Coma

All these negative remarks and reviews, people are so blind and up their own tails. You have no idea of a good movie or show if you thought this was bad. I absolutely loved it. I didn't discover it was a series until after the first sequence ended and my brother and I were thirsty for more. This was great. People keep turning their backs on material like this and wondering why Hollywood keeps pushing out crappy films. You are the reasons. This was amazing, and i highly recommend it. I haven't seen the original, but maybe that's why people are blabbing out negativity. This show was suspenseful, it drew you in, it had all the elements of a great suspense. If you love investigation shows, like Csi, Er, or House, this show had all those great shows wrapped up in one. I wish they would make more of the series. I love love love it.

As soon as I heard Coma was out on video I had to put it in my Blockbuster at Home queue. After watching it I think it was way below par for Ridley Scott. I know some people have called it a 'mini series' but at almost 3 hours of pointless characters it is anything but mini. I definitely liked the original version better and after talking to a few guys in my office at DISH I know I am not the only person that holds that sentiment. About half way through Coma I took it to the to the Blockbuster store down the street for a free exchange. I paid to watch a movie that night and I am happy I didn't have to do it twice at least.

The original is more disturbing both visually and psychologically, despite being made in 1978. But this film, complete with high-tech horror effects and a psychotic performance from Ellen Burstyn, is a keeper. I watched both parts and found it a bit strange why they didn't just release it as a single film. I had the same technical confusion with Bag of Bones with Pierce Brosnan. You do have to seriously suspend some disbelief. While the original has its moments of cheese, and dated 70s gimmicks, it is far more believable than this one. Characters are relentlessly picked off in the most public of places and no one notices. An entire unit of gore and horror lurks in the bottom of a shady medical center and yet, despite a video clip of such horrors being on Youtube, no one issues a warrant to search the place. The victims of the conspiracy in the original were more elaborated upon (including an empathetic and very young Tom Selleck who meets his end in OR 8). Here, the victims are seen after surgery in their comatose states, so we have no connection to the human being who once was conscious and lived. The film underuses a very talented case, which includes James Woods, Geena Davis, and Lauren Ambrose. Their characters needed to be seriously elaborated on. Someone was having too much fun with the FX and not with the emotional meat which was desperately needed. It's more outrageously inventive than the original, but far less plausible or thought out. It's a fun, frightful romp that definitely is a grisly charmer and one to keep though.

The fist ten minutes is swirl of atmospheric nonsense. If you've read the book, or seen the original, you sit there mouthing 'what?' ; and if you haven't you'll still be mouthing 'What?', and not knowing why!! Next the alleged protagonist puts it all together within five minutes of working her first day, Amazing! This is a real mess. I am feeling very underwhelmed, and dancing on the cusp of a vegative state. Come on Ridley!!

COMA is a 2012 television miniseries based on the Robin Cook medical thriller of the same name. If it seems familiar, that's because Michael Crichton already directed an adaptation in the form of a movie back in 1978. It was a great little film, and the miniseries seems destined to pale in comparison.

Not that this new COMA is bad; it turns out to be quite decent, especially by TV movie standards. The reason it works is that it focuses throughout on the developing suspense and conspiracy situation, which means that it's never less than involving. Yes, there are problems with the direction and the acting, not to mention plenty of hulking plot holes, but the crucial thing is that COMA remains watchable from beginning to end.

Very nearly, anyway; the last twenty minutes or so falls down with a silly, sci-fi scenario which goes against all that's come before. It's something that belongs in a SyFy Channel movie, not this, but at least it's only at the very end that things fall apart.

The young actors in this production aren't bad, but the most fun comes from 'spot the star' in the older cast members. James Woods, Richard Dreyfuss, Ellen Burstyn, Joe Morton and Geena Davis are all present, and there's fun to be had from guessing which of them is involved. It certainly helps to pass the time, anyway.