Emergency

Emergency 2025 is a film that aspires to be grand but collapses under the weight of its own ambition. The plot is a jumbled mess, riddled with inconsistencies and subplots that go nowhere. It's hard to stay engaged when the pacing is erratic, dragging during unnecessary exposition and rushing through critical moments that should carry emotional weight. The lack of coherence makes the entire movie feel like a chore to watch.

The characters are poorly written, with no depth or development, and the performances lack any conviction. It's as if the cast themselves couldn't connect with the clunky, cliché-ridden dialogue. The visuals, often touted as a highlight in big-budget films, are shockingly underwhelming here. The special effects are dated, and the action sequences are predictable and uninspired, offering no sense of thrill or innovation.

Even the soundtrack fails to enhance the experience, feeling disconnected and forgettable. The film attempts to evoke nostalgia and urgency but comes across as desperate rather than impactful. It misses the mark on delivering either meaningful commentary or genuine entertainment.

Overall, Emergency 2025 is a massive disappointment, squandering its potential and leaving viewers frustrated. If you value your time and money, give this one a miss.

Most of the incidents are rushed through and summarised quickly.. which is ok as long as people have already read about it in past. The main focus seemed to be on Mrs Gandhi's character and not on details of emergency..if movie is renamed then it will appeal more.

Acting is superb, mainly for actors who played Gandhi family.

Angle and conversation with spiritual leader is good and new.

Probably many scenes were cut hence it seemed like an overview of incidents , so in my opinion it covers around 80% and still 20% important mentions are missed like passing law with backdated in affect which could have shown real power hunger or more gray character.

Kangana Ranaut's Emergency promised to be a bold and gripping take on one of the darkest periods in Indian political history. However, the execution leaves much to be desired, as the film falters on multiple fronts, from its skewed historical narrative to lackluster direction and acting.

The film's premise, centered around the controversial Emergency declared by Indira Gandhi in 1975, had the potential to offer an insightful exploration of a politically charged and complex era. Unfortunately, Kangana's portrayal of historical events feels overly dramatized and riddled with inaccuracies. Instead of delivering a nuanced and balanced account, the film leans heavily on a one-sided perspective, sacrificing historical depth for sensationalism.

As a director, Kangana struggles to maintain a coherent narrative. The pacing is uneven, with certain key events either rushed or stretched unnecessarily. Scenes that should carry emotional weight often fall flat due to poor transitions and an overall lack of subtlety. The dialogue, peppered with melodrama, further detracts from the story's credibility.

Kangana's performance as Indira Gandhi also disappoints. While she undoubtedly puts in the effort to embody the former Prime Minister, her portrayal comes across as superficial and inconsistent. The lack of emotional depth in her acting makes it hard to connect with her character, leaving the audience unengaged.

The supporting cast, though competent, is underutilized, with their characters reduced to mere caricatures. This further highlights the film's failure to delve into the complexities of the Emergency period and its impact on diverse sections of society.

On a technical level, Emergency fares slightly better, with its cinematography and production design doing justice to the era it depicts. However, these elements cannot compensate for the film's fundamental shortcomings in storytelling and characterization.

Overall, Emergency is an ambitious project that misses the mark. While Kangana's intention to tackle a pivotal chapter in India's history is commendable, her flawed take on the subject, coupled with sloppy direction and an underwhelming performance, makes for a disappointing cinematic experience. A more balanced and well-researched approach might have elevated the film, but as it stands, Emergency feels like a missed opportunity.

I was so looking forward to this movie, but it was a big disappointment.

Except for Kangana's acting, makeup, and cast selection, nothing works. The movie touches so many events superficially, bouncing from one to another, without givong background or context on any event. Consequently, if you're not already aware of those events and their significance, the movie doesn't inform or educate you on most of them. It would have been much better to focus on fewer things and provide more context/background that help you understand Indira's character. A good story teller and director would have helped. Despite the title, the emergency isn't given adequate coverage.

The music is loud. Kangana's close-ups are on the screen a little much. And Vajpayee and Maneckshaw singing a song - seriously?

What a disappointment!

While I admire Kangana Ranaut for her sincere attempt at creating a biography centered on Ms. Indira Gandhi, a figure who stands as one of if not the most contentious in our nation's post independence history, the execution falls significantly short of its potential.

Indira Gandhi's character was multifaceted, encompassing her aspirations for absolute power, dedication to her country, and her complex relationship with her son, Sanjay.

All rhese elements warrant a more nuanced script and character development, which "Emergency" regrettably did not achieve, despite having right intentions.

Regarding the performances, Kangana bore a striking resemblance to Indira and attempted to emulate her mannerisms and speech too but all her efforts came off too overstated, lacking the authenticity that would render them natural.

There is always a fine line between imitating an individual against becoming a replica from inside; for reasons unknown, Kangana opted for the former, I wish, she chose the latter.