Top of the Lake

This is probably one of my favorite shows and I uphold my 10 stars rating after watching the second season. Top of the lake is a slow burner, with unique characters that are very flawed and human. If you let it, it can get under your skin and leaves you wondering about the heavy issues, that it dares to deal with. For example, the second season's main theme is motherhood, abuse in relationship and exploitation of a marginal group of people (sex workers). I think you wouldn't expect the ending which is a quite unique twist, but I won't say more. This show is also quite good at playing with your expectations and turning them upside down, which is the hallmark of good storytelling. The female characters are quite prominent and well written, without being obnoxious feminist champions. They feel real and very relatable. The antagonist is also very good, I was worried, that the new antihero will be only a pale shadow compared to Peter Mullan, but oh boy, was I wrong! I can only recommend Top of the Lake, it's not your typical good guys vs bad guys show. It's about people who collide with each other, have interesting story arcs and face relatable problems under unusual circumstances. Don't listen to people who watch half an episode and come here to write a "review".

If I had to describe this mini-series in a few key phrases it would be: beautiful scenery, great acting and a gripping plot.

While the shows synopsis suggests a straightforward detective story, it's focus gradually shifts towards it's main protagonist Robin Griffin (played wonderfully by Elisabeth Moss). As she (and we the viewers) slowly discover more about her past.

The intensity ramps up with each episode and your always left wanting to find out more until it all ends in a satisfying climax.

The series does suffer a bit from male-bashing. It doesn't impact the quality in any way, but don't expect to find any likable men here.

I do not want to include any spoilers in this review, well because I want you to enjoy this miniseries as much as possible. Top of the Lake tells the story of a young girl named Tui and a detective named Robin. That's all I'm going to you. The best part of this miniseries is its slowness. Most shows bore when they get slow, but this show draws you in and makes you appreciate its slow pace. For god sakes, it took "The Killing" two seasons to tell me who killed the girl. That is definitely too slow, and the girl's family in that show was very boring. This is so unlike this series. You cannot group these two together. It is a very unique insight into humans and our reasonings. With many twists and turns, I highly recommend this show. I have a feeling that this show will have many nominations this year at the Emmys. Tip: The show is available on Netflix, and may be reairing on the Sundance Channel in America or BBC in the UK.

Imagine the scene in the offices of the New Zealand Tourism Board.

"You know the one thing wrong with this country? Everyone here is too damn nice. It's just so boooring! Visitors aren't coming any more. We godda do something.

"Yeah, agreed, but what?"

"I bin thinking: what about a TV series showing we're really, really weird?"

"Nah, they won't buy it. They know we're too nice."

"No, wait. You remember that old film, what was it, 'Deliverance'? We'll base something on that. Bunch of inbred psychos in backofbeyondsville, throw in a bit of incest, murder, a few hippy lezzies, a detective with a troubled past but a heart of gold sorting it all out…"

"You could be onto something. Might just work…. (laughs) nah, they'll never commission it."

But they did.

Ingredients: a set of male characters who are either morally weak, sociopathic or with an IQ in single figures. A cast of female characters who are abused, long-suffering martyrs. Add some comic relief with a bunch of women in container homes kinda led by a kinda earth mother, mockingly characterized as living on crisps and liquorice allsorts and fantasizing about men with larger-than-average penises.

Plot: Psycho McPsychface, the patriarch of an isolated, family community, lives with his children, grandchildren (some of whom are possibly both) and a colony of feral attack dogs in the middle of nowhere. Named with leaden irony Paradise, this tranquil spot, disturbed only by the occasional pointless murder and the disappearance of a pregnant twelve-year old, is invaded by a commune of traumatized women trying to rediscover their inner souls in peace. They just happen to choose the favourite spot of a psychotic Scotsman, whose Mother is buried on the plot, and whose malice is matched only by his sentimentality – with hilarious consequences! No, not really – I don't think any of these things are funny, even in an ironic way. Which is the main reason for not liking this series, which is patronizing, callous and emotionally manipulative by turns.

But the scenery is really, really lovely. Perhaps I'll visit New Zealand with its great countryside and nice people anyway – and by the way they are mostly genuinely nice, and not a bit boring.

Brilliant character development; each character develops along true lines; their development is not hindered or compromised by the plot line. Beautiful plot twists; the obvious happening when unexpected and bolts from the blue when all seems straight forward. As confronting as real life itself. The cinematography has faithfully reflected the essence and ambiance of this special area. In episode 1 I was critical toward the US/Aust/NZ accent and inflection of Elisabeth Moss but then accepted it as part of her (Robyn's) character. Any misgivings (ABC) of her being cast in the role should totally have been cast aside by such a gritty performance. The glassing scene in the pub is cloned reality. Magnificent scenery, great acting, intuitive story telling.