El planeta de los simios: confrontación

Matt Reeves took over directing duties from Rupert Wyatt, for Dawn of the Planet of the Apes along with the third installment titled "War". What to say about his direction and visual storytelling? It's superb and he was rightfully chosen for this franchise. The screenplay is once again written by Rick Jaffa and Amanda Silver, but Mark Bomback joins them. The writing is smart and it's been both directed and written with intelligence, wanting to put research first instead of imagination first. The themes they bring up, from the script and how Matt Reeves brought that to the screen. The story and all the characters, new and old, are so rich. It stars Andy Serkis as Caesar and alongside him are a brilliant cast with Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee and Kirk Acevedo. With this cast of brilliant actors, comes a bunch of brilliant performances. Andy Serkis gets to do much more in the role as Caesar, verbally I mean, here he's still one of the film's highlights. But Jason Clarke, Kodi Smit-McPhee, Gary Oldman and Keri Russell stand out a lot from the human characters whilst Toby Kebbell is there alongside with Andy Serkis as having one of the best performances. You see Toby's character, Koba, was only briefly seen in the first film but is one of the leads here. Mark Hughes from Forbes stated that Kebbell's performance as Koba truly defined the film, and compared Kebbell's performance to that of Heath Ledger's as The Joker in The Dark Knight. It's one of the film's best character arcs, hugely thanks to the writing and the character's sympathetic motivations due to his history of abuse. The interesting thing is how this character have grown to be and are now cited as one of the best, most developed and sympathetic movie villains of the 2010s. All thanks to three things; Toby Kebbell's performance, the writing and Matt Reeves' direction.

In Dawn of the Planet of the Apes, human survivors battle to stay alive in the wake of a deadly pandemic, while Caesar tries to maintain control over his expanding ape community.

The story has such emotional depth, it's written and directed so brilliantly that you just fall in love with the characters and world built. The visual effects are one of the reasons why it's so easy to get immersed, it looks spectacular. It also sounds spectacular, with the sound design but especially the musical score, Michael Giacchino's score is truly brilliant and works so well with the emotional drama along with the memorable sequences and action. The action sequences are terrific, directed and performed to such perfection. Matt Reeves' direction is one of the film's many highlights, I couldn't picture anyone else to helm this movie. It's shot so beautifully, with imagery that'll stay in your mind for years after you've seen this film. Dawn of the Planet of the Apes was a commercial success for a reason, becoming the eighth-highest grossing film of 2014 and the highest-grossing film in the franchise. It also received numerous awards and nominations, including an Academy Award nomination for Best Visual Effects.

If you decide to rewatch this film, or this whole trilogy, you might find yourself in the same boots as me. You notice the themes more than watching solely for the spectacular experience the Apes films have to offer. Theme of fatherhood is present here like the previous film, but now it's Caesar who's the father. We also see the difference of two people, who're trying to live together to find peace, but like in the real world, greed leads to questionable actions. I think this is a great film, a perfect sequel that expands on lore and its characters, a story worth telling. Dawn of the Planet of the Apes is a post apocalyptic SciFi film, with half its cast being Simonians, would an outsider to the franchise ever think this story and these characters would ever be more human than in other films. It's incredible from start to finish, enough tension and suspension to satisfy anyone.

9.5 Sequels often carry the heavy burden of expectations, and few films manage to meet these expectations, let alone surpass them. However, "Dawn of the Planet of the Apes" not only meets the criteria of a great sequel but exceeds them in remarkable ways. This cinematic gem, directed by Matt Reeves, expertly continues the story set in motion by its predecessor, "Rise of the Planet of the Apes." What sets "Dawn" apart is its intelligent storytelling, superb character development, and breathtaking visual effects, which collectively elevate it to the ranks of cinematic excellence.

One of the most commendable aspects of "Dawn" is its strategic decision to shift the focus primarily onto the apes. While the human characters in "Rise" were not inherently flawed, they felt somewhat generic, lacking the depth and nuance needed to fully engage the audience. "Dawn" rectifies this flaw by wisely sidelining most of the human characters from "Rise" and bringing the apes to the forefront. This shift not only provides a fresh perspective but also allows for a more profound exploration of the ape society, their emotions, and their struggles.

What truly distinguishes "Dawn of the Planet of the Apes" is its thematic depth. The film seamlessly weaves together complex themes, including survival, leadership, prejudice, and the consequences of human actions on the environment. These themes are not merely brushed upon but are deeply embedded in the narrative, prompting viewers to reflect on the intricacies of human nature and the choices we make as a species. The movie's ability to tackle such weighty themes with finesse is a testament to the skillful craftsmanship of the filmmakers.

Furthermore, the film boasts some of the most impressive visual effects ever witnessed on the big screen. The seamless integration of motion capture technology to bring the apes to life is nothing short of astonishing. Every nuance of emotion, every subtle facial expression is captured with remarkable accuracy, making the audience forget that they are watching CGI creations and instead, empathize deeply with the characters. In particular, the performances of Andy Serkis as Caesar and Toby Kebbell as Koba are nothing short of masterful. Their ability to infuse these digital creations with genuine emotions and humanity is a testament to their acting prowess.

The brilliance of "Dawn of the Planet of the Apes" is not confined to its individual success alone but extends to its impact on the franchise as a whole. The film, along with its subsequent sequel, "War for the Planet of the Apes," revitalized the franchise, breathing new life into a classic series. This resurgence catapulted the "Planet of the Apes" franchise into my personal top 10 list of all time. In conclusion, "Dawn of the Planet of the Apes" stands as a shining example of what a sequel should aspire to be. It delves deep into its characters, explores profound themes, and dazzles the audience with its visual splendor. This film is a testament to the power of storytelling and the limitless possibilities of cinema, leaving an indelible mark on the hearts and minds of viewers, myself included.

Among Hollywood's recent output of mediocre (and in some cases: downright abysmal) remakes of Sci-Fi classics, 'Rise of the Planet of the Apes' was the rare movie which stood out, for it had as much of a brain as it had a heart – plus an original approach to the well-known material and great visuals. Having said that, 'Rise' practically pales in comparison to Matt Reeves' sequel: the upcoming 'Dawn of the Planet of the Apes' is as close to a Science-Fiction masterpiece as a 170 million PG-13 Hollywood summer blockbuster can possibly get.

The storyline picks up ten years after we saw Ceasar and his fellow simian escapees seek refuge in the woods near San Francisco, and although the film's trailers already gave away pretty much everything that happened during that time (and alas, way too much of what will happen), I'm not going to spoil anything for those who carefully avoided watching said trailers. As with all my reviews, instead of giving away any details about the story, I'll elaborate on all other aspects of the movie.

What needs to be mentioned first is what an astonishing achievement 'Dawn' is when it comes to the use of CGI. I'm normally very critical towards the (over-)use of CGI – but the level of craftsmanship displayed here simply has to be admired. It only took me seconds to forget I was watching digital characters (brought to life through the outstanding motion-capture performances by Andy Serkis, Toby Kebbell and Judy Grier – to name but a few), and I can't begin to imagine what a task it must have been for the artists and wizards in the animation department to work on every background and every tiny little detail of every character until this level of seamlessness and reality could be achieved.

But nearly every other aspect of the movie has been realized equally well: Michael Giacchino's haunting musical score fits and reflects the drama on screen perfectly, while the – often terrifying – beauty of the images on screen had me immediately wondering who the DoP was (now I know: Michael Seresin, the genius veteran DoP of such classics as 'Midnight Express' and 'Angel Heart'). When it comes to the action; well, 'Dawn' is not your usual summer blockbuster. This is no light-hearted, comic-book-style fantasy film with fun, over-the-top action scenes. What we have here is a gritty, realistic portrayal of a slowly escalating conflict, and when we do get to the battle scenes in the third act, those scenes are a spectacular, mesmerizing visual feast (and ultimately heart breaking).

But the core of this film – and also the reason why the action scenes in the third act really do have an impact and all the mayhem really gets to you – is the intelligent, skilfully told story with its well-drawn, believable characters (portrayed by equally believable actors). The tragic simian/human conflict mirrors our real – and very human – past and present day wars and social frictions in a very credible way and thus makes this film resonate far beyond what any mere Sci-Fi premise would let you expect.

So my verdict: With its beautiful imagery, highly relevant story and breath-taking effects, 'Dawn of the Planet of the Apes' is as close to a Science-Fiction masterpiece as its mass-audience orientated constrictions allowed it to be (which – in this case – is very close); an astonishing achievement and highly recommended. 9 stars out of 10.

Favorite Films: http://www.imdb.com/list/ls054200841/

I love the stories around "Planet of Apes" in their different adaptations. but "Dawn of the Planet of the Apes" is more than a good film from the serie. it has a powerfull, convincing, dramatic story. it has CGI as basic tool and that is fantastic for the art to use it not as jewel but as the right tool. it has the perfect cast. and it is a smart mix of parable, warning, feelings and picture of human virtues and sins. it has all the chances to be one of films proposing the new perspective about the near reality. that does it special. and more than a cityplex movie. but a good opportunity to reflect, in not conventional way, about the future of mankind. and that does it a real remarkable film.

There are some films you go to see with low expectations and back in 2011 Rupert Wyatt's "Rise of the Planet of the Apes" was one of those. After the Charlton Heston classic, a long series of increasingly poor sequels and a failed Tim Burton reboot, apprehension was high. But how wrong could I be. This was 100% a 10/10 film (if I'd been doing these reviews in those days): an epic and gripping story; great performances from James Franco, John Lithgow, Freida Pinto and Harry Potter star Tom Felton; and stunningly executed special effects, with Andy Serkis's performance delivering amazing depth of feeling and emotion. (The scene where Serkis's character Caesar first speaks is one of my top 10 "most goose-bumpy" moments in cinema history).

Now, 4 years later, we have the sequel - Dawn of the Planet of the Apes - which, given how much I loved the original film, I approached with a similar feeling of apprehension. But, I am delighted to say, I was pleasantly surprised.

Dawn of the Planet of the Apes neatly takes over in its opening titles where the closing titles of the first film left off. The so-called Simean flu has wiped out 499 of every 500 people on earth, deftly explaining why James Franco and Freida Pinto fail to reprise their roles in the sequel: in fact it would have been an unrealistic cop-out if either had done. Instead - monkey business aside - we have a brand new human cast led by Jason Clarke ("Zero Dark Thirty", "The Great Gatsby"), Keri Russell ("MI-3's" 'bomb in the head' girl) and heavy hitter Gary Oldman. These characters are trying to rebuild a new society for the survivors in San Francisco, but their desire for power (of the volts and amps variety) puts them in direct conflict with the emerging simian society deep in the redwoods. Much conflict ensues, not only between the two tribes but between the factions of the two societies.

Once again, there is a good story by original writers Rick Jaffa and Amanda Silver, joined by Mark Bomback: underneath the set-piece action sequences, the majority of the drama comes from the relationships between the characters, and especially that between Caesar (Serkis) and his estranged son played extremely well by Nick Thurston, culminating in a remarkable stand-out scene between the two in Caesar's old home that is genuinely moving. And another specific callout was Yorkshire-born Toby Kebbell playing the emotionally and mentally wounded Koba: his scenes in the human armoury - think Heath Ledger's Joker crossed with PG Tips advert - are both funny and distubing in equal measure.

Is it as good as "Rise"? No, not in my view. The first film was novel and deep, and "Dawn" is more superficial in comparison. It is also far more of an action film (or "a bit fighty" as my dear wife described it), with some standout battle scenes that are a masterpiece of special effects. If "Rise" could be compared to the original "Alien", "Dawn" is much more like "Aliens" - wham, bang, thank-you Simian.

The director this time is wunderkind Matt Reeves ("Cloverfield", "Let Me In"), directing with panache and a narrative drive that only occasionally lets up for emotional punch. The acting is good and (as flagged above) the special effects are outstanding: the production team clearly saw "I am Legend" and wanted to go one better with the San Francisco streets. And all topped off with a fine and un-obtrusive score by Michael Giacchino.

Highly recommended, and I am now looking forward to the next sequel, planned for a 2016 release.

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