Black Out

Not bad, not bad at all, with a bit of humor here and there coming from Willie Wartaal from the hip-hop band De Jeugd Van Tegenwoordig. It is stated as the Dutch Tarantino but I wont go that far. Therefor we don't have enough blood and nudity. In fact, there isn't any flesh to see in Black Out.

The editing was rather good and it is in fact that part with the voice over that refers to the Tarantino style. It isn't a grindhouse or an exploitation. It's just a flick about mobsters. What also is worth mentioning is the make-up used for the death people and surely for the corpse at the beginning of this flick.

You will see some references to Pulp Fiction and of course the two nasty girls also brings back the Kill Bill feeling but for me those two girls didn't work out here in Black Out. They never are the though rough girls going out for a kill. I would like to mention the performance of Raymond Thiry (Jos Vreeswijk), he really was believable.

Good story and acting, well filmed and edited (the accident with the car of Jos and a police car is worth mentioning). Never as brutal as a Tarantino flick but still it offers a few good scene's and situations.

Gore 1,5/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 1,5/5

Jos Vreeswijk (Raymond Thiry) is a former criminal who wakes up with a gun and a dead man next to him. It's the morning before his wedding to innocent Caroline and his black out leaves him with spotty memory. He is accused of stealing 20 kilos of coke by gay gangster Vlad Omskorski. He has to recover the drugs before it puts Caroline in danger. He reconnects with former running mates; muscle-head Bobbie and coke genius Coca Inez.

This is yet another Guy Ritchie wannabe gangster crime movie. It has some of the style, quite a bit of the energy, but it lacks a charismatic lead. He's more of a stiff henchman type. The story is convoluted which is the norm for this type of movie. It just doesn't have the originality. It's all very familiar and not in a good way.

"Black Out" is essentially a Dutch remake of every Guy Ritchie movie ever (except "Swept Away", thank God), take it or leave it. There's nothing new you'll see in this movie, but it's a pretty darn fantastic rendition of crime movie clichés. The female assassins are vintage Tarantino, the dying crime boss is a lot like Christopher Walken in "Things To Do In Denver", the wannabe-villains having a really stupid hobby (in this case dog trimming) is a joke that I must have seen in a billion different crime comedies, but somehow it all just gels perfectly. In a worse framework the oh-so-clever little dialogues would annoy the hell out of me, but everything I'd usually hate just sorta works in this movie, somehow. By the end a lot of people have died, a lot of friends have become enemies and vice versa, a lot of weird one-liners have been uttered, what more can you really want from stuff like this? You've seen this movie before, but you'll have a great time seeing it again.

This kind of works like a Hangover style thriller and it does so very well. I'm pretty sure an American remake is on its way or is at least in the development stage at this very moment. This is really good and you shouldn't let the fact this is a Dutch production put you off. Or the fact you might need to read subtitles. It's totally worth it, because it has all the ingredients a thriller needs.

There is action, comedy and secrets. The comedy might not be everyones taste, but I really loved how politically incorrect the movie is. If you have a problem with those jokes you might not enjoy the movie as much as I did. Still you can't fault the movie for it's near perfect execution (no pun intended).

this is a relatively good movie, since it was made in Holland, with a limited selection of actors to choose from, a small budget and a few days of shooting. The movie contains a satisfying amount of jokes, action, babes, fairly original characters and thrillers. Too bad some of the scenes are almost exactly the same as Hollywood movies: the 'godfather' of the crime gang is in a wheelchair and uses oxygen. This reeks of Things to do in Denver when you're dead. Also, the scene in which the babes are chatting in their car, just before doing a job on Willy, is similar to the conversations John Travolta and Samuel L. Jackson have in Pulp Fiction.