Month of Madhu

I loved this film - loved the acting, script, direction, cinematography, and score.

The pacing is slow and I felt the movie possibly could be trimmed a bit and maybe some more insight into the now of the couple be shown (we are shown mostly the old, their times before marriage).

There characters are all fleshed out really well (other than perhaps the parents of he NRI girl and the mobile shop guy - who was a promising character, but needed a better depth in the film )

The score and songs are good - especailly the score - it elevated the movie brilliantly without being intrusive.

Highly recommended for anyone into serious movies.

-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.

-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5

-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.

-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5

-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.

-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5.

Within this cinematic tapestry, the characters unfold as captivating enigmas, and the narrative woven around them exudes a subtle beauty. The pace of the narration, though deliberate, finds its rhythm, allowing the story to unfurl gracefully.

Naveen Chandra and Swathi, with their performances, breathe life into their respective roles, showcasing a profound commitment to their craft. Shreya Navile and Harsha Chemudu deliver impeccable portrayals in their respective roles, while the supporting ensemble complements the narrative admirably.

The musical score harmonizes seamlessly with the film's emotional cadence, enhancing its evocative power. Cinematography and the various technical aspects maintain a commendable standard throughout.

In this endeavor, the director demonstrates a refined artistic vision, crafting a work of superior quality.

For those who relish heartwarming narratives, the theater screen beckons, offering an immersive experience. However, if such tales are not your preference, I recommend an OTT platform, but do not overlook the opportunity to savor this beautiful film.

Watch MoM on your mobile or your laptop when you've got a great game of tennis or something far more engaging is playing on the TV.

It's the pace of narration that gets to you at first, and then you start noticing that it's a story of a typical cocky, irresponsible and egoistic youngster who's, by local standards better looking than the rest of the unkempt lot. All Naveen Chandra had to do was rehash his role in Ammu. It's usually those girls with low EQ that fall prey to characters like these. And Swati did well as the ignorant teen and the practical young lady.

The US track looks like it was slapped on so that a short film can pass off as feature length movie.

While it's understandable that the mutton packet is kept a mystery until the end, it's criminal to parch the audience with hot air for the length of the film.

The chances of viewers tapping out in the middle of 2nd half are very high. This mutton biryani takes forever to cook.

Why can't movies be this realistic? It was such a delight to get a glimpse of everything in Madhu's life, side stories, and the vibes of the city. A very strong cast. It kept me wanting for more towards the end, with that I can tell the director succeeded. I wonder how much thinking Srikanth Nagothi had to put through in writing this. Evadiki telusuuu? Velpoindhi... I don't think one can come up with such concepts just like that.

The best part is there is no judging, the film just presents events, perspectives and leaves us to interpret. Apart from the NRI Madhu, if you think about the plot and how it unfolds, it's pretty bland, but still you'll find yourself glued throughout.

Way too much on the face at times, way too many switches to the past and forth made it hard to follow at times, but whatever, it is such a fresh attempt. Need more, many more of such attempts. Loved it! I was totally immersed for those 2+ hours of watchtime.

In my opinion, DJ Tillu took TFI forward in 2022, and then it is Month of Madhu showing the direction to industry in 2023! Enough commercial craps, we need these flicks.