Descansa en paz

I basically cheer for European film. This movie got a lot of attention when it was released in Norway. Mostly because Renate Reinsve plays one of the lead roles, but also for the theme; What happens when the dead come back? In the many positive reviews of the film, the main characters' feelings of loss and grief were highlighted as the film's strengths.

The film is based on an interesting perspective; How would we react and listed if our dear deceased came back to us?

Since the film's focus is primarily about the main characters' behavior and reactions, this is to a small extent a "zombie movie". Fair enough.

But for me, the movie doesn't quite work. The film's lack of dialogue and storytelling deprives us of viewers the mility to get to know those involved in the film. It all gets too stagnant for me. And I lost interest in the movie while I saw it. When the movie towards the end finally takes some dramatic twists, it's too late.

But one case has the director succeeded; The creepy mood of the film persists from beginning to end.

Disappointed by many of the reviews that don't give enough credit for the inventive twist in the zombie genre, and the subsequent emotional heft of Handing the Undead. Granted, the film does move at a glacial pace, and the entire screenplay was probably under 3 pages. A very quiet and somber drama, and other than a couple of forays into common zombie territory towards the end, this is a study in grief, loss, loneliness and hope. The story - as the rest of the film - unfolds slowly, but it reveals emotional depth I wasn't expecting. Expectations are tricky and in this case, I think the movie will be enjoyed by those approaching with an open mind and patience.

Eerie and somber example of Scandinavian elevated horror, that adapts a novel by the author of "Let the Right One In" and marks Thea Hvistendahl's debut as a feature film director. The movie offers a unique take on zombies, focusing more on grief and the human connection between the living and the undead rather than the familiar horror evoked by these creatures. Unfortunately, it moves at an excessively slow and contemplative pace, and eventually becomes exhausting in its tedium. To make matters worse, when events unfold exactly as expected, they do so without scares or surprises, failing to generate any genuine horror. The one highlight is the beautiful and melancholic score by composer Peter Raeburn, which lingers even after the film ends.

I had the chance to see this for the Sundance film festival. I wish I had chosen something else. Anything else. This was almost the slowest thing I'd ever seen, and I just followed it up by watching "The Stalker" by Tarkovsky, so when I say slow--I mean sloooooooow. At least Tarkovsky had a meaning and philosophy being told as part of the story for you to ponder during slow scenes. This movie left you wishing everyone in it would die a horrible interesting death because their lives were so monotonous. There wasn't a single likeable character besides the innocent Kian, and he had essentially no lines! In fact there was hardly any dialogue of any kind in the entire movie. Hardly anything happened at all, then when something sorta kinda does, it ends abruptly. I've got the book, and "Let the Right One In" is one of my favorite movies and books, so it's not as if I'm not the right demographic here. This just has nothing going for it. I regret the time spent on it, the money spent, and the hours of backlash I had to hear afterward from my husband who was equally upset by the time he so rarely gets being wasted watching nothing happen. Boring doesn't even begin to describe it. More like mind numbing. Don't say I didn't warn you.

Your potential movie-watcher is likely to arrive at this expecting something different than it is; billed as a 'zombie horror' and written by John Ajvide Lindquist (it was his follow up novel to Let The Right One In). This is something quite different however.

A bit more light is shed by being aware that this is Norway's entry to the Oscar for the Best International Film. Rather, it is a fairly slow-moving and tragic drama, though it does involve the dead reawakening. The measured pace is symbolic of the mood of the characters as they grieve. The film is, in effect, a triptych, concerning three families who have just lost loved ones. The cinematography is the highlight, and it is a fine achievement and a first break through feature for its director, Thea Hvistendahl.

Its IMDb score is understandable as so many will stumble on this expecting something quite different; zombie films have jump scares and often dark humour, this is meditative and thought provoking, though it would have benefitted from a few lighter moments.