In/mortal

'SELF/LESS': Three and a Half Stars (Out of Five)

A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.

Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.

The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.

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This film tells the story of a real estate tycoon who is terminally ill. He undergoes a procedure that transplants his mind into a new body, which continues his life in a different way. Yet, when he experiences unfamiliar flashbacks, he decides to investigate the origins of these intrusive memories.

The plot examines what it is like if there are mind transplants, and it does so very well. It provokes much debate towards the ethical issues on this controversial procedure. During this process, there is much adventure, including thrilling cat and mouse chases and lots of combats. It blends science fiction and action thriller very well together, captivating my attention and making me on edge very often. I really enjoyed it.

There are certain things that men (or women for that case) should not mess with. As in what nature is giving or taking away from us. The movie might make a case of that, if you want to look at it that way. It's Science Fiction alright, but it does have a moral core in it, that you'll either like or dismiss.

Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)

Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine production quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue?

The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.

Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.

People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.

My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.

7/10

Billionaire Damian Hale (Ben Kingsley) is on top of the world until he runs into a problem he can't solve, Cancer. His only hope is a new medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After Damian undergoes this procedure, he becomes a man named Edward (Ryan Reynolds). Once he attempts to start a new life in New Orleans, he starts to become ravaged by visions of his new body's past. As he begins to investigate the origin of his new body, he learns the lengths that his creators will take to protect their procedure and keep their identities secret.

The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.