Beyond Paradise

We cannot help but compare this series to Death in Paradise. DiP instantly showed its core identity and we were hooked. It was crime-solving with true friendship, joviality, trusted teammates and likeable characters. We enjoyed them in their off-time as if we were part of their merry making. The writers achieved a unique and tight balance; well written and a pleasure to watch, season after season.

I just finished season 1 of Beyond Paradise. I am disappointed at the product that has been delivered to a pre-existing captive audience! It struggles to find its identity: Is it a comedy, a comedy/drama or just a dark drama? BP has few likeable characters, it is thin on comedy. We want DI Goodman to be clumsy and endearing, to excel in his work and enjoy a home life - the formula we loved. Instead he is living a sad undercurrent at home. He has no reprieve from sleuthing. The best supporting character was supposed to be his fiancee. She instead offers nothing but pain. It is dark and depressing. We did not sign up for a soap opera home life. It distracts from the story and is a major disappointment that does not serve the series or its audience well. I would not be surprised if it is cancelled unless they change tack.

When they said "Beyond" Paradise. I didn't know it would be completely different. I like a good Ole Cozy murder mystery. I know in real life murder is the most horrible thing. But Agatha Christie, Matlock, Murder She wrote, Death in Paradise are fun fake murder mysteries. That is what I love about them not too serious and fun acting and fun mystery.

I don't care about thefts of paintings and such. It's sooooooo not what I loved about Death in Paradise and its definitely no fun to have serious stories of not being able to have a baby... why? Why would you put in such a serious story line? It just makes Humphrey sad and it's not fun. Oh well just my opinion.

Humphrey and Martha's relationship really drags the show down. I don't think they have good chemistry and none of their plot lines make a lot of sense. They are both a bit old for the baby storyline IMO. Humphrey is played by a 50 year old man, Martha is played by a woman in her mid-40s. They look their age, especially in the brutal lighting of this show. Shouldn't there at least be a line about how time is running out to have children at all and that's why they needed medical interventions?

Why is there a love triangle at all? The other man is also well into his forties. Their engagement was decades ago. It seems forced for drama.

Their relationship story just seems like it's written for characters around age 30-early 20s failed relationships are still fresh but they are thinking about settling down, deciding if they want kids but still have a lot of time left for these big decisions. These two don't have that time! Where is the urgency?

Why is her mom so against Humphrey? Wouldn't it be better for her to excited about her daughter getting married and maybe having a baby? Not that anyone has to do either but by your mid-40s having never been married or having children is still unusual in 2023, you'd think someone would remark on it. Finding love when you least expect it, a chance at grandchildren. Something!

The mysteries are cute and the team there is pretty solid. They all seem to get along well and have their own personalities. Why have the dragged out, downer, unrealistic personal life subplot? Why couldn't Humphrey move there and be happy? Do the writers realize their relationship is a bad idea/they don't have chemistry and that's why it gets worse every episode? Could they be writing Martha out? I can only hope.

I am pleasantly entertained by the comic police investigations by Humphrey and his police team.

However I find myself reaching for my phone every time Martha gets a scene. She is a potentially charming character, but she has somehow been burderned by BBC script writers who scrape the barrel for woeful daytime soap plots.

I cannot guess why the BBC has tried to mix overwrought histrionics with the otherwise comic and light theme of the detective work. This strange conflation of genres rather emphasises that the soap plots are tacked on, and so stand out like a sore thumb.

Perhaps it is BBC social propaganda, or perhaps it is a cast member or film maker who wants to do something more 'worthy' or 'serious'.

Either way it working like a reverse romance where I am rooting for Humphrey to find another girlfriend (or script writer).

This is a lovely gentle series of local 'whodunnit' crimes set in a rural village in Devon. The countryside and aerial coast photography is gorgeous, will definitely encourage more tourism! Kris Marshall is as good as ever, continuing his 'bumbling genius' detective role from Death in Paradise. The support cast are wonderful, the local accents are delightful to hear, and the stories are interesting and varied, without murder and other gruesome crimes. The humour is wry and amusing, I think, and it's just a lovely comfortable show to watch, especially for those of us from the 'colonies' hankering for our British entertainment, rather than the usual brash American stuff.