Indiferente a la idea de heredar la herencia de su padre, un neoyorquino inquieto y envejecido pasa el tiempo con sus amigos en juegos de burla sinceridad e irreverencia.Indiferente a la idea de heredar la herencia de su padre, un neoyorquino inquieto y envejecido pasa el tiempo con sus amigos en juegos de burla sinceridad e irreverencia.Indiferente a la idea de heredar la herencia de su padre, un neoyorquino inquieto y envejecido pasa el tiempo con sus amigos en juegos de burla sinceridad e irreverencia.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 2 nominaciones en total
- Male nurse
- (as Seth Koen)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The film is circles around an unlikable and practically lifeless hipster (played by comedian Tim Heidecker) and follows him around as he lives his boring, useless life. He hangs out with friends, goes to parties, goes into taxi cabs and basically tortures the drivers (not literally, but figuratively), and visits his father in the hospital.
Whenever he does anything, he does it pretty obnoxiously. The movie is just him being a truly despicable person for 90 minutes, and it is really fascinating.
At times, it's really hilarious (in a twisted way), and at others it's just downright disturbing and unsettling. Watch it at your own risk!
One half of the creative team behind Adult Swim's flatulent sketch show, Tim and Eric Awesome Show, Great Job!, Heidecker's brutal depiction of Swanson encapsulates, and furthermore parodies, the exact audience from which he has become a cult demigod – the trust-funded, apathetic hipster. Instead of the garish surrealism of said TV series, The Comedy is rooted in documentary-like naturalism.
Aimlessly wandering around his stomping ground of Williamsburg, New York, Swanson spends his days trying to find substance for life – picking up jobs as a dishwasher even though he's loaded, travelling across town via his cosy houseboat, heading into ghettoised bars so that he can rile up/bond with the local "brothers", and chatting to drunk women about how feudalism is great and Hitler misunderstood. Far from just testing the patience and credulity of the characters on screen, Alverson is reaching out to the audience watching The Comedy. Whether the embittered sentiment of the film is ironic, genuine or otherwise is dependent on your own tolerance level and engagement with this truly unsympathetic, crass character.
Uncritically speaking, I found Heidecker's performance mesmerising, but the character unrelenting nasty. In partiocular, there's a bedroom scene late on in the movie which left me feeling abused and nauseous. A powerful reaction to cinema, but certainly not a welcome one!
If you feel compelled to sit through this venomous, albeit fraught comedy, it would make for perfect double bill with the LCD Soundsystem documentary Shut Up and Play the Hits. Not only do both movies feature the humble DFA Records boss James Murphy, they both wryly depict the ennui and societal disconnect of an ageing American subculture.
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We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.
This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.
The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.
The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.
One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.
Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.
¿Sabías que…?
- TriviaThe black males Swanson (Tim Heidecker) encounters at a Brooklyn bar were not actors but participants. Their reactions from Heidecker stereotyping them were genuine.
- Citas
Swanson: [affecting a southern accent while talking to his sister-in-law, who remains silent] Oh Liza, Liza. Them slaves be workin' hawd out heah. Dyin' out there in, in the thousands. In de sun. Just keelin' over from de heat. From de HEAT-UH. Come on, now. Ain't it good, ain't it right, to see them die? How hawd dey work? For dis fam'ly? Poppa use dem skin for makin' nice furniture. He tans 'em out dere, and makes a nice - that couch you on, in dere is all slave meat. Slave skin. As it should be. Lawd bless 'em. Slave penis and vagina. Come on, that's funny. I know you think that's funny. You ain't-your sense of humor ain't died. It's a good crop of slaves we have this year, innit? Real nice, nice bunch. I got to know 'em personally. Some of 'em, I know 'em by their first name! Old man be dead by now, I 'spect. Ain't breathin' too good. I 'spect he won't, he won't, shine too, too kindly on our family. He got one son out dere on a boat. He got another boy up dere, inna looneybin. Married to some whore. Who sh-who, who rubs, uh, who, who rubs, rubs sh-rubs shit on her vagina! Some whore, got, you-you are, you the kind of whore that, you the kind of whore that swallows cum. You are my only cum-swallowing sister-in-law, and I appreciate it. Cum swallower. That's the proudest thing to be, in this family.
- ConexionesFeatured in Half in the Bag: Django Unchained and 2012 Recap (2012)
- Bandas sonorasBaby
Written by Donnie Emerson
Performed by Donnie & Joe Emerson
Selecciones populares
- How long is The Comedy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Комедія
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 41,113
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,000
- 11 nov 2012
- Total a nivel mundial
- USD 41,113
- Tiempo de ejecución1 hora 35 minutos
- Color
- Relación de aspecto
- 1.85 : 1