Autumn in the City

Obviously romance writers are not expected to churn out "Citizen Kane," but couldn't they at least consult the dictionary? Worse than the fact that Roderick's character uses the term "hoi polloi" incorrectly (he uses it to refer to the rich, elite of society - but it means the rabble, the commoners), but no one corrected it. Does NO ONE on this production have a vocabulary? Or access to a dictionary. I wanted mindless entertainment, but...there are limits. Also, I agree with the reviewer that said the leads were mismatched - it bordered on a reverse "Lolita" - he didn't look old enough to drive, let alone drink, and while she's not old by any means, she looked ancient next to him. Creepy.

Realism in this one is catastrophic. Why would they set the story in autumn while you can tell the set isn't really in that season? I mean, let's be real: in fall New York, you wouldn't go out with a light dress and a light jacket like it's warm outside. Plus, Central Park looking nothing like Central Park.

Besides, if the girl has only two months, it would make sense for it to be summertime. I guess jobs wouldn't be that easy to get in summer. But again, how unrealistic is it that you can find as many interesting jobs through a temporary work agency. And who I would have the luxury to refuse a job in this economy?

As for the relationships, I don't live in New York but I do know big cities, and characters are really too one-dimensional, starting with the coffe shop owners.

The actors are good though, so it compensates.

My expectations aren't that high for a TV movie but it's like they shoot themselves in the feet with all these.

To be young in the city...Aimee Teegarden breathes life into this New York City romance that is equally about finding your calling.

Aimee plays Piper who is on the verge of turning thirty and has given herself that as a deadline to find her career or true calling. She bravely signs up at a New York temp agency and tells the agent to throw everything at her. She quickly meets her grumpy neighbor Austin, a wealthy quintessential New Yorker who is trying to buck the family reporting business of his famous reporter mother because he wants to write children's stories. Piper also meets another transplant to New York, Will and his romantic partner Toby, who own a corner coffee shop and bakery. Piper, Will and Toby become fast friends. Will and Toby seem to think that Piper and Austin would be good together and they set about doing a little matchmaking like a picnic in the park.

Great cast, fun working through career ideas and good chemistry between the leads. This is like a very sweet fall postcard to New York.

If you love New York, romance and the idea of finding yourself...you will enjoy this movie.

Aimee Teegarden always brings a lot of young fresh energy to her roles. Evan Roderick is great as her love interest, they have chemistry which doesn't always happen in Hallmark rom-coms. They should be matched up again, maybe a Spring movie set in the country. Or a winter film since Roderick is a former hockey player. The supporting cast is good, especially the bakery couple Toby and Will. Strong Canadian supporting actors.

The script isn't that good, there are some funny parts but it's clunky, it doesn't seem to fit together smoothly. As with most of the rom-coms it's filmed in BC with exterior shots of NYC. Vancouver can be made to look like almost any North American city.

Aimee Teagarden was great in Friday Night Lights and has been in some very good movies lately (Once Upon a Christmas Miracle, New Year's Resolution, My Christmas Family Tree). She's a perfect fit for Hallmark (which is why they signed her to a new multi-film deal). Here she's cast as a wholesome, adorable, relentlessly upbeat and idealistic woman who shows up in NYC looking for a career. But she's only given herself two months to find an inspiring job (wildly unrealistic).

She tries out a remarkably wide array of seemingly decent jobs that would likely have supported her (Including one that seemed like a wonderful opportunity to travel) but none stirs her passion ("I'm not just looking for a job, I'm looking for a fulfilling career and, when I find it, it's going to feel like a lightning bolt."). And yet she spends a lot of her free time sitting on park benches and drawing. When asked why she doesn't pursue that as a career, she insists that it's impractical and would be a betrayal of her parents who "scrimped and saved" to pay for her college.

Austin (played by Evan Roderick) doesn't create the same good first impression as Piper. He's called a "curmudgeon" and "grumpy" and grudgingly takes a job that anyone with a journalism degree would kill for (writing "features" for the Chronicle). But he shows up late, when he shows up at all, makes no effort to do his job properly and demonstrates a complete lack of integrity (as he does again later in the movie). There's also a pathetic early scene where he let his mother veto his chicken sandwich lunch order and, instead, lets her order him HER favorite kale salad. Ugh.

But, thankfully, Piper has a positive effect on him. And their chemistry is great. But one of the more frustrating aspects of Hallmark movies is their rather chaste approach to romance. These are two attractive, single, 30 year-olds, living across the hall from each other in New York City. In real life (and on Netflix) they'd be in bed together (or at least making out like teenagers) the night the candles came out. I counted about two dozen pumpkin colored candles. Heck, that setting called for a kiss at least. Or even one of Hallmark's famous (and ridiculous) "almost" kisses. But no. Nothing. And yet, in this particular movie, it may actually have made sense for them to wait given the circumstances.

Also, in a laudable continuation of Hallmark's commitment to diversity and inclusion, the movie features a gay couple who own a nearby coffee shop. Initially, Piper's "efforts" (asking if a stranger has tried a pumpkin bread sample) somehow earns her a "coffee on the house". And then Austin waltzes in and also gets a coffee without paying. And then the coffee shop owners offer to plan Piper a party after knowing her for just a couple of weeks. Those were some rather unrealistic moments, but I liked the characters. They were kind, good-natured, and provided sympathetic ears and support for Austin and Piper. And they set up a really sweet surprise in the park.

There's a question of "who will 'champion' who?" that played out in a way I initially thought reflected poorly on one of the characters, but I was pleasantly surprised by how that was eventually handled by the writers (Joey Elkins and Blake Silver). Another reviewer fairly criticized the desperate "fight for yourself or yell" scene but I liked it; it reminded me of the old classic Bob Dylan song with the lyrics "when you ain't got nothing, you got nothing to lose."

Random observations:

The "hostess" mix up was beyond improbable. There's no way that happens.

Temp agencies make their money when a temp is offered and accepts a permanent position. They certainly didn't make any money off Piper.

Pretty good fake view of Washington Square and the Brooklyn Bridge. I wish they had filmed on location in New York City but Hallmark is famous for keeping their filming costs low by filming in Vancouver.

I agree with those who spotted very little evidence that it was autumn which was a shame because in certain locations, fall colors can really be spectacular (and "autumn" is literally in the movie title).

Although running into someone you know in NYC seemed to another reviewer like it would "literally never happen" it actually happened to me when I visited Manhattan and bumped into somebody from my hometown in California, even though I had no idea they were even going to be there. And Piper and Austin don't actually run into each other unexpectedly except for the planned park set up and their run ins at their favorite coffee shop by their apartment (I run into people I know all the time at my favorite coffee shop). That said, it's a familiar technique to have lead characters get into the elevator at the same time, or walk out of the building at the same time, or bump into each other at a local business. That just drives the story along. You have to suspend your disbelief to some extent when you watch a guaranteed happy ending Hallmark movie. They're not documentaries (which, sadly, can be stranger than fiction).

Good use of the song "A Night Like This" by Carmi Esta towards the end. I've noticed that the background music in Hallmark movies has really improved over the years.