CALIFICACIÓN DE IMDb
7.0/10
44 k
TU CALIFICACIÓN
Tras una vida larga y excitante, Allan Karlsson se ve sin salida en un asilo. El día de su 100 cumpleaños, salta por la ventana y empieza un viaje inesperado.Tras una vida larga y excitante, Allan Karlsson se ve sin salida en un asilo. El día de su 100 cumpleaños, salta por la ventana y empieza un viaje inesperado.Tras una vida larga y excitante, Allan Karlsson se ve sin salida en un asilo. El día de su 100 cumpleaños, salta por la ventana y empieza un viaje inesperado.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 6 premios ganados y 11 nominaciones en total
Georg Nikolloff
- Popov
- (as Georg Nikoloff)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film follows the progress of Allan Karlsson, a simple man with a predilection for blowing things up, after he leaves his nursing home to embark on a journey that will take him wherever it takes him. Through flashbacks we see that this is a metaphor for his entire life. Karlsson has, it turns out, been with several significant figures of the 20th century and, unwittingly, has profoundly affected its course.
The film is comic, darkly comic, absurdist, farcical, a chase caper, an espionage thriller and, finally, peaceful. It is all of these things successfully in a way that Wes Anderson's "The Grand Budapest Hotel" attempted to be, but didn't quite manage. More importantly, the characters are entirely believable despite the often fantastical story lines. It is also beautifully shot.
"Life is what happens to us while we are making other plans." — Allen Saunders
Thoroughly recommended.
The film is comic, darkly comic, absurdist, farcical, a chase caper, an espionage thriller and, finally, peaceful. It is all of these things successfully in a way that Wes Anderson's "The Grand Budapest Hotel" attempted to be, but didn't quite manage. More importantly, the characters are entirely believable despite the often fantastical story lines. It is also beautifully shot.
"Life is what happens to us while we are making other plans." — Allen Saunders
Thoroughly recommended.
7OJT
The Jonas Jonasson novel "The Centenarian Who Climbed Out the Window and Vanished" has been a gigantic success in Sweden, selling more that 250.000 copies. A success that has spread to a lot of other countries as well. I read the book just days before I saw the world premiere on this, as I got the book as a x-mas gift, just two days before the premiere.
Well, to make a long story short, this is an unlikely black comedy in style of Forrest Gump, though darker and way more stupid, and filled with more stupid humans. Other films it's in class with here would be "Fargo", "One night at McCools", "Seven psychopaths" a.s.o. The book functions, and I'm glad to say that the narrative grips made on this as a script works as well. It's a good farce, which will give out many laughs. The two hours goes like it's one.
The 100 years old Allan runs away from his birthday party, and starts a story which only he could be behind. Inwise decisions gives severe results, and looking back on his own life, he's done it before. He's made both tragedy's as well as things leading to happier consequences. They have tried to lock him up more than once, but he's not the easiest to detain.
I enjoyed the film in a quite crowded cinema, which already started laughing at the first scene, and so i t went on. A mixed audience, with surprisingly many pensioners, which have read the book, will probably guarantee the film to be an even bigger success than the novel. At least, that's my guess.
Well, how well is the novel brought to the screen, then? Well, surprisingly well, I would say. The most boring parts of the book is when Allan thinks back, and this is narrated down, so that the story happening present is the main thing. That's a major thing in making this work. There's been some minor changes done to shorten the travel, which unfolds like some kind of a trip or road movie, if you like, just as the book.
The make up is brilliant, and way better than we've seen in Hollywood films (!). Amazing. Robert Gustafsson, playing Allan, is just turning 50, but here he looks perfect both in the twenties, the thirties and as 100 years old. (Well, maybe he looks eighty-something more than 100, but still it's quite passable.)
Some of the CGI isn't exactly brilliant. This I see much better in Norwegian movies. Especially all the explosions are bad, but it doesn't hurt the story, since it's far from believable anyway. The famous persons portrayed are also quite good. The casting is well done, also when it comes to the actors playing the younger Allan. What annoys extremely is the music, which not only is stupid and too "funny", it's also very high in the sound mix. This is the worst bit of the movie. There's also some goofs, like the frozen guy and a tank lid closing itself, while driving away, but still not very big issues.
So very well done, and the best Swedish comedy I've seen in many years. Thanks to a great staff, a quite large budget (63 millions SEK) and wonderful actors. (I'm sure it will play in the money!) The book is well taken care of, and if you enjoyed the movie, you'll find a lot more in the book, now with the clients you've seen here.
Well, to make a long story short, this is an unlikely black comedy in style of Forrest Gump, though darker and way more stupid, and filled with more stupid humans. Other films it's in class with here would be "Fargo", "One night at McCools", "Seven psychopaths" a.s.o. The book functions, and I'm glad to say that the narrative grips made on this as a script works as well. It's a good farce, which will give out many laughs. The two hours goes like it's one.
The 100 years old Allan runs away from his birthday party, and starts a story which only he could be behind. Inwise decisions gives severe results, and looking back on his own life, he's done it before. He's made both tragedy's as well as things leading to happier consequences. They have tried to lock him up more than once, but he's not the easiest to detain.
I enjoyed the film in a quite crowded cinema, which already started laughing at the first scene, and so i t went on. A mixed audience, with surprisingly many pensioners, which have read the book, will probably guarantee the film to be an even bigger success than the novel. At least, that's my guess.
Well, how well is the novel brought to the screen, then? Well, surprisingly well, I would say. The most boring parts of the book is when Allan thinks back, and this is narrated down, so that the story happening present is the main thing. That's a major thing in making this work. There's been some minor changes done to shorten the travel, which unfolds like some kind of a trip or road movie, if you like, just as the book.
The make up is brilliant, and way better than we've seen in Hollywood films (!). Amazing. Robert Gustafsson, playing Allan, is just turning 50, but here he looks perfect both in the twenties, the thirties and as 100 years old. (Well, maybe he looks eighty-something more than 100, but still it's quite passable.)
Some of the CGI isn't exactly brilliant. This I see much better in Norwegian movies. Especially all the explosions are bad, but it doesn't hurt the story, since it's far from believable anyway. The famous persons portrayed are also quite good. The casting is well done, also when it comes to the actors playing the younger Allan. What annoys extremely is the music, which not only is stupid and too "funny", it's also very high in the sound mix. This is the worst bit of the movie. There's also some goofs, like the frozen guy and a tank lid closing itself, while driving away, but still not very big issues.
So very well done, and the best Swedish comedy I've seen in many years. Thanks to a great staff, a quite large budget (63 millions SEK) and wonderful actors. (I'm sure it will play in the money!) The book is well taken care of, and if you enjoyed the movie, you'll find a lot more in the book, now with the clients you've seen here.
The type of humor that is used in this movie was so refreshing. I love dark comedies, and I love dark humor. I appreciated it even more because it was by no means a dark movie. It was incredible how they made such a lighthearted movie with such dark comedy. Think Secondhand Lions meets Forrest Gump, I know, it's worth it though. The main Character was so nonchalant it was endearing. His care free attitude was refreshing and easy to watch. The supporting cast is what really makes the movie for me though. I don't know who any of these actors are, but the casting Director did such a good job. They all melded so well together. They fed off each other's presence and they were able to share scenes extremely well with each other. It was very play-esque in that regard.
Having read some of the other reviews I will simply say, if you take this movie too seriously you've already lost the point. If you look for flaws you're bound to find them, however, it's such a fun movie. It's light, it's dark, and personally, just a funny movie.
Having read some of the other reviews I will simply say, if you take this movie too seriously you've already lost the point. If you look for flaws you're bound to find them, however, it's such a fun movie. It's light, it's dark, and personally, just a funny movie.
An unexpectedly great movie. I wasn't anticipating much from this Swedish independent, but was laughing all the way through. Fast paced and written with wry deadpan humor.
The main character displays similar characteristics to Peter Sellers' Chauncey, in 'Being There'. Its also somewhat reminiscent of Arthur Penn's 70's classic 'Little Big Man' starring Dustin Hoffman in terms of the plot layout.
Whether these were intentional homages to personal favorites of mine is not clear, but they worked magnificently. Serious belly laughs as dry humor is dropped effortlessly into every scene.
It is such a refreshing change from all those polished Hollywood set pieces which have decreasingly appealing sequels.
Enjoy.
The main character displays similar characteristics to Peter Sellers' Chauncey, in 'Being There'. Its also somewhat reminiscent of Arthur Penn's 70's classic 'Little Big Man' starring Dustin Hoffman in terms of the plot layout.
Whether these were intentional homages to personal favorites of mine is not clear, but they worked magnificently. Serious belly laughs as dry humor is dropped effortlessly into every scene.
It is such a refreshing change from all those polished Hollywood set pieces which have decreasingly appealing sequels.
Enjoy.
Not really of course, but I wouldn't be surprised if some would make that comparison. That old man also seems to have left his mark in history. And while I haven't read the book, I can tell you that the movie is funny in a weird way. Something that you might expect from something with a title like that.
The story moves along nicely with interceptions from time to time, that tell us what happened when he was younger. And also are there to show us what sort of character he is. It's tough to really threaten a man of his age. The actor playing him is much younger of course, which we can see when he plays the younger version in the flashbacks. The makeup is more than decent enough in the "now". Really nice and good, this movie is entertaining
The story moves along nicely with interceptions from time to time, that tell us what happened when he was younger. And also are there to show us what sort of character he is. It's tough to really threaten a man of his age. The actor playing him is much younger of course, which we can see when he plays the younger version in the flashbacks. The makeup is more than decent enough in the "now". Really nice and good, this movie is entertaining
¿Sabías que…?
- TriviaThe lead actor Robert Gustafsson estimated that he had spent a full three weeks non-stop in makeup after principal photography had wrapped. Some days, makeup had to start applying prosthetics at 2 a.m.
- ErroresElephants cannot sit down as depicted in the movie. The trick was done using a fake elephant's bottom.
- Citas
Allan Karlsson: If you want to kill me, you'd better hurry, because I'm 100 years old.
- ConexionesFeatured in The Oscars (2016)
- Bandas sonorasDon Salvatore
Composed and Performed by Mattias Eklund
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The 100 Year-Old Man Who Climbed Out the Window and Disappeared
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 944,193
- Total a nivel mundial
- USD 51,167,572
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