Una historia de amor entre un satélite y una boya.Una historia de amor entre un satélite y una boya.Una historia de amor entre un satélite y una boya.
- Dirección
- Guionistas
- Elenco
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 4 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I thought this would be right up my alley, I love indie, weird movies. I also love a unique concept and have no issue with slow burns or just storytelling vs having a plot. I was so excited for this because I love both the leads and thought it was such a cool idea, like Wall-E and Eve. It was genuinely slow and lacked something but I found it entertaining enough. I wouldn't watch it again but am glad I watched it once. My husband always turned it down because it looked too slow so I rented it by myself because I knew my husband would hate it. And he would've most definitely. He needs the story to be fast paced to keep his attention.
Watched this at the 2024 Sundance Film Festival.
With a really interesting concept, the movie offers some genuinely interesting concepts and ideas, yet, feels a little messy. The filmmakers clearly have a creative concept about the approach of love relationships and technology. To which the narrative, while does get a little unfocused on some of the themes and structures, does provide some interesting components to engage with. The performances from Kristen Stewart and Steven Yeun are really good as Stewart and Yeun have really good chemistry between one another.
There are some good uses of computer effects, editing style and color presentations. There are uses of animation throughout and honestly, the animation looks fine but it does feel like something from a cheap mobile app design which was a little distracting. There are some good dialogue moments but some moments feeling a little too fake. Some of the editing choices were a little annoying.
For sure, the movie is definitely creative and while I wished the movie was a little more focused on some of the themes and certain aspects did feel too slow, I still was invested because of Stewart and Yeun's strong chemistry and the filmmakers being able to create something that is different.
With a really interesting concept, the movie offers some genuinely interesting concepts and ideas, yet, feels a little messy. The filmmakers clearly have a creative concept about the approach of love relationships and technology. To which the narrative, while does get a little unfocused on some of the themes and structures, does provide some interesting components to engage with. The performances from Kristen Stewart and Steven Yeun are really good as Stewart and Yeun have really good chemistry between one another.
There are some good uses of computer effects, editing style and color presentations. There are uses of animation throughout and honestly, the animation looks fine but it does feel like something from a cheap mobile app design which was a little distracting. There are some good dialogue moments but some moments feeling a little too fake. Some of the editing choices were a little annoying.
For sure, the movie is definitely creative and while I wished the movie was a little more focused on some of the themes and certain aspects did feel too slow, I still was invested because of Stewart and Yeun's strong chemistry and the filmmakers being able to create something that is different.
Google lifespan of solar panels and it shows 25 to 35 years. Even if the panels are super futuristic panels, it still wouldn't last as long as it would in the movie.
Metal degradation alone wouldn't make sense, which is around 150years. Again way shorter than the timeline of the movie.
I haven't even touch on the lifespan of electronics. Even if it's super futuristic, the battery still have a lifespan.
All this is to say the timeline in the movie makes no sense!
The entire premise of the movie is deeply flawed. It's about earth and not a galaxy far far away or a fantasy land with magic and wands to wave away the contemporary impossibles.
Metal degradation alone wouldn't make sense, which is around 150years. Again way shorter than the timeline of the movie.
I haven't even touch on the lifespan of electronics. Even if it's super futuristic, the battery still have a lifespan.
All this is to say the timeline in the movie makes no sense!
The entire premise of the movie is deeply flawed. It's about earth and not a galaxy far far away or a fantasy land with magic and wands to wave away the contemporary impossibles.
I like both Kristen Stewart (more SEBERG and ADVENTURELAND than TWILIGHT) and Steven Yeun (THE WALKING DEAD), and I also love a good post-apocalyptic story, so that was enough for me to put this movie on reserve at the library. Unfortunately, the film is a bit of a misfire. I hate knocking a film for being too ambitious, but this romance between an AI buoy in the ocean and a satellite in space, which are both still functioning centuries after humans have gone extinct, doesn't quite pull off its ambitions. The two base their robot courtship on a social media influencer's posts about herself and her boyfriend, with the two taking on avatars of their long-dead human inspirations. There's a subtext about real-life versus phony online "lives" and, more importantly, about love and connection, that even in a lifeless world, two sentient machines still yearn for connection. The film lacked the emotional resonance it was aspiring to, but Stewart and Yuen are both likable and manage to make the film watchable, even if they are CGI avatars for too much of the film. Even though I won't recommend LOVE ME, I'll be curious to see what writer/directors Andrew & Sam Zuchero do in the future.
After an apocalyptic event, a buoy designed to record water temperature (Kristen Stewart) and a communications satellite (Steven Yeun) are the only sentient beings left on earth. In the opening of "Love Me," they make contact through what remains of the internet. The two start out chatting, relying on their existing programming. Eventually, they create primitive avatars that interact in a world they've created. Both really want this relationship to work. They scan available data sources to discover what it takes to create and sustain a relationship. In a tragic development, Stewart's character, who imaginatively identifies herself as "Me," comes across a too-cute self-absorbed vlogger named Deja, whose relationship with boyfriend Liam is hardly a role model for anything constructive. Fortunately, Yeun's character, called "Iam" (see what they did there?!), isn't into over-sharing.
"Love Me" is the feature film debut for Co-Writers/Co-Directors Sam and Andrew Zuchero, a husband and wife team. For this film, they've obviously developed a bold, audacious and completely unique concept. I wish the ideas here were more fully developed.
It's more than a little ironic that "Love Me," a film so decidedly out-of-the-box, brings to mind so many other works. In its creation and execution, "Love Me" reminds me a little of "Wall-E." In its exploration of what it means to be human, it evokes "The Creator" and "After Yang." The "New York Times" points out that "Love Me" is superficially similar to another current show, the Broadway musical "Maybe Happy Ending." (Full disclosure: my nephew co-wrote the musical.) But while the musical is tightly focused on a couple of key themes - love, death, the risks/rewards of relationships - "Love Me" is all over the place.
This film has a dizzying array of ideas spinning around in its orbit. Perhaps it's just too much, because it fails to explore anything fully. That's too bad, because some of the ideas in "Love Me" show real promise. The film implies that looking to TikTok for relationship advice may not be the best option. Fair point. It clearly supports the notion that before developing a healthy bond with another, one must do the hard work of gaining self-respect and a sense of self-worth. Terrific. "Love Me" also does an excellent job depicting the palpable need for connection with others that occurs when these inanimate objects meet. Inspired. But the film does nothing to excavate these ideas in ways that offer greater depth or a new point of view. As a result, the final product is surprisingly soulless. While I was intrigued to see how this story unfolded, I had no emotional investment in what happened between these two characters.
There are, however, some funny moments. Apparently, the story takes place over six billion years (or 6000 years, if you're a Young Earth Creationist). At one point, Me and Iam become estranged because the buoy sinks and the signal is lost. The two have to wait a few eons for all the water on earth to evaporate so connection can be restored. As they work to rekindle the relationship, Iam observes that he's had several million years to reflect on what's gone wrong in the past and what he really needs in a relationship.
Ultimately, "Love Me" is a wonderful concept that's never fully realized. Although some elements of the film don't work, it's an exhilarating diversion from the steady diet of slasher films and superhero movies Hollywood is force-feeding us. More Zucheros, please!
"Love Me" is the feature film debut for Co-Writers/Co-Directors Sam and Andrew Zuchero, a husband and wife team. For this film, they've obviously developed a bold, audacious and completely unique concept. I wish the ideas here were more fully developed.
It's more than a little ironic that "Love Me," a film so decidedly out-of-the-box, brings to mind so many other works. In its creation and execution, "Love Me" reminds me a little of "Wall-E." In its exploration of what it means to be human, it evokes "The Creator" and "After Yang." The "New York Times" points out that "Love Me" is superficially similar to another current show, the Broadway musical "Maybe Happy Ending." (Full disclosure: my nephew co-wrote the musical.) But while the musical is tightly focused on a couple of key themes - love, death, the risks/rewards of relationships - "Love Me" is all over the place.
This film has a dizzying array of ideas spinning around in its orbit. Perhaps it's just too much, because it fails to explore anything fully. That's too bad, because some of the ideas in "Love Me" show real promise. The film implies that looking to TikTok for relationship advice may not be the best option. Fair point. It clearly supports the notion that before developing a healthy bond with another, one must do the hard work of gaining self-respect and a sense of self-worth. Terrific. "Love Me" also does an excellent job depicting the palpable need for connection with others that occurs when these inanimate objects meet. Inspired. But the film does nothing to excavate these ideas in ways that offer greater depth or a new point of view. As a result, the final product is surprisingly soulless. While I was intrigued to see how this story unfolded, I had no emotional investment in what happened between these two characters.
There are, however, some funny moments. Apparently, the story takes place over six billion years (or 6000 years, if you're a Young Earth Creationist). At one point, Me and Iam become estranged because the buoy sinks and the signal is lost. The two have to wait a few eons for all the water on earth to evaporate so connection can be restored. As they work to rekindle the relationship, Iam observes that he's had several million years to reflect on what's gone wrong in the past and what he really needs in a relationship.
Ultimately, "Love Me" is a wonderful concept that's never fully realized. Although some elements of the film don't work, it's an exhilarating diversion from the steady diet of slasher films and superhero movies Hollywood is force-feeding us. More Zucheros, please!
¿Sabías que…?
- TriviaThe first feature from Sam and Andy Zuchero.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 350,841
- Fin de semana de estreno en EE. UU. y Canadá
- USD 212,364
- 2 feb 2025
- Total a nivel mundial
- USD 350,841
- Tiempo de ejecución1 hora 31 minutos
- Color
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