Manjianghong

This is a tough movie to get a hold of. The producers apparently described it as a suspense movie with comedic elements, but it is rarely either funny or suspenseful. I'd say it's in part a drama of intrigue, part a mystery, but mainly I'd call it a horror movie because it's got a brutal body count and many deaths are horrifically cruel.

In fact, for me what's most interesting about the movie is how well it portrays a world where the pecking order involves who can kill who, making life cheap as people use murder to impress or jockey for position. It's actually a good example of a systemic issue - it's a kill or be killed world and there's really no way out.

The story involves a murder investigation, at least at first, but there are all sorts of twists and turns along the way. It's convoluted and at times I got lost.

But finally at the end the central driving force of everything is revealed, and it made ZERO sense to me. I had to do a bunch of research to figure out the meaning. Full River Red is apparently a poem schoolchildren learn in China but if you don't know the poem or Chinese history then the denouement is incomprehensible.

I'm not saying this as a criticism - it's perfectly fine to make a movie that only makes sense to the people of the country it's made in. I'm just offering a warning that the ending may not resonate as well if you didn't grow up in China.

Overall, I liked Full River Red but didn't love it. It's genuinely engrossing. The cast is good, particularly Teng Shen and Wang Jiayi. The score by Hong Han is amazing, with all these crazy punk songs that I've read are rocked-out Chinese folk songs. But the weird genre stew, the unpleasant brutality, and the puzzling-until-you-research-it ending made it less enthralling than the best of director Yimou Zhang's films.

When an ambassador is found stabbed to death, the Prime Minister "Qin Hui" (Jiayin Lei) orders an immediate investigation to be headed by his director "He Li" (Yi Zhang) and his deputy "Wu Yichun" (the quite charismatic Yunpeng Yue). Pretty quickly, this investigation has seen the killing of the Captain of the guard and his replacement by the young "Sun Jun" (Jackson Lee) who has alighted on a potential culprit in "Zhang Da" (Teng Shen). The Prime Minister has given the young man and his prisoner just two hours to get to the bottom of the killing and to retrieve a letter thought to have been contained in an ornate leather purse. For much of the first ninety minutes, this is quite a cleverly interwoven and characterful whodunit. Who to trust, who is behind the plot - what is contained in the letter? Who has read the letter? What might the beautiful courtesans know of the mystery? It's quickly paced and quite entertaining. Sadly, though, the last forty-five minutes rather falls away. The characters all start to trip over themselves and the intrigue stops being that and starts to become a bit of a farce leading to an ending that was really weak and disappointing. It looks great though, the production standards and costumes are professional and colourful - it's just an hour too long - and that's without counting the endless pre-title production credits!

What saves this story is the performance of the main cast. All actors play their roles passionately, and they are the only real strenght this movie has. The sets are limited but not holding back the movie.

The story is decently captivating. It starts as a whodunnit, that turns into a case of national security. Various factions are in the game, that don't know who to trust. Overall a gripping story, but it does get more nonsensical as it goes on.

The absolute worst part is the music, especially it's volume. Without exaggeration, the music is 10x as loud as the audio. I spent two hours holding the remote, ready to press mute. The music also fits the scenes it's played in poorly, but that would be forgiven if it was not 10x too loud.

The plot is told in the form of a double male lead in a fast-moving, ancient idol scripted secret room. I can appreciate the helplessness and hopelessness of the film's producers.

The short video-style comedy starring Shen Teng is the highlight of the film, and Yi Yiming Qianxi supports the vast majority of the main line and growth story, but it is clear that the character he plays is not doing well in the plot, which is the problem of the script, not the actor.

The cast is undoubtedly too strong in China, when scoring it is recommended to give the cast 6 points first, and then reduce the score according to other issues as appropriate.

Right, just watched it so it's fresh in my mind.

The sound design is probably the first thing the audience would notice. Every action, every scene is accompanied by a unique noise such as having gongs beaten on the slap of a fan, that, I wouldn't go as far as to say it is innovative but it is certainly rare to hear in most modern films. It essentially takes traditional Chinese theatre music and integrates them into the movie.

You've probably seen this film being listed as a comedy but by no means is this a comedy so don't be misled into thinking it'll be a Stephen Chow type thing. Sure there are some comedic elements to break the steam a bit once and a while but the seriousness of the movie is very well reflected throughout. Also, don't expect much action, this is not an action film. It works in the same way as a detective movie would go about.

And that leads me into the penultimate point. The unpredictability of every corner. Sure sometimes, going overboard with avoiding cliches can be detrimental at times but this is an instance where it remains impressively well thought out. There's a very clear crescendo that hits its climax at the very end so just know the tension will only keep rising whilst maintaining a good storytelling pace.

Mind you, you really need to keep track of what's going on or you are for certain going to lose grip on the story.

However, if there are a couple of critiscms to be made. The ending had room to be even more fleshed out, since at that point, everything happens really quickly and there's a weird unexplained twist that gets shoved in there without too much explanation. Furthermore, as good as the non-cliches are, it creates a pattern that you pick up pretty easily if you're focused enough.

My personal verdict on this movie comes as a 9/10. Highly unexpected for this year. I had not even heard of it before today in fact except reading on the background history of the time period of which this film is set in. There are few films in the past few years which has actually attracted my attention to write a review on it, and I'm glad that I've watched it and have been able to give my review.

Thank you.