Hon zin

Honor is a major aspect focused upon during this Chinese action drama, which visually conveys the integrity and competent nature of the Hong Kong police department's ability to wage war on crime, and efficaciously ensure the safety of the city's public.

Out on the streets of Hong Kong one night, a van carrying five members of the police force, not to mention a wealth of tactical equipment, unexpectedly vanishes off the grid. The hijackers behind this daring plot immediately demand a ransom, and though the attackers are starting a war with the police, an equally hard battle is taking place between the investigating officers. Lau (Aaron Kwok) is Management's youngest Deputy Commissioner, while Lee (Tony Leung Ka-fai), an older gentleman, is the Deputy Commissioner of Operations, both with widely differing points of view.

While Lau wishes to negotiate, Lee, whose son Joe (Eddie Peng) is one of the five officers held for ransom, is ready to bring the entire force of the Hong Kong police department down upon those who would dare assault them. The reputation of these high ranking personnel is on the line, and with the Commissioner soon to retire, one of these two men will be crowned the next leader of the Hong Kong police - and what happens over the course of this investigation will shape their history.

The two aforementioned leads, alongside Gordon Lam as Albert and Chin Kar-lok as Vincent are strongly portrayed as dutiful officers. Moreover, Aarif Rahman as Cheung, the lead ICAC officer assigned to investigate the procedures taken to thwart the hijackers is deserving of being mentioned for his equally adept performance. At the same time though, I found his character to be rather unlikable due to his attitude, which seems awfully confident, to the point of being egotistically pretentious.

The focus on these characters leaves little room for Charlie Young, who portrays Phoenix, the head of the public relation branch of the police, or Grace Huang, who plays probationary inspector May, despite their loyalty's been clearly outlined. Moreover, the inclusion of Ma Yili and J. J Jia as the wives of Lau and Vincent, both of whom had barely a minute's screen time, was unnecessary, although were clearly included to show an alternate familial side to these hardworking characters. If the developers adamantly wanted the wives to be included in the plot, I believe additional screen time and emotional dialogue would have beneficially increased the impact.

Visually, Cold War is quite sublime, the film taking advantage of its setting, Hong Kong been visualized as the technologically powerful, secure environment the police claim it to be, with a number of great aerial shots revealing the grandness of the metropolis. Not only this, those portraying the officers in the film are accompanied by the luxurious attires they continuously wear, making them appear as competent and dedicated as they continuously seem.

Despite the front cover's insinuation that Cold War is an action film, it is in fact a dramatic thriller. Despite the movie beginning with an explosive start that immediately catches your eye, the action scenes are incredibly infrequent, the most captivating aspects of the movie been its intelligent and thought provoking script, that is continuously twisting like a snake, as the characters attempt to unravel the conspiracy they have unwittingly fallen into. However, Peter Kam's score, much like the cover, offers a similar assumption regarding the film's genre, and despite its entertaining properties, the over the top orchestral soundtrack, when used in conjunction with events that are neither eventful or action oriented, seems unnecessary.

As the film progresses and the antagonists behind the plot are slowly revealed, the lacking background behind what caused them to orchestrate the attacks is rather unsatisfactory in a film which contained such an effective build up. With the exception of the lead instigator, whose motivations we are able to comprehend, the film's finale is less wowing than I would have imagined from a film that really keeps you pinned to the screen, and rather, my attitude towards the end was more like 'uh, so that's how it is, eh?' Furthermore, at the film's conclusion, text appears on screen notifying the viewership that this is definitively 'the end', which contradicts not only the visuals, but the dialogue which suggests there could be more to come. This anti-climatic conclusion inevitably falls short of whatever expectations audiences would have acquired over the course of the film.

Despite being entertaining and intelligent, with great acting all around, superb visuals, and the rare, but still well executed fight scene, Cold War is a movie that keeps you attentive, yet will leave you wanting a finale better fitting a feature of its caliber.

This film is about two Deputy Commissioners of Police dealing with the mysterious disappearance of a police car along with its five police officers.

"Cold War" wastes no time in building up suspense and thrill. Within a minute we already have an explosion in the middle of the most popular hang out place in Hong Kong. After that, the action never stops. The plot is very fast paced, it twists and turns in unexpected directions every few minutes. It is so engaging, the story is so grippingly told, that I was completely transfixed. My mind was blank with no distracted thoughts. I was simply in awe throughout the film. "Cold War" is so brilliant, from the intelligent plot, the star studded ensemble, the intense action, beautiful cinematography and great acting. Everything about "Cold War" is outstanding.

I have heard great things about "Cold War". Not only does it live up to its expectations, it certainly surpasses every single praise I have heard. In fact, "Cold War" is undoubtedly, undeniable the best Hong Kong film I have ever watched. I never even imagined Hong Kong cinema can be this excellent. Words fail to describe how outstanding "Cold War" is. I unreservedly recommend this film to anyone.

"Cold War" ("Hon Zin") is an entertaining movie, but it is far from the finest moment in Hong Kong cinema. And for a crime-thriller, well then it set out to do a lot of things, but it ended up looking as if directors Lok Man Leung and Kim-ching Luk had bitten off a bit too much and weren't able to fully bring it full circle.

The story starts out well enough, and quickly picks up pace, but towards the last third of the movie it started to become forced and somewhat messy, making the movie suffer in overall coherency and enjoyment as a result.

"Cold War" does have some of Hong Kong's top actors in it, and Aaron Kwok does carry the movie quite well. It was a shame that Andy Lau wasn't given more screen time in the movie, but his appearance was great nonetheless.

Personally I am not overly keen on crime movies such as these, and "Cold War" didn't really bring anything overly new or exciting to the genre.

The movie was nicely shot and edited, and it is enjoyable for what it is. But even with my love for Asian cinema, then I doubt that I will be making a second viewing out of this movie. It just didn't have that much to offer.

It systematically introduces the operation and coordination of the management office, the operation office, the public relations section, the ICAC and other public sectors after the emergency. At the end, we can see how depressed Hong Kong people have been in these years. I like this story very much. I dig one piece at a time, but it's too messy to tell. Many plots and characters don't go down well, and the story is not smooth.

COLD WAR is a Hong Kong police thriller spearheaded by an all-star cast who go some way in making it surprisingly compelling viewing at times. The story begins choppily as a van full of low-ranking police officers disappears, the cops presumably kidnapped, but gradually we figure out that this is less about action heroics than the internal politics of the Hong Kong police division. Aaron Kwok and Tony Leung lead the way here and both are very good indeed, particularly in one crucial scene that showcases their acting skills. The worst thing is the direction which could be better, but it doesn't detract from a fun little film.