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IMDbPro

En el bosque

Título original: Into the Woods
  • 2014
  • A
  • 2h 5min
CALIFICACIÓN DE IMDb
5.9/10
152 k
TU CALIFICACIÓN
POPULARIDAD
2,869
18
Johnny Depp, Meryl Streep, James Corden, Anna Kendrick, Emily Blunt, and Chris Pine in En el bosque (2014)
A modern twist on several of the Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters’ wishes and quests. The musical follows the tales of Cinderella, Little Red Riding Hood, Jack and the Beanstalk, and Rapunzel — all tied together by an original story involving a baker and his wife, their wish to begin a family and their interaction with the witch who has put a curse on them.
Reproducir trailer1:48
51 videos
99+ fotos
Fairy TaleQuestSupernatural FantasyAdventureComedyDramaFamilyFantasyMusical

Una bruja asigna a un matrimonio sin hijos la tarea de encontrar una serie de objetos mágicos de cuentos de hadas para revertir la maldición sobre su linaje.Una bruja asigna a un matrimonio sin hijos la tarea de encontrar una serie de objetos mágicos de cuentos de hadas para revertir la maldición sobre su linaje.Una bruja asigna a un matrimonio sin hijos la tarea de encontrar una serie de objetos mágicos de cuentos de hadas para revertir la maldición sobre su linaje.

  • Dirección
    • Rob Marshall
  • Guionistas
    • James Lapine
    • Stephen Sondheim
  • Elenco
    • Anna Kendrick
    • Meryl Streep
    • Chris Pine
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    152 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,869
    18
    • Dirección
      • Rob Marshall
    • Guionistas
      • James Lapine
      • Stephen Sondheim
    • Elenco
      • Anna Kendrick
      • Meryl Streep
      • Chris Pine
    • 990Opiniones de los usuarios
    • 331Opiniones de los críticos
    • 69Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 11 premios ganados y 75 nominaciones en total

    Videos51

    Teaser Trailer
    Trailer 1:48
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    Fotos256

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    Elenco principal49

    Editar
    Anna Kendrick
    Anna Kendrick
    • Cinderella
    Meryl Streep
    Meryl Streep
    • Witch
    Chris Pine
    Chris Pine
    • Cinderella's Prince
    Emily Blunt
    Emily Blunt
    • Baker's Wife
    Daniel Huttlestone
    Daniel Huttlestone
    • Jack
    James Corden
    James Corden
    • Baker…
    Christine Baranski
    Christine Baranski
    • Stepmother
    Tammy Blanchard
    Tammy Blanchard
    • Florinda
    Lucy Punch
    Lucy Punch
    • Lucinda
    Tracey Ullman
    Tracey Ullman
    • Jack's Mother
    Lilla Crawford
    Lilla Crawford
    • Little Red Riding Hood
    Simon Russell Beale
    Simon Russell Beale
    • Baker's Father
    Joanna Riding
    Joanna Riding
    • Cinderella's Mother
    Johnny Depp
    Johnny Depp
    • Wolf
    Billy Magnussen
    Billy Magnussen
    • Rapunzel's Prince
    Mackenzie Mauzy
    Mackenzie Mauzy
    • Rapunzel
    Annette Crosbie
    Annette Crosbie
    • Granny
    Richard Glover
    • Steward
    • Dirección
      • Rob Marshall
    • Guionistas
      • James Lapine
      • Stephen Sondheim
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios990

    5.9151.5K
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    Opiniones destacadas

    6paulclaassen

    An acquired taste.

    A wonderful cast indeed, and a number of popular fairy tales entwined, but I couldn't help feeling that I was watching a stage play instead of a movie. At times it felt the film was moving in circles, with a sense of deja vu more often than not. I also found the singing just a tad too much, and too drawn out at times. All in all it was a good production, I suppose, but this is an acquired taste, and it just did not tickle my palate. It became too repetitive and boring.
    7ferguson-6

    I Know Things Now

    Greetings again from the darkness. It's a musical, but not a typical musical. It's a fairy tale, but not a typical fairy tale. It's funny, but not a typical comedy. It's a bit frightening, but not a typical monster film. It's filled with lessons of morality and responsibility, but certainly not a typical parable. In fact, there is nothing typical about director Rob Marshall's (Oscar winner for Chicago) screen adaptation of the smash Broadway hit from Stephen Sondheim and James Lupine.

    The story revolves around 4 classic Fairy Tales: Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and Cinderella, in a style much more similar in tone to the edgy Brothers Grimm, than the cuddly Walt Disney traditionals. These four are intertwined with the saga of a baker (James Cordon) and his wife (Emily Blunt) who discover they have been unable to have children due to a long ago spell cast by a wicked witch (Meryl Streep). With a secret agenda, the witch offers the couple a way to break the spell, and that's what ties-in the four tales and provides a reason for adventure and song.

    Filmed seamlessly between an elaborate sound stage and a couple of park locations, the film has a dark and eerie feel to it that's probably too intense for younger children. And much of the dialogue and lyrics is aimed directly at adults and will be a blur to kids. Additionally, in typical Sondheim fashion, the songs aren't catchy and melodic in the manner of most movie musicals … instead the lyrics propel the story and help shape the characters. Oh, and by the way, don't expect any fancy dance sequences – this is pretty serious stuff with plenty of angst amongst the characters.

    Ms. Streep is extraordinary as the witch (both nasty and beautiful) and does a terrific job with her three main songs. She is especially fun in her entrances and exits, and while wearing the most impactful of all the costumes. Emily Blunt also handles her vocals very well and offers up some of the film's most witty dialogue. Chris Pine (as the Prince) is flat out hilarious, and with a twinkle in his eye, spouts lines such as "I was raised to be charming, not sincere". He also shares the screen with Billy Magnussen (playing the younger brother) in the most audacious of the musical numbers, "Agony". As Cinderella, Anna Kendrick once again proves she is an exceptionally talented singer, and James Cordon anchors the production as the nice guy village baker we are rooting for.

    In supporting roles, we have a devilish Johnny Depp whose screen time as the Big Bad Wolf is quite limited, and a perfectly cast Christine Baranski as the evil step-mother in cahoots with her non-Cinderella daughters played by Lucy Punch and Tammy Blanchard. Lilla Crawford is Little Red Riding Hood, and her young age snuffs out much of the innuendo that the Wolf scenes should have provided, and takes the edge off the song "I Know Things Now". Daniel Huddlestone is an energetic Jack, and dependable Tracey Ullman plays his frustrated mom. MacKenzie Mauzy captures the awakening of Rapunzel, while Frances de la Tour frightens everyone involved as the agitated (for good reason) Lady Giant.

    Unconventional is the best description of this production, and there is a group of viewers who will be totally captivated by it, while a much larger group will probably find it too dark and bleak, and lacking the easy charm we have come to expect from movie musicals. However, for those of us in the first group, we will be totally enchanted by the characters, story lines, wry humor, costumes, sets, and songs.
    4andy-66447

    "Into The Woods" Is Terrible Adaptation Of Hit Musical

    I love Stephen Sondheim's musical classic Into The Woods, so I was more than excited to see Rob Marshall's new motion picture adaptation. Not only is Into The Woods one of my favorite musicals, but Rob Marshall was the director who brought Kander & Ebb's Chicago to the big screen in 2002 – an effort which resulted in the first musical to win the Best Picture Oscar since 1968! In fact, since Baz Luhrmann's Moulin Rouge update in 2001, several major musicals have been successfully adapted to the big screen – including Chicago, Dreamgirls, and the unfairly criticized Les Miserables just two years ago.

    I hate to say it, but Into The Woods does not fall into this category. I found the film dreary, draggy, and quite frankly, boring. How can this be? It's the same dialogue, the same music, the same set, and the same costumes as we see on stage. But therein lay the problem. On stage, set designers create "the woods," and the actors move in and out of these woods. We use our imagination to pretend the woods are larger than what we see on stage. Here, the woods are huge. After all, these are the movies. Unfortunately, the woods all look the same. Marshall may as well have filmed a stage performance. Furthermore, the sky is always cloudy, giving the picture a dirty, dingy feel.

    Into these woods, several classic stories interconnect, including Cinderella, Little Red Riding Hood, Jack & The Beanstalk, and Rapunzel. Tying all the stories together is the story of a baker and his wife, who are unable to conceive a child due to a curse placed on them by the witch who lives next door. On stage, characters from the various fairy tales bump into one another in hilarious fashion, and eventually all the loose ends are wrapped up and most of the characters live happily ever after.

    But the film has one major flaw, and that is that the loose ends are tied up too soon. The sun finally shines on Cinderella's wedding day, as all the townsfolk join the celebration. I looked at my watch and realized we were only an hour Into The Woods, causing me to wonder what director Rob Marshall was going to do with the rest of the movie. On stage, Cinderella's wedding is merely a formality – a necessary conclusion to the story we all know, but certainly not the end of the musical. Here, Marshall gives the wedding scene such heft – and differentiates it from the previous hour's worth of material – that we feel like it's time to get up and leave.

    At this point, the film version goes awry. The players begin behaving out of character for reasons never explained. For instance, how could the handsome prince consider Cinderella the love of his life one day, and then cheat on her the next? Why does Jack's mother die? (Her death is one of the funniest scenes on stage. Here, it happens so quickly, I wasn't even sure if she had died or not. And Jack's demeanor doesn't change one iota.) Another problem is Stephen Sondheim himself. You see, Sondheim is a lyricist. When he wrote the lyrics for Leonard Bernstein's West Side Story, the result was one of the best stage and screen musicals of all time. But when Sondheim writes his own melodies, the result is often wordy, tuneless ditties you won't remember two minutes after leaving the theatre. Again, on stage this is no big deal. In fact, it almost accentuates the material to feature the characters speaking and singing in similar speech patterns. But on screen, I had that, "Not another song!" feeling all through the third act – the way I did with Barbra Streisand's Yentl back in 1983.

    I certainly can't knock the performances, although Anna Kendrick's remarkable turn as Cinderella is the only one that stands out from the rest. Her character seems genuine, and she gives Cinderella a few new dimensions, rather than simply fulfilling the role we think we know from the fairy tale. Three-time Oscar winner Meryl Streep has been nominated for another Best Supporting Actress Oscar for her role as the witch. She's fine, but she won't win. I could name at least a dozen Streep performances better than this one.

    It's a disappointment to me that Into The Woods didn't adapt better to the big screen. That makes three films this season that I really wanted to like, and was disappointed at the outcome – Birdman, Inherent Vice, and now Into The Woods. Throughout the course of motion picture history, it often seems as though the best musicals are those written directly for the screen, such as Singin' In The Rain or Mary Poppins. Adapting material from another source is always risky. Sometimes it works and sometimes it doesn't. As I've thought more about Into The Woods, I wonder if this isn't one of those musicals that simply wasn't meant to adapt to the screen. Remember Richard Attenborough's inexcusable A Chorus Line? That's another great, intimate show that simply doesn't work on the large easel of the motion picture screen. I fear that's what we have here with Into The Woods.
    7TheLittleSongbird

    Less than perfect with a very problematic second half but does not deserve anywhere near the amount of hate it's gotten

    Granted, the film was misleadingly advertised(where I came from though the advertising made it very clear that it was a musical) for some people who clearly had no prior knowledge of the source material and, as is apparent in a lot of the reviews here, Stephen Sondheim's music is not for all tastes, so the dislike is understandable. But as someone who's a fan of musicals, one of those who likes Sondheim, who considers Into the Woods as one of his best and as a fan of the production with Bernadette Peters, while it has its problems to me this film was enjoyable. While as said before the dislike is understandable I do think the amount of hatred it's gotten is over-the-top(this is nowhere near the worst movie ever by any stretch of the imagination) and unfair(mostly from people who didn't know it was a musical or those who have a stereotypical view as to what a Disney film should be like).

    Into the Woods has a very problematic second half, not all of it is so but a lot of it is, enough to make it an issue. The first half was witty, upbeat, colourful and mostly close to the story of the musical, but the second half slackens in pace a little and the tone shifts rather discordantly to something darker and less cohesive due to cutting things that would have made it make more sense. The second act of Into the Woods is dark in the first place(and there are people who do find the second act heavy for them) but not to this extent, never did it feel like two different shows. It also did a much better job balancing any tone shifts, and is funnier and more poignant than in the film version. Agony is hilarious and Children Will Listen evokes a lot of pathos here so the film is not devoid of those qualities, just that they're stronger in the musical, and those qualities would have come stronger here if the second Agony and No More were kept intact. Lilla Crawford is also obnoxiously shrill and a complete blank expressions-wise as Little Red Riding Hood.

    On the other hand, Into the Woods is great-looking stuff, loved the beautiful but creepy and colourful but foreboding woods setting as well as the cinematography which was a delicious mix of dream-like and macabre. Sondheim's music here has been criticised for being forgettable and samey, criticisms that I do not agree with at all, if anything does repeat itself it's called a motif which Sondheim uses a lot. The score is rousing, beautiful and haunting and of the songs The Last Midnight, Agony and Children Will Listen particularly stand out here, which all have completely different moods to one another. The lyrics are some of Sondheim's smartest and more complex as well, funny as well as meaningful. All the musical numbers are charmingly and cleverly staged, especially Agony and The Last Midnight. Hello Little Girl will be too much for some and the creepiness is a little overdone and disconcerting here, Johnny Depp acts it brilliantly though. Rob Marshall shows great technical skill as a director and captures the mood of the musical more than competently. And apart from Crawford the cast are excellent with Meryl Streep's imposing Witch(she kills The Last Midnight and thrillingly), Chris Pine's hilarious Prince and Emily Blunt's nuanced and heartfelt Baker's Wife. Anna Kendrick is a charming Cinderella, James Corden endears as the Baker, Daniel Huttlestone does admirably despite Jack being written incompletely and Johnny Depp is very memorable, his Wolf is certainly not one to trust, in his short screen time.

    To conclude, Into the Woods is problematic but doesn't deserve anywhere near the amount of vehement hatred it's gotten on here, and it's far superior to the mediocre at best Annie also from 2014. It's not for everybody but judging from the reviews it's like it's almost illegal to like the film let alone love it. 6.5/10 Bethany Cox
    8Breitschleif

    A good adaptation of a fantastic musical, the rating does not do it justice.

    I enjoyed the movie a lot, it has been many years since i saw "Into the Woods" as a live musical and the film was a nice reminder of why i loved the story so much back then and still do.

    In short: It's DEFINITELY not for everyone and i think that is reflected in the very harsh, partially unjust ratings and comments. The adaptation is very close to the original and executed beautifully though and fans will have a good time watching it.

    If you enjoyed the original musical or "dramatic comedy musicals" in general then i recommend watching it.

    If you expect some Tim Burton-esque "Alice through the Looking Glass" film you will be disappointed because that is NOT what this is despite what the trailer might suggest.

    8/10 but i understand that it is only enjoyable for a very specific audience (and definitely not for kids or most teens!).

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    Argumento

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    • Trivia
      At a Q&A session after a screening of the film, James Corden recalled an incident during rehearsals in which Meryl Streep jumped on a table and her foot got caught in her costume. She started falling backwards, head first, toward a concrete floor. Both Corden and director Rob Marshall froze in the fear that they were about to witness the death of Meryl Streep. However, a pregnant Emily Blunt stepped in and caught Streep before she hit the floor.
    • Errores
      The witch says that she cannot touch the ingredients for the potion, but she leans her hand on the cow as Jack is milking her.
    • Citas

      Cinderella's Prince: I was raised to be charming, not sincere.

    • Créditos curiosos
      The Disney logo appears without music and fireworks, and is flanked by forest trees and the full moon, reflecting the woods setting of the story.
    • Conexiones
      Featured in Atop the Fourth Wall: The Hobbit #3 (2014)
    • Bandas sonoras
      Prologue: Into the Woods
      Music and Lyrics by Stephen Sondheim

      Performed by James Corden, Anna Kendrick, Daniel Huttlestone, Emily Blunt, Christine Baranski, Tammy Blanchard, Lucy Punch, Tracey Ullman, Lilla Crawford, Meryl Streep, and Company

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    Preguntas Frecuentes20

    • How long is Into the Woods?Con tecnología de Alexa
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    Detalles

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    • Fecha de lanzamiento
      • 5 de febrero de 2015 (México)
    • Países de origen
      • Estados Unidos
      • Canadá
      • Italia
      • Reino Unido
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idioma
      • Inglés
    • También se conoce como
      • Into the Woods
    • Locaciones de filmación
      • Windsor Great Park, Windsor, Berkshire, Inglaterra, Reino Unido(forest)
    • Productoras
      • Walt Disney Pictures
      • BBL Motion Picture Studios
      • Lucamar Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 50,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 128,002,372
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 31,051,923
      • 28 dic 2014
    • Total a nivel mundial
      • USD 212,902,959
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 5 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Datasat
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 2.39 : 1

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