Emperor

Emperor (2012)

In his rule over Japan as Supreme Commander of the occupying forces after World War II, General Douglas MacArthur was probably as benign a dictator as history has recorded. His enlightened policies led to a Japanese post war economic recovery from wartime devastation, and to post-war harmony between Japan and the West that replaced virulent wartime hatred. Emperor deals with his first days in Japan after the Japanese surrender, and in particular, with his momentous decision not to include the Emperor Hirohito among the Japanese war criminals, a judgement made despite political and popular clamor. Allied war propaganda had demonized the Japanese people and Hirohito in particular, and Japanese propaganda had done much the same with the other side. MacArthur's decision became the lynch-pin of his policy there: to respect the cultural differences instead of seeking to override them, and to try to bring together the best that both Japan and the western powers had to offer.

The movie deliberately avoids clarifying which emperor the title refers to. On the surface it may seem to denote Hirohito, but as supreme commander MacArthur had near imperial power, and did not hesitate to use it. The film concentrates on one of his protégés and close advisors, General Bonner Fellers, a Japanese expert on whose opinion MacArthur chooses to rely. Fellers was close to MacArthur, having served with him even before the war. Fellers loved Japan and had visited it, and had produced for the American military a crucial assessment of the Japanese military mind. He had additionally predicted war with Japan well in advance of Pearl Harbour. In real life, Fellers had some connections to Japan, even to the Imperial Household, and he had a close friendship with a former female Japanese exchange student whom he knew from Earlham College in Indiana. He rejoined MacArthur in 1943 and accompanied him during the Supreme Commander's momentous first days in Japan. The film strongly hints that MacArthur had already made up his mind about the treatment of Hirohito, which he almost certainly had, but wanted Fellers to supply the rationale for his decision.

The film has three threads that run throughout: MacArthur's occupation of Japan; Fellers' investigations leading to his written opinion; Fellers' search for his Japanese friend amidst the post-war chaos. It is one thread too many, since while the film juxtaposes these, it does not successfully weave them together. The one exception may be Fellers interview with the Japanese general, supposedly his friend's uncle, since it does much to explain the country's traditions and military attitudes. Director Peter Webber has said quite rightly that MacArthur has not been particularly successfully treated on the screen. In fact, epics like MacArthur (1977) and Inchon (1981) proved to be major disappointments. It seems a shame here that the director and writers Vera Blasi and David Klass did not keep MacArthur as the film's central figure, but instead chose to focus on his subordinate, Fellers.

As MacArthur, Tommy Lee Jones gives an outstanding performance, and the film is worth seeing for that alone. Looking nothing like MacArthur (he didn't try), Jones captures ever bit of "El Supremo's" command and self-confidence, and when he is present on screen, like the General himself, he dominates it. It is just a shame that he doesn't get more screen time. MacArthur is, historically, the man who made the real decisions, and, especially as played by Jones, a figure far more fascinating than Fellers.

By contrast, the part of Fellers (Matthew Fox of "Lost") seems dull, unfocused, and even clumsy, particularly considering the crucial days in which it is set. That is probably not Fox's fault, but a weakness of the screenplay. While the fact that Fellers knew Japan well and was especially friendly with a Japanese girl he had met in college are factors that deserve to enter into the picture, as presented they often tend to be a distraction from its central theme. This is all the more the case since the story of "Aya" appears to contain considerable fiction. Feller's real-life friend from Earlham, Yuri Wantanabe, survived the war, and his connections to Japanese officialdom were probably better than her own. There is the additional fiction that all this is compressed into a ten-day window, when the actual investigations took place over five months.

Still, in playing Aya, Eriko Hatsune renders her subtly, displaying a delicate balance between propriety and concern. Some of the other Japanese actors are equally notable. Especially fine, and especially central to the story, is the portrayal by Masatô Ibu of the Lord Privy Seal, Marquis Koichi Kibo, the highest figure in the Imperial Household and a friend to Hirohito. Ibu is persuasive in presenting a man who attempts to preserve the Emperor's honour – and his privacy – even in the face of the possibility that the Emperor might hang. Masayoshi Haneda also gives a fine performance as Fellers' interpreter and de facto aide. And Takatarô Kataoka is realistic as Emperor Hirohito himself.

The wanderings of the plot are offset in part by the great production values (Grant Major)and fine cinematography (by Stuart Dryburgh). The contrast between the real beauty of Japan and the wartime devastation is particularly effective.

This movie has many good things going for it, particularly Tommy Lee Jones (and MacArthur himself). It's just a pity it didn't capitalize on them more.

Emperor premiered at the Toronto International Film Festival on September 14, 2012. It has been acquired for distribution by Lionsgate & Roadside Attractions, but no date for general distribution has yet been announced.

"This country is starving and teetering on the edge of total collapse. It wouldn't take much for the resentment to ignite into revolt and the fate of the emperor could be just the spark." After the Japanese surrender ends WWII the US Government wants to know who was behind the bombing of Pearl Harbor. General Douglas MacArthur (Jones) charges General Bonner Fellers (Fox) with an important mission. Fellers is to decide if Emperor Hirohito should be charged as a war criminal and hung. To make matters even harder Fellers is also searching for his lost love in the midst of the war ravaged country. Being a history buff I was really looking forward to seeing this movie. This movie really shows the tense decision Fellers was charged with, his conclusion really will decide the fate of an entire country as well as relations between the US and Japan. The movie shows the lengths people will go to protect someone they revere as a God and how close the country came to a completely different future. I really enjoyed this being a history buff but I do have to say for people that aren't as interested in this stuff you may find it a little slow. Overall, a very tense look at one of the most important days of post war Japan. I give it a B+.

I thought I might be the only one who found this film interesting since I spent 7 years in Japan and happened to be there when Emperor Hirohito died. At that time, there was a renewed discussion of how much he was responsible for beginning World War II. In the end, it seemed he was more or less strong-armed into the war by right wing politicians. True, he could be blamed for being weak-willed, but he did not have the mental constitution to be an emperor in the first place. If he could have chosen, he would have been a marine biologist, as marine biology was his hobby and passion. There was no more confusing and cathartic time in Japanese history than when MacArthur and the American military came in to occupy Japan. The entire society had to re-evaluate itself on all levels. How could they, the greatest people in the world, be conquered by such an uncultured civilization? This question persists until the present day.

It was not clear at the beginning of this film whether it was a true story or a story based around true events. If the fact that it was a true story had been made clearer, it would have been more compelling. Nonetheless, it did capture most of the turbulent elements of that time. The love affair, that parallels this story is a good one and one that exposes the prejudice that existed against any Japanese woman who dared marry outside her culture. Eriko Hatsune was perfect in the role of an intelligent woman caught between tradition and emotion. Unfortunately, Matthew Foxx (General Bonner Fellers) acted as if he had been hit by a tranquilizer dart. Tommy Lee Jones overacted the role of MacArthur and was equally unconvincing.

Be warned. This is not an action movie,though a few action scenes exist. This is mainly a movie based on philosophic discussions, psychology, and cultural misunderstandings. Still, it offers a good view of an important time in world history.

I have to admit I liked this movie a lot. The plot is straightforward: General Bonner Fellers (Matthew Fox) is hired by General Douglas MacArthur (Tommy Lee Jones) to investigate the role of Emperor Hirohito (Takataro Kataoka) during World War II, to investigate whether the Emperor should be tried as a war criminal. However the film is about a lot more than just conduct during war; it is a story of cultural adaptation, as Fellers comes to know something about Japanese attitudes towards the conflict, and how they differ significantly from those embraced by the Americans. Eventually the two sides come to an understanding - so much so that Hirohito actually deigns to have a meeting with MacArthur, something hitherto considered unthinkable in Japanese aristocratic culture. Jones' MacArthur is just wonderful - although physically very different from the actual person, the actor captures the mannerisms, the aggressiveness, and the softness lurking beneath an apparently gruff personality.

This film tells a fascinating story in fine style, but it is difficult to see how anyone thought it was big screen material. Its box office takings were predictably low and it was in theatres so briefly that I had to catch it on DVD which was certainly a worthwhile endeavour.

In 1945, General Douglas MacArthur was made Supreme Commander in American- occupied Japan and one of his first and most momentous decisions was whether or not to execute Emperor Hirohito as a war criminal. For most Americans, there was no debate: Hirohito was the man who endorsed the infamous attack on Pearl Harbor. But, whether or not he backed the war, a case could be made that he was crucially instrumental in bringing about the peace by ordering the Japanese to surrender. Furthermore the hanging of the emperor - still revered by most Japanese as a deity - could well lead to an explosion of violence that would make the occupation by the Americans and the revival of the shattered nation immensely more difficult.

MacArthur commissioned Brigadier General Bonner Fellers to make a study of the emperor's complicity and make a recommendation on execution. Fellers was someone who knew the Japanese well and had considerable respect for their ancient culture. Indeed, before the war, he had fallen in love with a Japanese woman studying in the United States and, even after the war, was anxious to see her again.

This amazing story is told respectfully by British director Peter Webber and writers Brazilian Vera Blasi and American David Klass, drawing on Shiro Okamoto's book "His Majesty's Salvation", in a film that even-handedly represents Japanese perspectives of the time. The acting is first-rate with Matthew Fox (best-known for the TV series "Lost") giving a sensitive performance as Fellers and Tommy Lee Jones perfectly cast as the swaggering MacArthur. Many excellent Japanese actors contribute, notably the lovely Eriko Hatsune as Fellers' girlfriend. Shot on locations in both New Zealand and Japan, high production values make this an admirable viewing experience.

The movie lacks the fast-paced action that many expect from a visit to the cinema and arguably it is overly sympathetic to the Japanese position and somewhat saccharine in its treatment of the romance, but it is a real pleasure to see a work that tells a little- known story of such consequence so well.