Emperor

Emperor (2012)

In his rule over Japan as Supreme Commander of the occupying forces after World War II, General Douglas MacArthur was probably as benign a dictator as history has recorded. His enlightened policies led to a Japanese post war economic recovery from wartime devastation, and to post-war harmony between Japan and the West that replaced virulent wartime hatred. Emperor deals with his first days in Japan after the Japanese surrender, and in particular, with his momentous decision not to include the Emperor Hirohito among the Japanese war criminals, a judgement made despite political and popular clamor. Allied war propaganda had demonized the Japanese people and Hirohito in particular, and Japanese propaganda had done much the same with the other side. MacArthur's decision became the lynch-pin of his policy there: to respect the cultural differences instead of seeking to override them, and to try to bring together the best that both Japan and the western powers had to offer.

The movie deliberately avoids clarifying which emperor the title refers to. On the surface it may seem to denote Hirohito, but as supreme commander MacArthur had near imperial power, and did not hesitate to use it. The film concentrates on one of his protégés and close advisors, General Bonner Fellers, a Japanese expert on whose opinion MacArthur chooses to rely. Fellers was close to MacArthur, having served with him even before the war. Fellers loved Japan and had visited it, and had produced for the American military a crucial assessment of the Japanese military mind. He had additionally predicted war with Japan well in advance of Pearl Harbour. In real life, Fellers had some connections to Japan, even to the Imperial Household, and he had a close friendship with a former female Japanese exchange student whom he knew from Earlham College in Indiana. He rejoined MacArthur in 1943 and accompanied him during the Supreme Commander's momentous first days in Japan. The film strongly hints that MacArthur had already made up his mind about the treatment of Hirohito, which he almost certainly had, but wanted Fellers to supply the rationale for his decision.

The film has three threads that run throughout: MacArthur's occupation of Japan; Fellers' investigations leading to his written opinion; Fellers' search for his Japanese friend amidst the post-war chaos. It is one thread too many, since while the film juxtaposes these, it does not successfully weave them together. The one exception may be Fellers interview with the Japanese general, supposedly his friend's uncle, since it does much to explain the country's traditions and military attitudes. Director Peter Webber has said quite rightly that MacArthur has not been particularly successfully treated on the screen. In fact, epics like MacArthur (1977) and Inchon (1981) proved to be major disappointments. It seems a shame here that the director and writers Vera Blasi and David Klass did not keep MacArthur as the film's central figure, but instead chose to focus on his subordinate, Fellers.

As MacArthur, Tommy Lee Jones gives an outstanding performance, and the film is worth seeing for that alone. Looking nothing like MacArthur (he didn't try), Jones captures ever bit of "El Supremo's" command and self-confidence, and when he is present on screen, like the General himself, he dominates it. It is just a shame that he doesn't get more screen time. MacArthur is, historically, the man who made the real decisions, and, especially as played by Jones, a figure far more fascinating than Fellers.

By contrast, the part of Fellers (Matthew Fox of "Lost") seems dull, unfocused, and even clumsy, particularly considering the crucial days in which it is set. That is probably not Fox's fault, but a weakness of the screenplay. While the fact that Fellers knew Japan well and was especially friendly with a Japanese girl he had met in college are factors that deserve to enter into the picture, as presented they often tend to be a distraction from its central theme. This is all the more the case since the story of "Aya" appears to contain considerable fiction. Feller's real-life friend from Earlham, Yuri Wantanabe, survived the war, and his connections to Japanese officialdom were probably better than her own. There is the additional fiction that all this is compressed into a ten-day window, when the actual investigations took place over five months.

Still, in playing Aya, Eriko Hatsune renders her subtly, displaying a delicate balance between propriety and concern. Some of the other Japanese actors are equally notable. Especially fine, and especially central to the story, is the portrayal by Masatô Ibu of the Lord Privy Seal, Marquis Koichi Kibo, the highest figure in the Imperial Household and a friend to Hirohito. Ibu is persuasive in presenting a man who attempts to preserve the Emperor's honour – and his privacy – even in the face of the possibility that the Emperor might hang. Masayoshi Haneda also gives a fine performance as Fellers' interpreter and de facto aide. And Takatarô Kataoka is realistic as Emperor Hirohito himself.

The wanderings of the plot are offset in part by the great production values (Grant Major)and fine cinematography (by Stuart Dryburgh). The contrast between the real beauty of Japan and the wartime devastation is particularly effective.

This movie has many good things going for it, particularly Tommy Lee Jones (and MacArthur himself). It's just a pity it didn't capitalize on them more.

Emperor premiered at the Toronto International Film Festival on September 14, 2012. It has been acquired for distribution by Lionsgate & Roadside Attractions, but no date for general distribution has yet been announced.

Matthew Fox and Tommy Lee Jones play polarising American WW2 army generals to a tee in Emperor, the compellingly true story of the aftermath of the war in Japan, and the concerted US effort to compile enough evidence to convict Japanese Emperor Hirohito of war crimes. Trained on a seldom-acknowledged aspect of mankind's greatest battle, Emperor infuses a grand story with intimate relationships, making for a superb addition to the voluminous library of war on film.

While Tommy Lee Jones relishes in playing every Tommy Lee Jones character ever (stealing all the best lines in the process) as the hard-nosed but cunning General MacArthur, Fox delivers a more grounded and arresting performance as Bonner Fellers, a man torn between his moral obligations and his duty to the army, and to an American public crying out for blood.

Director Peter Webber infuses a romantic subplot with Fellers' Japanese girlfriend Aya (Eriko Hatsune) neatly, filling a role but never interjecting into a story that, quite frankly, is underscored by the power of men post-war. When MacArthur finally comes face-to-face with the Emperor after an excruciating build-up, the scene's emotional force and intense interplay perfectly resonate the best attributes of this vastly underrated drama.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

"This country is starving and teetering on the edge of total collapse. It wouldn't take much for the resentment to ignite into revolt and the fate of the emperor could be just the spark." After the Japanese surrender ends WWII the US Government wants to know who was behind the bombing of Pearl Harbor. General Douglas MacArthur (Jones) charges General Bonner Fellers (Fox) with an important mission. Fellers is to decide if Emperor Hirohito should be charged as a war criminal and hung. To make matters even harder Fellers is also searching for his lost love in the midst of the war ravaged country. Being a history buff I was really looking forward to seeing this movie. This movie really shows the tense decision Fellers was charged with, his conclusion really will decide the fate of an entire country as well as relations between the US and Japan. The movie shows the lengths people will go to protect someone they revere as a God and how close the country came to a completely different future. I really enjoyed this being a history buff but I do have to say for people that aren't as interested in this stuff you may find it a little slow. Overall, a very tense look at one of the most important days of post war Japan. I give it a B+.

Just saw Emperor at TIFF tonight. It was an enjoyable, well made, historical film, but a tad dry. Starring Tommy Lee Jones as General Douglas MacArthur and Matthew Fox as MacArthur's subordinate officer General Fellers, it is set against the backdrop of the early occupation of Japan by U.S. forces after World War 2. MacArthur is faced with a dilemma: he has to prosecute thirty Japanese war criminals - the masterminds of the war - but a question of what to do with Emperor Hirohito looms over him. To leave him alone would invite displeasure from American public and politicians, to arrest and try him for war crimes would endanger the occupation and break the tenuous peace. Jones' MacArthur assigns the task to Matthew Fox's character as he is an expert on Japan - now Fox's character has only 10 days to investigate the Emperor's involvement and come to a decision. In the meantime, the viewers also see flashbacks from Fellers' past, and there is a subplot involving Feller looking for his lost lover.

Tommy Lee Jones is plainly having lots of fun as the blustering larger- than-life Douglas MacArthur, and Matthew Fox delivers a good performance with moments of extreme intensity. Masayoshi Haneda plays a translator and aide and manages to pull off a role that has dignity despite the harrowed and dishevelled appearance of the character. Eriko Hatsune - the love interest of the film - has a fragile beauty but is too reserved throughout the movie to deliver much of an emotional impact. The film was shot in New Zealand and Japan (in fact it's the first movie to film inside the Japanese Imperial Palace) and it's gorgeous - the ruins of bombed out Tokyo are especially impressive, and of course the Imperial Palace as a backdrop is fascinating.

The quibble I had with the movie is that it tries to create a sense of urgency and suspense, but since it's based on historical events it largely fails. Anyone who has taken history in high school should know how it turned out. With the exception of a couple of scenes, there also isn't much of an emotionally charged drama going on either. Although I enjoyed it, I cannot deny that it moved at a more sedate pace and lacked great urgency and suspense.

I thought I might be the only one who found this film interesting since I spent 7 years in Japan and happened to be there when Emperor Hirohito died. At that time, there was a renewed discussion of how much he was responsible for beginning World War II. In the end, it seemed he was more or less strong-armed into the war by right wing politicians. True, he could be blamed for being weak-willed, but he did not have the mental constitution to be an emperor in the first place. If he could have chosen, he would have been a marine biologist, as marine biology was his hobby and passion. There was no more confusing and cathartic time in Japanese history than when MacArthur and the American military came in to occupy Japan. The entire society had to re-evaluate itself on all levels. How could they, the greatest people in the world, be conquered by such an uncultured civilization? This question persists until the present day.

It was not clear at the beginning of this film whether it was a true story or a story based around true events. If the fact that it was a true story had been made clearer, it would have been more compelling. Nonetheless, it did capture most of the turbulent elements of that time. The love affair, that parallels this story is a good one and one that exposes the prejudice that existed against any Japanese woman who dared marry outside her culture. Eriko Hatsune was perfect in the role of an intelligent woman caught between tradition and emotion. Unfortunately, Matthew Foxx (General Bonner Fellers) acted as if he had been hit by a tranquilizer dart. Tommy Lee Jones overacted the role of MacArthur and was equally unconvincing.

Be warned. This is not an action movie,though a few action scenes exist. This is mainly a movie based on philosophic discussions, psychology, and cultural misunderstandings. Still, it offers a good view of an important time in world history.