debilitating effect of not knowing the language is brought alive by her mispronounciation of 'Jazz', a visit to her daughter's PTA, her solo trip to New York, handling immigration, her ordeal there buying coffee and various snide ones by both her husband ('She is born to make laddoo's') and her daughter ('Why did you take my book if you cant read ?'). Redemption arrives when she decides to take English lessons, while in New York, visiting her sister to help with her niece's wedding. She finds unlikely allies in the sister's house and a gallant, romantic French fellow student. And suddenly, life is not so bleak anymore.

The film tries hard not to get too sentimental, balancing every tear with a chuckle or a smile. Amitabh Bachchan's delightful cameo, the other madcap students in the English class, none as zany as Salman Khan, the Pakistani, the cheerful nature of her son, her own special, sari-clad Michael Jackson impersonation, all serve to smoothen out the various trials and tribulations thrown her way.

Sridevi makes you root for her, getting her every expression, every frown, every smile spot on. Most of the other characters are stereotypes – the busy, indifferent husband, the cute son, the gallant Gaul, the bombastic Pakistani etc. But she has shades to her character, moments of weakness followed by instances of strength. Waffling indecision followed by gutsy action.

Isn't life about communication, rather than the language ? About the message, rather than the medium ? When / How did we get so snobbish about how different people speak, their accents. As the film rightly asks, why have we become so judgemental merely based on the persons attire, language ? Surely there is more to life than that ? More at www.apurvbollywood.blogspot.com

A delightful film that must be appreciated of its simplicity in delivering an important message.

How important are the feelings of those, who do not know a language that we speak so much. Is it right to belittle those for they can be good in something else? Is it right to disrespect parents and feel embarrassed when they do not know English?

More than anything else, this is the tale of a mother who is being deserted by her kids and husband for she does not know a language that they all speak. And she learns it to redeem her respect. I loved the way Sridevi carried herself and am so very happy seeing her back on the silver screen which she set ablaze many years ago with films like Chandni, Mr. India and Chaalbaaz to name a few. Sridevi is indeed the best part of this film, as she has a poise that subdues the flamboyance and the stardom of her and gets her into the character. So what I saw here was Shashi (Sridevi) more than Sridevi and that's great to begin my review with.

If you loved a movie like PAA, then there are definite chances that you may love this too, coz it takes the simplicty from there and applies the same to a different story. I loved PAA, so I loved this one too. But even if you dislike PAA, try this and you may have a surprise then.

The good thing of this movie is it's writing, take that scene in which Shashi gets a call from her daughter when she was looking for her scrapbook, and here it is

Shashi : "Maine use chupaya taaki main bhi na padh sakoo" Daughter :Padhna Aaye tab na"

That is, "How can you read, when you don't know"

The supporting cast has also done well from a French cook to a Pakistani guy, they all teamed up well, but it has it's share of not so likable or rather preachy moments like the teacher being gay. But I will give in to all that, coz it is done quietly and not making fuss.

Be it the climax, it was done in a subdued manner and that is why it was beautiful for me.

I love this film for its simplicity and for just one reason "SRIDEVI" all the other technical departments did their job superbly but "SRIDEVI" did something really beautiful. Even the way she walked on those streets was graceful. Also, a mention to music and Amit Trivedi has given beautiful music.

Thanks Gauri and R Balki for giving SRIDEVI back to us with this. And thanks to SRIDEVI for doing this film. A 4/5 for this.

"English Vinglish" is a film that only a woman could have made. Gauri Shindi lends her feminine sensibilities to the film which is why it is a big success. She captures the nuances in a typical Indian housewife's tryst with her kids and husband.

Although there is no true villainous character in the film, it is painful to see the leading lady Shashi (Sridevi) suffer unintentional humiliation at the hands of her teenage daughter and husband because of her inability to converse in English.

It is very satisfying to see her grasp the basics of the English language and thereby gain self-confidence. Her English class has an interesting mix of students from across the world including a Frenchman who is besotted with her.

The feel-good nature of the film can be attributed to the final scene in particular in which Shashi delivers a thoughtful speech in English. Loved the film but didn't think too much of the soundtrack, especially the track "Manhattan". Also felt that her experiences with people in America were sugar-coated.

Nonetheless, the film was worth its time. I'm looking forward to introducing my mother to this film.

English Vinglish is a beautiful journey that a middle class Indian housewife takes, to regain something she lost or probably never really got, ironically enough, in a foreign land with a foreign language as a tool.

The movie has a simple plan, and audience gets to know about it right at the beginning. There ain't any surprises or twists therein to wow you, its purely the execution of a simple yet universally appealing plot that makes English Vinglish one of the most beautifully made movie of the year.

This is a sort of cinema which has traditionally been oiled with loads of melodrama and any director would have wanted to do that considering the fact that people who are going to relate the most with the central character are most prone to be pleasantly affected by the overdose of melodrama ( Yes, I am being a little 'judgemental' here!). Credit must go to Gauri Shinde for shunning the temptation and going ahead with a recipe where she was able to create delight out of right mix of ingredients rather than putting a coating of sugar on the 'laddoos'.

Make no mistake, the feel good factor of the movie isn't there just because all the pieces have been put together in the correct order but also because there are layers attached to the story and the characters. These layers help English Vinglish surpass the expectations that an ordinary viewer would have had with it before stepping into the cinema theatre. These layers have been treated with utmost care and are interwoven in the script with great skill. Even though the plot of the movie doesn't encapsulate many genres, the scenes are successful in generating a range of emotions. Thanks to the central plot, humor becomes a part of majority of the scenes and it is never forced upon you.The entertainment quotient of EV is way more than one would have expected.

There are a few sequences which could have easily gone in the zone of 'Oh, thats ridiculous!' but yet they were right there in the 'that will do all right' category and this was only possible because of masterful Sridevi who hasn't lost even an inch of her charm and she still stands way ahead of any of the contemporary actresses when it comes to the art of acting. Her presence is so overpowering that one hardly notices or gets annoyed by certain instances of manufactured dialogues and stereotypical display of characters. The journey, the transformation and its impact on the movie and the audience wouldn't have had half the quality had there not been Sridevi at the helm. Every other actor (and guest actor) plays their part well enough to create the right garnish for this savory meal.

Without taking any credit away from Gauri Shinde, everything from costumes, to music and locations to screenplay had impressions of R Balki's(producer) previous works and he would have been of great help in the making of EV as well.

The affect that English Vinglish will have on a particular individual will depend on the relationship that he/she has with the one/two women that hold the most important place(s) in their lives. The degree of impact will vary, though one thing is for sure, it will only lie on the right side of the axis.

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